Traversing the long walkway that leads to the Sol LeWitt
wall drawings exhibition, you hear disembodied voices (recordings of the eight - member vocal ensemble Roomful of Teeth) singing in brief harmonies (thirds and fifths), and holding sustained microtones.
Not exact matches
For the first time, Michael Jackson: On the
Wall will bring together the works of over 40 of these artists,
drawn from public and private collections around the world, including new works made especially for the
exhibition.
Opening: «Pixar: The Design of Story» at Cooper - Hewitt National Design Museum This
exhibition is a rare peek into the design process behind the creation of Pixar favorites like Toy Story,
Wall - E, Up, Brave, The Incredibles, and Cars, including relics such as rarely seen paintings, sculptures, hand -
drawn sketches, and other original artwork.
The Swiss artist creates
wall drawings that span entire galleries, and in this
exhibition he reacts not only to the space but also to the art on display.
Drawing on a range of influences from music, fashion and poetry to and Eastern spirituality and Abstract Expressionism, for this
exhibition she is presenting a new site - specific
wall painting, a multi-paneled
wall piece, 10 collage paintings and four hanging «bundle» sculptures composed of discarded clothing.
Student artists used found images from newspapers and magazines to add
drawings to the
walls during museum hours throughout the run of the
exhibition.
In part a celebration of the artist's 75th birthday, the show boasts
drawings, sketches, and architectural models in addition to numerous large - scale works, and offers a unique viewing experience as well — Stella staged the
exhibition himself, making the most of the museum's customizable, flexible
wall system.
The
exhibition presented a group of five
walls drawn from prior
exhibitions including Christopher Williams: The Production Line of Happiness, the artist's first major museum survey which travelled from The Art Institute of Chicago to The Museum of Modern Art in New York and London's Whitechapel Gallery in 2014 - 2015.
Installed in the old Domino Sugar Factory in Brooklyn, the much - talked - about monumental sugar sphinx
draws more than 130,000 visitors; inspires praise, countless opinions and selfies, and a porcelain pitcher; earns her recognition from
Wall Street Journal Magazine as its 2014 Art Innovator and a spot on Foreign Policy magazine's list of leading 2014 Global Thinkers; and is currently being explored in «Afterword,» an
exhibition at Sikkema Jenkins Gallery in New York.
In her recent
wall -
drawings, the largest of which to date will be made at Tate Britain especially for the
exhibition, Riley eschews paint and colour, weaving intricate compositions entirely using line.
The
exhibition includes Simmons's first chalk
drawings on blackboards done in the artist's «erasure» technique along with sculptures, paintings, photographs and a 1992
wall drawing not seen since it's first presentation at the Drawing
drawing not seen since it's first presentation at the
Drawing Drawing Center.
For her second solo
exhibition in the gallery, and in Belgium, Louise Bourgeois has made a selection of recent sculptures in fabric, screen prints on vintage cloth and a completely new series of
wall hangings, entitled «The Woven
Drawings».
Sharpie on
wall, commissioned
wall drawing as part of
exhibition Far, Far Away at the Children's Museum of Photography, New York, New York.
In conjunction with the Girls» Club
exhibition Following the Line, Girls» Club presents an site - specific installation featuring canvas paintings and
wall drawings by Miami artist Julie Davidow at PULSE Miami, 1400 N. Miami Avenue.
Cuchifritos is proud to present Made and Unmade, a solo
exhibition that presents the conceptual strategies and stylistic tendencies of visual artist, Manuel Acevedo through three bodies of work: the Alpha - Bits series, Glory
wall drawing, Renau's Room and Soldier's Playground.
-- NYTimes The Larry Gagosian Effect —
Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top
Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of
Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
His new works — created for his solo
exhibition Penumbra at Goodman Gallery Johannesburg — explore interconnections between
drawing and sculpture and consist mainly of wire
wall hangings that resemble overblown lace or crochet work.
Exploring the possibilities of punctured shapes, and the relationships between painted surface,
drawing, and the
wall, Mangold's new works are a continuation of ideas explored in Pace's 2014
exhibition Robert Mangold.
That was when it opened the refurbished Building 7 with a 25 - year
exhibition of 105 in - situ
wall drawings by Sol LeWitt, an influential Minimalist - Conceptualist who doesn't figure as prominently in the Dia power grid as others.
Commissions include a
wall drawing commissioned by the British Museum in 2012 for its
exhibition Hajj: Journey to the Heart of Islam.
Not quite the case this time — rather, I was tricked, yet still intrigued by the footprints and other naïve - styled
drawings that were scattered on the gallery
walls, the majority of which were the products of a live performance held during the
exhibition's opening.
This
exhibition features a series of
wall drawings made by Lodewijks alongside a selection of printed materials.
In the spirit of Sol Lewitt, these
wall drawings, executed on - site at Pulse only days before the fair opens to the public, exist only for the duration of the
exhibition.
MAY 5 - MAY 20, 2007 Umeå Academy of Fine Arts presents an
exhibition under the title Projekt ´07 Painting,
drawing, digital images, photography and
wall tapestries are blended with audio and video works.
The Painting Center is pleased to present «
Wall Works,» an
exhibition of painting,
drawing and installation engaging the gallery's
walls as the primary support and framing device.
