Sentences with phrase «wall installations using»

In the 1950s, she began working with massive wall installations using found pieces of wood that were collaged in geometric grids and covered in paint for a uniform look, emphasizing the relationship of the shapes to one another.

Rebecca Smith, David's daughter, created a forty foot wall installation using various lengths of colored commercial tape, linking herself to the others with regard to formal and procedural concerns.

Not exact matches

By maneuvering the panels, you can use this gate freestanding or use the included wall mounts for permanent installation.

Both these installations were carried out by our team in a minimum amount of time, without causing damage to walls or furniture, and using only JPMA approved baby gates that are not always found in regular stores.

Located in the Blanche and Irving Laurie Foundation Art Stairway, this site - specific installation uses allusive words on the walls and windows to successfully engage the viewer.

From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold, fluorescent lamp that hangs on a diagonal on the wall — a work which marks the artist's first use of fluorescent light alone, until his death in 1996, Flavin produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations of light and color.

A couple of them are encased in pods of transparent plastic sheeting, which was also used to cocoon her wall - installation Majestic Splendor (1997), comprising 98 pouches of raw fish, each adorned with hand - sewn, beaded tiaras, representing the neglected role of female laborers in the Korean handicrafts industry.

These images are drawn from his imagination as well as a range of other sources and also manifest themselves across large paintings on paper, used domestic objects such as batteries, mops and Underground Travelcard receipts, and expansive wall painting installations involving the surrounding architectural elements.

The focus of his work shifted decisively to painting in the 1990s, using the same range of boldly outlined motifs and vivid colour schemes in unexpected combinations, applied on canvas and later to aluminium panels, while also working on increasingly complex installations of wall paintings.

For the Art Center, Lozano used the two floors of the entrance area to compose a double - decker large installation of wall paintings wrapping seductive glimpses of bodies and bedrooms in drapes of rich color.

Describing his work as «long - form, visual, comedic poetry» and «glorified political cartooning,» the artist continues to use his unique background to create heroically - scaled installations, most often anchored by wall - sized, photorealistic drawings utilizing charcoal, graphite and colored pencils.

Fontana's best - known works are the aforementioned slash paintings, but beginning in the late»40s he made what artists 50 years later called installation art, using neon lights, colored glass, metal sheets, and painted walls.

Finally, in his installation Hanging study the bills are used to spell out the word «Reparations» across a series of panels propped against the wall, a future hanging place designated in paper outlines.

In 1949, he exhibited Ambiente Spaziale a Luce Nera (Spatial Environment with Black Light), a room - sized work using neon lights in a dark space of colored walls, a proto - installation style that would reappear decades later and in the Gagosian show.

Like my modular / installation works of 1968 these new modular shapes again use the negative background wall space but -LSB-...]

Her sculptural works are often site - specific, making use of architectural space and working in tandem with abstract wall drawings to form the installations as a whole.

Using a range of media, including installation, wall sculptures, paintings and works on paper, the show explores the formal and psychological aspects of symmetry, distortion, inside and outside.

Leaping from medium to medium, subverting the conventional uses of materials, and expanding the artwork to a wall - to - wall environment, Evans recasts the identity of a painting as an immersive installation that alters the architecture of a space and engages the viewer through the infinite happenings of a work.

Some of Olivier's recent projects include her mirrored remix of a Revolutionary War battle memorial in Philadelphia for the Monument Lab project and her wall and car - shaped installations at Lehigh University that incorporate used clothing and discarded shoes (see photo, above).

Many of his early works took the form of conceptual photography, though Johnson eventually expanded his practice to include wall - based works that engage the legacy of painting, sculptural installation, and assemblage using manufactured materials like shea butter, books records, and incense.

Using a variety of techniques — paint on canvas and velvet, drawing, printmaking, and wall installations — Bochner's Thesaurus paintings riff on words and their meanings in countless permutations.

The exhibition will also feature an installation of one wall extracted from Materazzi's garage, the remnant of a performance used in the series of photographs.

Celebrated for his full - scale installations and wall - mounted sculptures, Drew uses a variety of materials such as wood, iron, cotton, paper and mud to re-work in the building of new and lively forms.

Each of these installations is loosely based on a classical landscape painting by the 17th - century artist Nicolas Poussin (1594 — 1665) created as three - dimensional interpretations using sets of pedestals and standing walls in varying dimensions to display objects in meticulous arrangements.

On the wall: Helmar Lerski, From the series: Metamorphosis through light, 1935/1936, Foreground: Ronald Jones, Untitled (This trestle was used to hold bodies...), 1990, Courtesy and Jean - Pierre Lehmann Collection, Installation view KW Institute for Contemporary Art, 2017, Photo: Frank Sperling

Chitra Ganesh creates wall installations, paintings, drawings, photographs, and animations that make use of an expansive visual vocabulary that ranges from Bollywood films, comics and graphic novels, to iconic feminist imagery.

