Sentences with phrase «wall objects made»

Not exact matches

Many people think that the Great Wall of China is the only man - made object that can be seen from space.

Move breakable objects that could fall, and make sure tall or unstable pieces of furniture and large or heavy pieces of art are secured to the wall with brackets or safety straps so they can't topple over.

Make sure that wall mountings, electrical outlets, and objects on counter tops are out of baby's reach from the feeding chair.

Wilmer Olivencia, Jr., who coordinates the city's Anti-Graffiti and Clean City Program, says a fast response makes it easier to remove the paint from walls, signs or other objects where the graffiti was left.

The Great Wall of China is not, as is claimed, the only human - made object visible from the Moon or from space.

After uncovering a range of decorated crafts, ceramics and refined stone artifacts, he says scientists have unearthed strong evidence for amalgams made of sulfate gypsum and other local minerals to create a variety of pigments to decorate objects and paint murals on walls.

CHANGE UP YOUR ART When you look at the photos, paintings and objects hung on your wall, ask yourself: does this make me feel good or bad?

● In the same hue, look at this gorgeous wall color and how it makes any object stand out!

If money wasn't an object I would fill my closet wall to wall Stella, I love how she makes clothes that are funky but not too avant - garde to actually wear.

I absolutely love art made from found objects, and this driftwood cloud wall sculpture is so beautiful...

Everyone may live in the same apartment building, with the same floor plan, same boring white walls, same view, but the arrangement of the objects you put in it will make it your own.

Thanks to this new system, players will be able to use their surroundings to gain an advantage in battle, including the ability to climb buildings and mountains, wield grappling hooks to traverse walls, and make use of objects like oil barrels.

Companies like the MLB, the Wall Street Journal and the New York Times were given the actual device under very strict compliance requisites of secrecy, like keeping the device in an isolated room with blackened windows while making sure the device is fastened to a fixed object at all times.

Additionally, setting the trap parallel to a structure will make the trap look like it is a part of the wall, the fence, the tree or whatever object you choose.

About half - way through the game in one of its silliest moments comes an attempt to spice up the action by making you choose one of three permanent upgrades, such as the ability to ram through certain walls and objects.

Players will be able to fully utilize their surroundings for the first time in the Warriors franchise with the ability to climb buildings and mountains, wield grappling hooks to traverse walls, and make use of objects like oil barrels in battle.

Thanks to this new system, players will be able to use their surroundings to gain an advantage in battle, including the ability to climb buildings and mountains, wield grappling hooks to traverse walls, and make use of objects like oil barrels.

Now pinned against the wall, he has accepted his fate, but at the moment of certain death, an object shrouded by shadows in the distance makes its way towards the two and gobbles the creature whole.

Apart from her weapons, Lara can make use of her survival instincts which, at a touch of a button, highlight important objects (including scaleable walls) and enemy conditions.

Just make sure not to touch a wall or any other object or the bubble will pop.

i was pleasantly surprised that such a simple design of taking away the «walls» on the top and bottom of the screen can add such a challenge but also make certain aspects of the game less stressful when you're about to rage quit because of a moving object or because of that one spike that doesn't know what's good for it!

Jump up and over objects, jump up walls, shuffling from one wall to the next to make your way up to the floor of a partially destroyed building, the different types of movements are numerous based on the different objects on the map.

This week the museum debuted the largest multi-touch screen in the country, a 40 - foot, super-interactive Collection Wall that displays over 3,500 objects from its holdings, offering opportunities for art - making, sharing, games, and the creation of individualized tours for devices like iPads.

At times, labels can not be placed directly next to the object but every effort is made to place wall text within easy view of the art.

McMillian's artworks — made from «postconsumer objects» like junked chairs, sofas, and wall - to - wall carpeting — reflect the myriad lived experiences of class and capital.

Brixton artist Lesley Hilling brings a series of floor standing and wall sculptures made from salvaged wood and found objects to Knight Webb Gallery.

There are no traditional canvases in Gomes's work: painting instead becomes sculpture, object, an act of mark making upon a surface, or an arrangement on a wall.

Evocative of Louise Bourgeois's distinctively melancholic works, Schwartz's three - dimensional wall pieces made of upholstery fabric, jewelry, feathers, charms, and other every - day materials re-appropriate decorative motifs and transfigure objects into the unfamiliar, their readability and intentions rendered opaque.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

So too, the floor and wall arrangements of objects that he started making in the 1980s blur the line between manmade and natural landscapes: they create an outline of something familiar, where the contributing parts relate to the whole.

