Not exact matches
Too many of the most favored and powerful have
abandoned the Puritan ideal of the «city
built on a hill» (language to which Ronald Reagan once appealed) and aspire to living
in a mansion behind
walls, where they can act out the anarchic fantasy of doing what pleases them.
In particular Vanier brings out the profound sadness of Jesus as, through fear and a closed mentality, people build up their own walls that destroy trust in him or put up their own barriers to shut out love: in his description of the washing of the feet, Vanier looks at Peter who does not understand weakness until he is filled with the Holy Spirit, Judas who can not tolerate love and kindness, and John who eventually abandons himself to Jesus and knows he is loved by hi
In particular Vanier brings out the profound sadness of Jesus as, through fear and a closed mentality, people
build up their own
walls that destroy trust
in him or put up their own barriers to shut out love: in his description of the washing of the feet, Vanier looks at Peter who does not understand weakness until he is filled with the Holy Spirit, Judas who can not tolerate love and kindness, and John who eventually abandons himself to Jesus and knows he is loved by hi
in him or put up their own barriers to shut out love:
in his description of the washing of the feet, Vanier looks at Peter who does not understand weakness until he is filled with the Holy Spirit, Judas who can not tolerate love and kindness, and John who eventually abandons himself to Jesus and knows he is loved by hi
in his description of the washing of the feet, Vanier looks at Peter who does not understand weakness until he is filled with the Holy Spirit, Judas who can not tolerate love and kindness, and John who eventually
abandons himself to Jesus and knows he is loved by him.
There's a moment early
in the seventh and final season of True Blood when Jason Stackhouse (Ryan Kwanten) looks at the writing on the
wall — literally words written on a
wall, spray - painted to the side of a
building in a neighboring town which has been all but
abandoned.
During the US invasion
in the late 1980s, this area was heavily hit and many of the
buildings were
abandoned with bullet holes peppered across the
walls.
The film / book follows a narrative of a failed love story, involving a woman who had recently
abandoned the narrator and left him with the landscape photographs lacking his presence and the presence of the notorious Israeli
built Wall in the West Bank, an absence which echoes the atmosphere conjured by these images.
Some of his best - known projects involved laboriously cutting holes
in the floors or
walls of
abandoned or soon - to - be-demolished
buildings or, as with Splitting (1974), meticulously slicing a house
in two.
★ Diana Thater: «Chernobyl» (closes on Saturday)
In this four - walled video projection, the viewer is immersed in layered, shifting images of the decaying buildings, rusting rubble and overgrown fields in and around Prypiat, a Ukrainian city built in the early 1970s for workers at the Chernobyl reactor and hastily abandoned after the reactor's nuclear meltdown in 198
In this four -
walled video projection, the viewer is immersed
in layered, shifting images of the decaying buildings, rusting rubble and overgrown fields in and around Prypiat, a Ukrainian city built in the early 1970s for workers at the Chernobyl reactor and hastily abandoned after the reactor's nuclear meltdown in 198
in layered, shifting images of the decaying
buildings, rusting rubble and overgrown fields
in and around Prypiat, a Ukrainian city built in the early 1970s for workers at the Chernobyl reactor and hastily abandoned after the reactor's nuclear meltdown in 198
in and around Prypiat, a Ukrainian city
built in the early 1970s for workers at the Chernobyl reactor and hastily abandoned after the reactor's nuclear meltdown in 198
in the early 1970s for workers at the Chernobyl reactor and hastily
abandoned after the reactor's nuclear meltdown
in 198
in 1986.
Ever
in search of dissonant juxtapositions and interesting details, Buer captures the poetry of imperfection
in the graffiti marred
walls of
abandoned factories, and
in the permanent vacancy of old
buildings overgrown and dispossessed by the progress of nature.
To complement the exhibition and extend it beyond the
walls of the galleries, Thomas will create an interpretive public art video installation to be projected on an
abandoned building in the neighborhood.