Based on images of part of the large site - specific painting created directly on our walls and floor, she has created a completely new installation of printed fabric that hangs where the original used to be, now hidden under many years of layers of wall paint.

For The Warehouse Gallery, Cui Fei has collected nine thousands thorns for her drawing Manuscript of Nature VIII and she has created new site - specific wall drawings and installations: one consisting of salt, as a reference to Syracuse's history, and another is a healing piece using sand as a reference to the tradition of sand painting in the arts.

The Wall Street Journal recently wrote about Sze's «dizzying room - size installations using household bric - a-brac and a mad scientist's obsessive flair.»

From 1974, with the installation / performance Present Continuous Past (s), Graham began to use two - way mirror walls in relation to real reflections and time - delayed video projections.

German artist Katharina Grosse is best known for her spray - painted installations that cover gallery walls, furniture and hanging plastic orbs with a surface of lustrous, vivid color that strongly alludes to the body used to create it.

New works have been made especially for the exhibition including Anna Ray's «Margate Knot» (2017), a site - specific work produced by Ray and a host of local Margate makers; and an installation by Samara Scott in the museum's lift that uses a combination of carpet, food colouring and yoghurt to entirely its walls, creating an immersive and, in the words of the artist, «Overwhelming experience» for visitors to get in and up close to.

It cares too much for the wall to be quite sculpture or installation either, and its use of materials as her elements of color and composition look back to shaped canvas as well.

I have been exploring these issues in several series simultaneously: small drawings on mylar; wall pieces with wax and handmade paper and thread on glass sheets; sheer handmade paper pieces embedded with threads and tissue; and installations which use these elements in an accumulated form.

As the 1999 American representative at the Venice Biennale, she addressed topics of slavery and oppression in American society, with an installation that used walls embossed with Braille, which caught a dazzling red powder as it slid down from above, literally making language visible.

Donzeaud's experiments in turning a plastic used for containers into flat screens that adapt to the walls of the indoor space are stretched out and over a frame; sometimes hanging like a canvas in «Untitled PE (Caring 01)» and «Untitled PE (Caring 02, 03, 04)» or jutting out of wall and becoming a sort of installation - sculpture in «Untitled PE (Caring 05, 06)».

It's an installation using a certain «street» vernacular more visible in the public rather than private space, yet dominates a LEAP gallery wall in «untitled — rewind» (2014).

Using a range of media, including installation, wall sculptures, paintings and works...

Using an assortment of mixed media — cut paper, graphite, gouache and wall painting — this installation transforms the aforementioned texts into visual patterned abstractions.

Using an assortment of mixed media — cut paper, graphite, gouache and wall painting, Natasha Bowdoin presents a site - specific sculptural installation along with recent two - dimensional works.

Ilene Sunshine brings the outdoors in with her use of twigs and branches and cleverly reimagines the detritus of found plastic bags in a colorful large scale site specific installation which bisects the gallery space creating a wall «of air» and pays homage to and playfully subverts formal concerns of mid century modernism and color field painting.

A total of 4,224 individual tiles have been used for the installation, which cover nearly 100 square metres, adorning three of the building's walls in a riot of shades.

Kelley garnered acclaim in the 1980s for his installations and wall pieces using stuffed animals and crocheted afghans, which appeared in the 1989 Whitney Biennial.

For nearly two decades Nolan has explored illusions of three - dimensional space through the use of pattern, line and shape in two dimensional wall work and floor installations.

His previous works include «Kiss of Love 2009», an installation produced from various paraphenalia that resulted from exchanging his clothes with homeless people, and «Drobne / 2010 Small Change», which through the use of a British penny, focused on the circumstances of Polish migrant workers in London and a place known as the Polish Wailing Wall where they go to search for jobs (often illegal and poorly paid).

Key examples from the artist's most iconic neon series will be on view, including elements from Kosuth's renowned «Freud» series (1981 - 1989), in which the artist puts the psychoanalyst's texts regarding unconscious functioning meaningfully into play using wall pieces and installations, and from his acclaimed «Wittgenstein» series (1989 - 1993), which illustrate the fervent influence of the philosopher on Kosuth's foundation of thinking, and belief that art should ask questions about itself, as a language engaged in the production of meaning.

Kinetic sculptor Tim Prentice of Cornwall offers wall - mounted works, Weston artist Joseph Fucigna's sculpture is made of plastic coated fencing, while Hamden installation artist Howard El - Yasin uses materials that are usually discarded like dryer lint and roasted banana peels.

At that time, when I was doing installations in the 1980s and»90s, I used a black - and - white letterpress plate to print the images and then, instead of using metal plates to print on paper, I used polymer plates to print onto the wall.

This project, a permanent installation, was his first in porcelain tile and employs the same color palette — deeply saturated tones of blue, green, yellow, orange, red and purple — that he used in his acrylic wall drawings.

In an installation consisting of a text, floor piece and wall panels, he uses patterned fabric as the metaphorical and literal centre of a discussion about HIV and the relationship of gay men to the North American body - politic.