Sentences with phrase «wall gallery presentations»

Not exact matches

Commissioned by The Ballroom as a component of the Fire Into Music presentation, the silkscreened mural was printed directly onto the gallery walls.

The editions will be displayed on the outside wall of Marian Goodman Gallery's booth (C21), which surrounds the gallery's solo presentation of Pierre Huyghe's «Expédition Scintillante Act II (Light Box)Gallery's booth (C21), which surrounds the gallery's solo presentation of Pierre Huyghe's «Expédition Scintillante Act II (Light Box)gallery's solo presentation of Pierre Huyghe's «Expédition Scintillante Act II (Light Box)(2002).

Swiss artist Nicolas Party, who won the prize for best Solo presentation, impressed with his marbled wall for local gallery Xavier Hufkens, which turned the booth into an enclosed installation, part - chapel, part - summer house.

Rituals Since 1851», Triennale di Milano, Italy (2015); «Visual Deception II: Into the Future», The Bunkamura Museum of Art, Shibuya - ku, Japan; touring to Hyogo Prefectural Museum of Art, Kobe, Japan; Nagoya City Art Museum, Nagoya, Japan (2015); «Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections», The Warehouse, Dallas, Texas, USA (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2013); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London, England (2012); «Paper», Musée d'Art Moderne et d'Art Contemporain, Nice, France (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas, USA (2010); and «Chasing Napoleon», Palais de Tokyo, Paris, France (2009).

Highlights in the Galleries sector included a wall installation of works on paper by Sol Lewitt (b. 1928, d. 2007) and floor sculptures by Carl Andre (b. 1935) at Paula Cooper Gallery, a solo presentation by Ugo Rondinone (b. 1964) at Galerie Eva Presenhuber and Ellsworth Kelly's (b. 1923, d. 2015) «Sumac» at Lévy Gorvy.

The scrolls are displayed both on the gallery walls and in their own individual wooden presentation boxes.

«The Art Show is an opportunity for ADAA members to extend their dynamic programs beyond the gallery walls with ambitious presentations that showcase the range of artists and genres they represent,» said Adam Sheffer, ADAA President and Cheim & Read Partner and Sales Director.

Eagle - eyed visitors to «Hot Cottons,» Magali Reus's first solo presentation in Scandinavia — and the London - based Dutch artist's largest exhibition to date — will have noticed a short column of numbers, ascending in regular intervals, discreetly incised into the plastered walls at the gallery's threshold.

Works of art that you enjoy are fragile, it is forbidden to touch the works of art, to lean against the exhibition gallery walls or to touch museum equipment such as display cases, pedestals and other presentation materials.

Luckily, the main first floor gallery is dominated by a site - specific wall drawing Simmons created for this presentation of the exhibition at the Studio Museum.

Focal points of the booth will be the presentation of The Lovers by Marina Abramović, a body of work she created after walking the Great Wall of China in 1988; Embajada Rusa, a new sculpture by Los Carpinteros constructed from LEGO ® bricks, playfully reimagining the architecture of the Russian Embassy in Cuba; a group of new paintings by Hugo McCloud; and The Time Vivarium, a stop - animation film by Sun Xun, created for his debut exhibition at the gallery in 2015.

Wall Street Journal Reviews Keir Collection Presentation in the Museum's Newly Dedicated Gallery Space

Solo Exhibitions 2015 If this walls had ears, Chert, Berlin Concrete Ribs, Govenhill Baths, Glasgow 2014 DOCU - PRESS 4, Frans Masereel Centrum, Belgium 2013 II Stile, with Nathan Peter, PSM, Berlin Occupying Forms, Glasgow Print Studio, Glasgow 2012 Hard edge, Soft line, David Dale Gallery, Glasgow Every friend of my friend is my friend, with Jérémie Gindre, Norma Mangione Gallery, Turin 2011 Every Which Way, Chert, Berlin The Royal Standard Presents: Cut - Fill - Skim, Liverpool Immovable Parts, with Karin Stewart, Project room 103, Glasgow 2010 Lines have edges, presented by ten til ten, 6 Dixon Street, Glasgow International Festival, Glasgow Open Space, Art Cologne, curated by Jacob Fabricius, Matthias Mühling and Heike Munder, solo presentation with Chert, Berlin 2009 Breadthless Lines, Glasgow Sculpture Studios, Glasgow Cut Line, Ten Til Ten, Glasgow Lines and Pours, Chert, Berlin 2005 The Factory, The Factory, Impact Arts, Glasgow

In this presentation, Furtado responds to the gallery with an installation - based configuration, presenting three of the eight D.S.S. panels, and constructing a wall that functions as a guide through the space.

