Sentences with phrase «wall of silence in»

Film Review by Kam Williams Headline: Honest Cop Tested by Blue Wall of Silence in Gritty NYC Crime Saga The Tierneys are a tight - knit Irish - American clan with a long history of service in the NYPD.

Either a whole playground of ideas started bouncing around shouting, «Pick me, pick me,» or there was a deafening wall of silence in the space between your ears.

Not exact matches

It's also the latest in a series of shifting stories from Trumpworld to explain away the Stormy Daniels saga since the Wall Street Journal first reported in January that Cohen arranged to pay Daniels (whose real name is Stephanie Clifford) $ 130,000 for her silence about an alleged 2006 affair with Trump.

The wall of silence ended in early February with the appointment of Jason Kenney to the portfolio.

It is apparent in an art which is capable of turning even Campbell soup - cans into objects of artistic representation (Warhol), or in a music which discovers aesthetic value in common noises and in listening to silence (Cage), or in a photography which captures the beauty of doorknobs and cracked walls, driftwood and wrinkled faces.

It's also found in Jake and Joey in Raging Bull, Henry and Tommy in Goodfellas, Ace and Nicky in Casino, Jordan and Donnie in The Wolf of Wall Street and it's what made Father Rodrigues and Kichijiro in Silence interesting to the director.

a knee - level view from your bit of pavement; a battered, upturned cooking pot and countable ribs, coughing from your steel - banded lungs, alone, with your face to the wall; shrunken breasts and a three year old who can not stand; the ringed fingers, the eyes averted and a five - paise piece in your palm; smoking the babus» cigarette butts to quieten the fiend in your belly; a husband without a job, without a square meal a day, without energy, without hope; being at the mercy of everyone further up the ladder because you are a threat to their self - respect; a hut of tins and rags and plastic bags, in a warren of huts you can not stand up in, where your neighbors live at one arm's length across the lane; a man who cries out in silence; nobody listening, for everyone's talking; the prayer withheld, the heart withheld, the hand withheld; yours and mine Lord teach us to hate our poverty of spirit.

It's been said before that you don't see a lot of wall calendars featuring verses like, «Happy is he who repays you for what you have done to us — he who seizes your infants and dashes them against the rocks» (Psalm 137:8 - 9) or «Let a woman learn in silence with all submission» (1 Timothy 2:11).

«Whilst they are faced with a barrage of information about terrorism on the internet or through the media, all too often they feel they hit a wall of silence when it comes to discussing the issue openly in schools, universities and with the police.»

And in investigating the cover - up, the Federal Bureau of Investigation found not only a blue wall of silence, but also a nasty departmental culture, typified by retribution and surveillance, with Mr. Burke at its center.

Also moving up the 18 - certificate chart is T2 Trainspotting, which has now reached # 15.33 m. Danny Boyle's film will soon overtake Basic Instinct, Brüno and Django Unchained, for ninth place in the chart, behind Fifty Shades of Grey, The Wolf of Wall Street, Gone Girl, Hannibal, American Beauty, Seven, The Silence of the Lambs and Fifty Shades Darker.

The Sessions Promised Land Broken City Side Effects Amour Take This Waltz Beasts of the Southern Wild Tinker Tailor Soldier Spy Oz, The Great and Powerful Side By Side A Separation Wreck - It Ralph Compliance Admission The Silence The Prodigal Son Evil Dead Flashdance Days of Heaven Jurassic Park 3D Double Indemnity Room 237 To the Wonder The Place Beyond the Pines ParaNorman Iron Man 3 The Paperboy The Great Gatsby Bernie Star Trek Into Darkness Oblivion Now You Seen Me All Good Things End of Watch Lars and the Real Girl The Way Way Back Tucker and Dale Vs. Evil Behind the Candelabra Man of Steel Beautiful Creatures Stoker Not Fade Away Identity Thief Mama This is the End V / H / S The Heat White House Down The Exorcism of Emily Rose World War Z The Blue Umbrella Monsters University Despicable Me Modern Times The Conjuring Red Pacific Rim The Wolverine We're the Millers Fruitvale Station Lee Daniels» The Butler Seven Psychopaths Bachelorette Blue Jasmine Chronicle Like Crazy The Spectacular Now Austenland Hot Fuzz The World's End Best Worst Movie The Possession Isidious: Chapter 2 Prisoners Anna Karenina Don Jon Enough Said V / H / S / 2 The Ward Gravity Captain Phillips Nebraska Honeymoon Suite We Are What We Are Winter in the Blood Truth or Blood The Search for Simon Ghost Light They Will Outlive Us All Hot «n Bothered Casual Encounters A Better Life Mud 12 Years a Slave Much Ado About Nothing (2013) About Time Thor: The Dark World Only God Forgives Frances Ha Salinger Dallas Buyers Club JFK The Hunger Games: Catching Fire Frozen Philomena Parkland Delivery Man Prince Avalanche The Hobbit: The Desolation of Smaug Upstream Color Jackass Presents: Bad Grandpa What Maisie Knew The Great Beauty (La Grande Bellezza) Lovelace Saving Mr. Banks The Secret Life of Walter Mitty August: Osage County The Wolf of Wall Street American Hustle