Many first generation Conceptual artists working in the late 60s and early 70s de-emphasized the art object, in part as a gesture against what they perceived as the increasing commercialization of the artwork (one thinks of Sol LeWitt's ephemeral wall drawings, painted over at the end of their exhibition, or the linguistic investigations of Lawrence Weiner who in 1972 wrote, «I do not mind objects, but I do not care to make them»).

Brice majored in painting at Michaelis UCT, her early work included constructed artworks combining found objects, or domestic materials such as linoleum, with steel to make wall artworks, installations and sculptural pieces.

School was basically closed, and we were let loose, [to roam] the streets... We stole chalk from the classroom, drew objects on the walls, and made the [younger] kids interact with objects, as if the objects were real.»

In the past, his exhibitions have included a mural made during a performance in which he affixed piece of bacon to the wall with their own fat, a stack of Playboy Magazines topped with a hypodermic needle, a gallery full of objects arranged as though they were simply the refuse in a used hotel room of a rock star.

Meaning: I always intend to make a good painting, as an object, on the wall, with all of its market traps and issues.

In Sticky Pictures, Werner makes visible the source material of her paintings — not only the subject in the photograph, but also the photograph itself; the material quality of the printed image, its traces of weathering, handling and use, its physical presence as an object lying on the corner of a table or hanging loosely on a wall, in a space that might be a studio.

Donald Judd would make these completely non ‑ objective objects and stack them up the wall.

Included here are drawings ranging from the»60s to today, small found - object sculptures, notebooks, and wall installations from the»70s and»80s, as well as a group of recent anamorphic sculptures made between 1990 and 1993.

But, true to form, the artist has transformed the space into a kind of alien disco replete with velvet walls, multicolored carpets, clusters of bright lights and strange scattered objects: a toy chicken atop a plastic tube, an open umbrella, a bench made of a broomstick and a pink neon light.

The seven gates, glass - top tables and wall hangings made out of iron and vintage objects collected by Dylan resonates the death of industrial America.

Since exploding onto the art scene in 2003 with his playful wall drawing performances, Robin Rhode has scribbled on just about every type of surface, while also making photographs and sculptures of objects like bikes, candles, and light blubs out of chalk and charcoal.

They are oil paintings on paper and look like false objects because they are all made with an axonometric perspective, so they seem to come out from the wall, which is covered in a classic type of wallpaper.

The components are found objects as well as shapes she has precisely cut from Lucite, aluminum, wood, cardboard and paper, yielding pieces that are not unlike the wall reliefs made by Frank Stella beginning in the 1980s.

Paulo Monteiro fills entire walls with beautifully contingent constellations of objects and paintings, marked by his physical engagement or the necessity of their making, much as David Ostrowski starts each painting as if it were his first, or last, questioning his practice at every stage.

His sculptures — geometric wall objects, façade - like reliefs, objects and sculptures created from abstract stereometric bodies which take the form of cubes, angles, columns, pedestals, podiums, movable walls and shelving — are made of cheap no - frills materials such as particle board, cardboard, linen, molton, Styrofoam, synthetic resin, emulsion paint, fluorescent tubes and other everyday building materials.

One of the best moments is an onslaught of sculpture by three artists made from found objects: Terry Adkins's combinations of musical instruments shine, and Melvin Edwards's small clenched welded - steel wall sculptures, made from bits of chain and tools, dominate, raising the troubling history of racial violence despite their beauty.

A Wall Around a Window is glimpse into the humble objects that make a space, and a meditative distillation of our built and crafted environments.

El Anatsui, born in Ghana in 1944 and based in Nigeria for much of his career, has become a preeminent West African artist, widely recognized for sculptures and shimmering, tapestry - like wall hangings made from found objects, such as the discarded tops, seals, and neck labels from bottles of distilled spirits.

The vast wall space and soaring ceilings escalated everything to scale of grandeur and made the venue ideal for exhibiting large sculptural objects, minimalist readymades and monochromatic canvases as Lisson Gallery, David Zwirner and Gagosian (respectively) demonstrated.

Artist Thornton Dial, who used found objects, fabric, and paint to make astounding, intricate wall reliefs and sculptures that harbor nuanced narratives at once grand and intimate, died yesterday, Monday, January 25, at his home in Emelle, Alabama.