The Dina Wind Art as Catalyst Fellowship applies this perspective to Fleisher's exhibition program by expanding beyond gallery wall presentations of art to a collaborative, people - centered explorations that engage the Southeast Philadelphia community.

An exceptional promised gift by Robert E. Meyerhoff and Rheda Becker of some 30 large - scale photographs by Thomas Demand, Andreas Gursky, Candida Höfer, Cindy Sherman, Thomas Struth, and Jeff Wall, among others, will further transform the Gallery's presentation of contemporary photographs.

The presentation of the exhibition is extremely simple, the pictures are evenly spaced around the walls of the large central room of the gallery, subtly sequenced and grouped so that one composition may follow the previous image.

In a monumental salon - style presentation using 18 feet of the gallery walls, the show presents several bodies of work made throughout the past five years that highlight Stuckey's preoccupations with creating an entirely new pictorial language.

1970 String and Rope, Sidney Janis Gallery, New York, US 995,000, The Vancouver Art Gallery, Vancouver, CA; 3,549,000, CAYC, Buenos Aires, AR Conceptual Art & Conceptual Aspects, The New York Cultural Center in cooperation with Farleigh Dickinson University, Madison, New Jersey, New York, US Art in the Mind, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, US 18 Paris IV 70, 66 rue Mouffetard, Paris, FR Umwelt - Akzente / Die Expansion der Kunst, Kunstkreis Monschau, Monschau, DE Using Walls, The Jewish Museum, New York, US Concept Art, Arte Povera, Land Art, Galleria Civica d'Arte Moderna, Torino, IT 3rd Salon International des Galeries Pilots: Artistes et Découvereures de Notre Temps, Musée Cantonale des Beaux - Arts, Lausanne, CH; Musée d'Art Moderne de la Ville de Paris, Paris, FR Summer Show, Studio International, London, UK Information, Museum of Modern Art, New York Summer, Art & Project, Amsterdam, NL Software, The Jewish Museum, New York, US; The Smithsonian Institution, Washington D.C, US American Drawings, Yvon Lambert, Paris, FR Halifax Conference, Nova Scotia College of Art and Design, Halifax, CA 3 - 00; New Multiple Art, Whitechapel Art Gallery, London, UK Identifications, Fernsehgalerie Gerry Schum, Hannover, DE Beached, presentation Nirvana Exhibition, Kyoto Municipal Museum of Fine Art, Kyoto, JP Huebler, Antin, Salvo, Weiner, Galerie Sperone, IT

2001 Words and Landscape, Art Affairs, Amsterdam, NL Conception: Conceptual Documents 1968 - 1972, Norwich School of Art and Design, Norwich, UK; The Library, Henry Moore Institute, Leeds, UK; Chisenhale Gallery, London, UK; Baskin Gallery, University of British Columbia, Vancouver, CA Rolling Stones Adorned With Starlight, Galerie Hubert Winter, Vienna, AT Words + Landscape, Art Affairs, Amsterdam, NL The Starving Artists» Cookbook Video Series, Anthology Film Archives, New York, US; Galerie Rachel, Haferkamp, Cologne, DE «Für Hanne», Galerie Ascan Crone, Hamburg, DE Yossi Breger, Douglas Gordon, Jonathan Monk, Lawrence Weiner, Dvir Gallery, Tel Aviv, IL Dead, The Roundhouse, London, UK Vette Vazen, Brutto Gusto, Rotterdam, NL AM The Record Man: Artists» Audio Projects, Art Metropole, Toronto, CA From the Marzona Collection, Kunstverein Ludwigsburg, DE Presentation of the Works, Frankfurt, DE Imago Mundi, CAPC - Musée d'Art Contemporain, Bordeaux, FR Group Exhibition, Cab Gallery, London, UK Collaborations with Parkett, Museum of Modern Art, New York, US DIN ART 4: 540 Künstlers und 1 Formular Sammlung Klaus Hömberg, 1985 bis 1997, Museum für Telekommunication, Frankfurt, DE; Museum für Kommunikation, Hamburg, DE; Museum für Kommunikation, Berlin, DE The First Ten Years: Selected Works form the Collection, Irish Museum of Modern Art, Dublin, IR Nothing, Northern Gallery for Contemporary Art, Sunderland, UK; CAC, Vilnius, LT; Rooseum, Malmö, SW Sammlung Ingo Glass, Herbergen - Museum des Münchner Stadmuseums, DE Counting Coup / Undo, The Theatre for the New City, New York, US Wall > Sculpture, Margarete Roeder Gallery, New York, US Wert Wechsel, Zum Wert des Kunstwerks, Museum für Angewandte Kunst, Cologne, DE So Oke, Benefit Auction for Infoscreen, Futuregarden Kunstverein, Vienna, AT Archilab 2001, 3rd Intern» l Architect, Conf, Ville d'Orléans, FR Drawings, Regen Projects, Los Angeles, California, US Von Edgar Degas bis Gerhard Richter: Arbeiten auf Papier aus der Sammlung des Kunstmuseum Winterthur, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Munster, DE Markers: Outdoor Banner Event of Artists and Poets, part of 49th Venice Biennale, org.

