Sentences with phrase «wall installation titled»

Inquiry's End features one of the artist's most challenging works to date: a ninety - one part wall installation titled A Pattern or Practice (2015) that uses inkless embossing to punch portions of the US Department of Justice report on the Ferguson Police Department into blank white sheets of paper, making the findings all but inscrutable to the viewer.

Ripo recently finished this new wall installation titled «I Got Your Back» in Cologne, Germany as part of the City Leaks Festival.

Not exact matches

For the past quarter century, primarily with his paintings but also, as a recent exhibition title put it, «other stuff,» like photographs, videos, sculptures, and installations, he has been getting black figures onto museum walls.

As part of the inaugural exhibitions, Sarah Cain has created a dynamic wall installation for the ICA LA courtyard titled «now i'm going to tell you everything,» 2017.

The exhibition «Wind» is accompanied by an exhibition of new wall objects under the same title at Neugerriemschneider, Berlin and coincides with the reconstruction of the historic Installation «3 Vollellipsoide Skulpturen» of the artist from 1978 at the Museum für Moderne Kunst MMK in Frankfurt a.M.

Titled Charred Landscape (America), the installation will circumnavigate the gallery, surrounding visitors, and dissolving into the white walls.

This group tackles many challenges including, project management, title - wall construction and installation, signature panel fabrication and install, patching and painting walls, modular wall set up, blocking the walls for art installations, shipping and receiving of artworks, condition reporting, conservation of artworks, art installation, gallery seating building and placement, lighting, labels, and a host of other details to make the galleries shine and complement the artworks.

In his first L.A. museum exhibition, Simmons paints the titles of race films on five large walls as part of a site - specific installation in CAAM's grand entrance.

IJ: Your current solo show at Derek Eller, which you titled, Driftloaf, seems a lot more quiet and pared - down compared to your previous installations which included large scale sculpture, painted walls and hundreds of drawings; it's more concise and seems to be more about sculpture.

For his first exhibition with Moniquemeloche, Sanford Biggers activated the street - level storefront «on the wall» project space with a site - specific installation titled Ago emerging from his recent work with civil war - era and pre-1900 quilts.

Installation view of title wall for Summoning Ghosts: The Art of Hung Liu, October 10, 2014 — January 11, 2015.

Behind that wall is Burge's immersive installation Penumbra, which lends this exhibition its title.

Subsequent to Gaudin's kinetic installation titled Rites and Aftermath on view at the Palais de Tokyo, Paris, through May 8, 2017, the artist's first show at the gallery in Berlin introduces a performance - activated sculpture at its center and a series of aggressively distorted planes of aluminum and plaster dominating the walls of the gallery at Linienstraße 23.

Her installations, titled For the Love of Morris Louis, feature wall paintings and rugs of her design along with an exuberant display of ceramic objects from the Everson's collection.

The dynamic installation, titled Traiettorie Architettoniche (or Everybody's got their own arrows), gave the impression the artist had pierced the building's inner walls with mammoth missiles.

The title of the show is «Delirious Picasso,» and it fits the fun - house feel of the installation (in which several pieces span entire walls).

Under the title «Neptune Society, San Francisco Columbarium, 4th Fl., Dome Room, South Wall, Tier 4» we are presenting an installation with new works by Dahn Vo, a new text by Julie Ault and photographs by Heinz Peter Knes, as well selected works and ephemera from the estate and collection of Martin Wong.

For her 2017 exhibition at Lehmann Maupin New York, titled, Fire (America), Fernández presented a 16 - foot glazed ceramic panel depicting a nocturnal image of fire, a series of burned, laser - cut landscapes on paper, and a site - specific installation that resembled a horizon line composed of charred lump charcoal applied directly to the gallery walls.

Despite its unwieldy title, «Dereconstruction» was characterized by a restraint not often found in summer group shows, the hand of the ubiquitous White Columns director demonstrably evident only in the selection of the works rather than imposing itself via overblown wall texts or installation design.

In Sue de Beer's work since the early 2000s, we get to see - the way we don't see our own - her personal image - streams on a wall, excellently crystallized into a series of lucid and fey film installations: Disappear Here, 2004, with a title from Bret Easton Ellis and a monologue from an untitled (and so far unreleased) novel by Alissa Bennett; Black Sun, 2005, with a title from Julia Kristeva and texts from two Dennis Cooper novels; The Quickening, which was based on writings by Joris - Karl Huysmans and Jonathan Edwards.

And all the critical rants to the contrary, this Biennial is not without its ephemeral gestures to private emotions, including Kiki Smith's shower of glass tear drops strewn before two transparent feet and lovingly titled Mother (1992 - 3); Jack Pierson's Diamond Life (1990), a sensitive hommage, with desk cigarette butts and Joni Mitchell albums, to the slower moments of an emotional life in the 70s; Lari Pittman's intricately patterned paintings; Lorna Simpson's wonderful wall of trumpet mouthpieces that form part of her installation Hypothetical?

Taking it all in — painting, video, an installation, drawings, a wall - bound mixed media work involving light bulbs and wainscoting, and set of mystical - minimalist sculptures titled Magic Sticks — was like spending time in an incredibly diverse neighborhood where it turns out everyone is family.