Throughout his brief and influential career, Palermo executed paintings, «objects,» installations,
wall drawings, and works on paper that addressed the contextual and semantic issues at stake in the construction,
exhibition, and reception of works of art.
LeWitt's construction serves as the focal point of an
exhibition aptly titled «Sol LeWitt: Concrete Block Structure,» which also features his
Wall Drawing 664 (1990).
The
exhibition will include more than thirty works, ranging from black - and - white examples created in the 1960s to recent
wall paintings, and
draws heavily from extensive museum holdings of the artist's works in a consortium of Japanese museums.
The installation is intended to be on view for a minimum duration of 15 years, and follows in MASS MoCA's tradition of long - term installations, such as the
exhibition of
wall drawings by Sol LeWitt.
Recent group
exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «
Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An
Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «
Wall - to -
Wall» at The
Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A.
Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student
Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class
Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried
Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student
Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students
Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture
Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective
Drawing Exhibition,» Leon, Spain.
Site specific sculptural interpretation structure 2006 Interior Design projects in Ireland, and Bristol, incorporating commissioned
drawings Basingstoke & Deane, Restoration of Regency Gate,
Walled Garden 2005 Basingstoke & Deane Commission for
Walled Garden 2002 Basingstoke Heritage Society, Site Specific Interpretation Structure 2000 Basingstoke & Deane Borough Council,
Walled Garden Sculptural Signs RECENT
EXHIBITIONS 2013 Art in the Gardens, Sir Harold Hillier Gardens.
1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group
Exhibition, Arthur Roger Gallery, New Orleans, LA
Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York
Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris
The
exhibition brings
draws together approximately 20 of Nevelson's iconic black and white painted wood sculptures,
wall reliefs, and installations from the late 1950s through the late 1980s.
For her
exhibitions, the artist arranges
wall - mounted and freestanding objects,
drawings and collages, glass display cases and book series, films, videos and slide projections.
Off the
Wall is an exhibition inspired by the minimal wall drawings and sculptures of Sol LeW
Wall is an
exhibition inspired by the minimal
wall drawings and sculptures of Sol LeW
wall drawings and sculptures of Sol LeWitt.
Additional programming tied to the
exhibition includes a conversation with Victor Ekpuk on September 17, in which the artist and Art History Professor Lisa Aronson will discuss the source of inspiration for Ekpuk's
wall drawings — the secret indigenous Nigerian script known nsibidi.
This volume, published concurrently with an
exhibition at New York's Galerie Lelong, features 22 recent paintings, including works from Scully's much - admired
Wall of Light and Robe series, plus recent watercolors and
drawings.
They're hosting an opening reception for four
exhibitions, and one not - to - be-forgotten
wall drawing.
The Tang has commissioned an original
wall drawing for the
exhibition from contemporary Nigerian artist Victor Ekpuk, whose work is inspired by aesthetically rich and inherently secretive forms of textile - based written communication in Nigeria.
In Floors of the
Exhibition, 2011, lines of magnetic tape run along the gallery
walls creating three distinct elevated architectural
drawings of the three theatre spaces used by Welles.
In this long - awaited solo
exhibition in Japan, Tuttle will present new works including
wall sculptures and
drawings created during the residency.
The
exhibition, which takes its title from a 1964
wall construction (included in the show), focuses on a body of sculptural work and related
drawings that Grossman created between 1964 and 1967.
Many first generation Conceptual artists working in the late 60s and early 70s de-emphasized the art object, in part as a gesture against what they perceived as the increasing commercialization of the artwork (one thinks of Sol LeWitt's ephemeral
wall drawings, painted over at the end of their
exhibition, or the linguistic investigations of Lawrence Weiner who in 1972 wrote, «I do not mind objects, but I do not care to make them»).
AB: Looking at your previous
exhibitions, in relation to your current show at Marianne Boesky, the structure of each show is often a balance between sculptural works that are situated directly on the ground, and
drawings or paintings that are positioned on the
wall.
Featuring a 24 carat gold leaf
wall painting, a 13 - storey high design on a tower block and 5000 - word film script handwritten directly onto the gallery
walls, the
exhibition draws visitors through the SLG's new and existing spaces with a variety of approaches to making art directly on the
walls.
The
exhibition is composed of three elements: a suite of six monotypes, two large paintings on canvas, and the third (and most exciting) is the
wall drawing Mr. Row will produce at the museum April 17 - 20, 2001.
Thomas Demand has selected a wide variety of sculptures, photographs, and films for the
exhibition, which will be installed in intimate spaces defined by labyrinthine
walls based on a
drawing by the artist Martin Boyce.
The finished
drawings are then pinned to the surrounding gallery
walls, becoming part of the
exhibition.
Apfelbaum's
exhibition features gouache
drawings, hand - woven rugs, and
wall - mounted ceramics, often depicting the flattened, stylized woman's face from the
exhibition - inspiring book cover.
In her often mythic work, Schimert selects iconic figures - Ophelia, Sir Lancelot, Neil Armstrong, Nixon, and, for her MATRIX
exhibition at the Berkeley Art Museum, Oedipus - and merges their stories with her own in an abstractly narrative space composed of
drawings, sculpture,
wall drawings, and film.