Moving away from the traditional white walls of an art gallery, the presentation challenges expectations and highlights the power of display.

In April, French - Swiss artist Amélie Ducommun's paintings from her Sensitive Water Mapping series will be shown in a solo presentation at Wall Gallery in...

When visitors enter the art gallery, there will be an introductory film and throughout the exhibition space the art works will be identified with extended wall text and two multimedia presentations will provide further information.

Art Berlin Contemporary (abc) eschewed the curated booths common to most art fairs — instead, presentations by 111 galleries spread across three halls without any walls to contain them.

So as not to interfere with the presentation of the art objects, the interior design of the gallery — the floor, walls, and ceiling — is muted in terms of expression and assertion.

In his first presentation since re-joining the gallery earlier this year, he will show a historical range of work including a major stone floor piece, a text piece and a monumental mud wall work.

Highlights of special projects included a recreation of Gordon Matta - Clark's Garbage Wall, presented by the Estate of Gordon Matta - Clark in collaboration with students from Florida International University Honors College; GAMMA GALERÍA's presentation of Thiago Martins de Melo's Deus Cortado; a large selection of works by the prominent French - Venezuelan artist Carlos Cruz - Diez, presented by the Savannah College of Art and Design (SCAD), both inside the fair and in a «mobile museum» in a shipping container located just outside Untitled's pavilion; Sergio Vega's Shanty: on the mimetic faculty presented by Galleria Umberto di Marino; Lucy + Jorge Orta's Antarctic Village — No Borders, Dome Dwelling presented by Jane Lombard Gallery, and Hotspot, a collaborative presentation by Bogotá's CARNE and San Juan's Km 0.2.

Augmented for the first time by works on loan in a wise attempt to add more dimension to their presentations, Colen's exhibition follows the circular narrative of the architecture with a site - specific installation featuring Kool - Aid Man, Roger Rabbit, Wile E. Coyote and a life - size replica of himself perforating the walls of the gallery in true cartoon fashion only to collapse at the very end.

Even the grey colour of the gallery walls is part of the artist's specifications for the presentation of the nine canvases.

With its program the Alkatraz Gallery does point to the creativity behind the walls of the City, however, it is no longer, like it was at the beginning (in the second half of the 90's), intended primarily for presentations of the Metelkova City artists, as it has, gradually evolved into a competent contemporary international venue.

Andrew Edlin Gallery will host its final exhibition at its Chelsea location with a presentation by seven artists who were invited to create works related to the environment and install them directly onto the walls, ceilings and floors of the gGallery will host its final exhibition at its Chelsea location with a presentation by seven artists who were invited to create works related to the environment and install them directly onto the walls, ceilings and floors of the gallerygallery.

Additional Galleries Open June 4 — September 1 Extending beyond the rotunda and ramps, the Haunted presentation will include the Guggenheim's fifth and seventh level Tower annex galleries from June 4 through September 1, with additional works by Thomas Demand, Stan Douglas, Christian Marclay, and Jeff Wall on view.

Speaking to Lauren O'Neill - Butler in Artforum.com in 2009, Chaimowicz recalled the work's presentation at the Serpentine Gallery: «In terms of reception, the way I was working was alien to an audience that was still presuming to see work on the walls to be negotiated at eye level.