David Scanavino has created a site - specific floor installation and new large - scale wall relief for his exhibition titled Imperial Texture at the Aldrich Contemporary Art Museum in Ridgefield CT, transforming the South Gallery into both an experiential sculpture and an engaging platform for interactivity.

The show will include an installation titled «Rage Room» that, with its bloody walls and smashed furniture, serves as tribute to, well, rage.

The runner - up went to Jonathan Fong, with his proposed work titled Faces «A wall work installation that highlights the community at the MBFS office having painted portraits of their employees on various sized sheets of plexiglass juxtaposed along the wall of the HR department.»

The venture's innocuous slackness — the artworks aren't exactly titled or untitled, the installations may change during the course of the show, the space is attended by whichever trusted friends happen to be hanging around on a given evening — only lends breathing room to the venue's black - walled cube.

Recently Drew produced an installation for San Francisco's de Young Museum titled Number 197, a work which responded to the institution's unique architecture by spanning three walls of its atrium.

True to his current explorations, he moved away from painting and towards wall reliefs, sculptures, and installations by destroying his canvases in a bonfire, titling this action, Burning an Entire Body of Work (2006).

Here, the immersive installation, titled Casa de Cambio (2016), sees walls festooned with paintings of fruit and exotic travel posters, a glass column filled with hand - made jewelry, and wall - mounted monitors streaming commissioned videos by Latin American artists.

Adian's wall - mounted abstract paintings, made by stretching canvas over shaped pieces of foam, will find themselves in a group show titled «Rascal House» with Blair Thurman, John Armleder, and Stephane Kropf at Half Gallery in January 2015, followed by an installation at Lever House in New York.

In the installation, titled alternating pink and «gold,» 54 eight - foot - tall florescent light tubes alternating in pink and yellow were installed vertically across the six wall spaces of the museum at intervals of two, four, and six feet.

The wall installation, Memorial Promenade, by Rebecca Horn — a title borrowed as the subtitle of the exhibition — is not only a guidepost, but together with the works, Three Periods and Question Mark, by Richard Artschwager representative for many significant works placed in outstanding collections.

Media Replication Services and the installation at the Museum are components of Triple Canopy's contribution to the Whitney Biennial, an issue of its magazine also titled Pointing Machines, which continues the reproduction and circulation of the displayed objects beyond the museum's walls, and includes essays, artist projects, discussions, and performances to be published and presented online and IRL in the next year.

«That wasn't theirs,» Klymko shot back, explaining that the artist had painted the exhibition title on the walls as part of the original installation.

Additional linguistic components exist around and within the heaters: the artist has designed a font for the title of the work, which appears in various forms throughout the installation as wall text and as inscriptions that appear on and around the physical components themselves.

In his first solo show at DUVE Berlin titled Copies and Columns, Athens - based artist Petros Moris presents an installation of wall - based and...

It also acquired three acrylic - on - canvas paintings from the»60s by Lawrence Weiner — No Title, Title Unknown and Yellow Wheel with Orange Border — plus three other»60s - era conceptual installations — A Wall Pitted by a Single Air Rifle Shot; Gloss White Lacquer, Sprayed for 2 Minutes at 40 lb Pressure Directly upon the Floor and A 36 x 36 Removal to the Lathing or Support of Plaster or Wallboard from a Wall.

The piece, titled This is how the myth repeats, is a 14 x 20 feet installation of toner and graphite directly on the walls of the Atlanta Contemporary Atrium.

Running over a month from February 14 to March 14 at Mexico's Parallel Oaxaca, the show included just three wall - mounted sculptural installations titled «Espejo», «Baño» and «Toalla» (2015), as in «mirror», «bath» and «towel».

Professional Experience SMC Construction (Irvine, CA) 05/2007 — Present Senior Project Superintendent • Supervise and managed subcontractors for a $ 4.2 million parking garage for LA Valley Collage • Perform demolition of the existing parking lot and construction of new 458 parking spaces • Install new lighting and «fire life safety» emergency phone system throughout the parking lot • Construct new storm drain system, Bio-swale, landscaping and new marquee signs • Oversee an $ 18 million construction project for the Ventura County Fire and Sheriff Academy Training Academy (FSTA) • Build single story, metal framed, 47,640 square foot of classroom building • Construct classrooms, fire lab, driving and shooting simulator rooms, library, offices, kitchens, multipurpose rooms, break rooms, and restrooms • Supervise and manage the construction of the Gold LEED Huntington Library • Oversee demolition of existing library in accordance with city regulations • Manage the construction of the $ 28 million Gold LEED Rieber Hall for UCLA • Direct team of more than 120 workers a day for refurbishment of 424 dormitory building • Ensure compliance with Title 24 and the latest code and building regulations • Perform asbestos abatement, installation of HVAC system with new boilers and ductwork, plumbing with Solar panels providing hot water to 24 bathrooms with multiple showers, toilets and sinks, and ADA compliant restrooms • Install electrical system with an emergency generator backup system, 4 traction elevators, windows, and curtain wall system • Completed project on schedule without disrupting the University's use of the 1st floor and exterior • Oversee the $ 5.6 million exterior renovation of the Anaheim Convention Center • Remove exterior walls on 3 sides of the building and install complex new curtain wall system in 20 bays • Maintain job site and public safety allowing use of the convention center during ongoing construction