Despite the film being set for release in just a little over two months, a trailer for Martin Scorsese's much - anticipated directorial follow - up to The Wolf of Wall Street, Silence, still hasn't hit the web; however, today, The Independent found a brand new image from the project to whet the appetites of movie buffs around the world patiently -LSB-...]

Directed by the great Tomas Alfredson (Let the Right One In, Tinker Tailor Soldier Spy), with a screenplay written by the talented trio of Peter Straughan (The Debt), Hossein Amini (Drive) and Søren Sveistrup («The Killing»), featuring behind - the - scenes work from the likes of editor Thelma Schoonmaker (Raging Bull), cinematographer Dion Beebe (Chicago), composer Marco Beltrami (The Hurt Locker) and production designer Maria Djurkovic (The Imitation Game), and listing Martin Scorsese (Silence, The Wolf of Wall Street) as one of its primary producers, how things turned out so disastrously I have no idea.

While Krasinski's previously iconic work on «The Office» lives on in streaming perpetuity, along with other building blocks in his filmography, «A Quiet Place» is the closest Krasinski's movie work has come to returning to that iconic nature of inclusive silence, the closest he's gotten to breaking the fourth wall again.

The thick - walled glass insulates occupants from the world outside, encasing them in a cocoon of silence and warmth.

Alone in her room, she retreats behind a wall of silence, writing in her journal and shuffling through a deck of lotería cards.

IN the whole eastern dark wall of the Divide this night there was silence and the whisper of the wind, except in the ravine where we roared; and on the other side of the Divide was the great Western Slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the western Colorado desert and the Utah desert; all in darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty lanIN the whole eastern dark wall of the Divide this night there was silence and the whisper of the wind, except in the ravine where we roared; and on the other side of the Divide was the great Western Slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the western Colorado desert and the Utah desert; all in darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty lanin the ravine where we roared; and on the other side of the Divide was the great Western Slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the western Colorado desert and the Utah desert; all in darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty lanin darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty lanin our mountain nook, mad drunken Americans in the mighty lanin the mighty land.

And compared to the wall of silence usually maintained about a financial issues in publishing, it's remarkable.

Four men were hard at work in front of one of the homes, installing a garden wall, but apart from the sound of their shovels and the quiet lap of the water against the pier, the silence was absolute.

It's hard not to join in the silence of the night, but there are some cozy spots that make for great nightcaps, such is the case with Casa 53 * 76, an eclectic music cafe where vinyl records decorate the walls and students sip lattes gathered around small tables outside.

Whether it's a master Assassin risking life and limb to scale a sheer wall, or a crime kingpin leaping from the top of an apartment block in Downtown Los Santos, the story is always the same: not two feet from the soon - to - be corpse inevitably sits a ladder, clinging to the building in a sort of smug silence like Peter Pan's unruly shadow.

PSP2 rumours have been popping up faster than we can track them these last few months, with myriad contradictory reports flying in the face of Sony's stoic wall of silence.

The latest solo exhibition Silence of the Music at Lehmann Maupin gallery in New York was conceived as a site - specific, where each of the five rooms had a unique selection of paintings and objects covering the walls, from the floor to the ceiling.

Disposition Matrix places more government documents on the run - up to war behind slits in six black walls, so that one becomes a partner in breaching the wall of silence, but also oneself a spy.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

2006 The Fluidity of Time: Selections from the MCA Collection, MCA — Museum of Contemporary Art Chicago, USA Outside Europe, Aus der Sammlung DaimlerChrysler, DaimlerChrysler Contemporary, Berlin The Hours: Visual Arts of Contemporary Latin America, IMMA — Irish Museum of Modern Art, Dublin, Ireland Beautiful Suffering: Photography and the Traffic in Pain, Williams College Museum of Art, Williamstown, USA The Great Wall 2006, 200 Künstler aus 100 Nationen treffen sich an der Großen Mauer in China, ART + PROJECT Consulting GmbH, Hamburg, Germany Brighton Photo Biennial, The Sound of Silence, 2006, England Sevilla Biennial, GEOGRAPHY = WAR, 1991, Seville, Spain Canary Islands Biennial, Tenerife, Spain

, 300 New York at Chelsea Piers, New York, US French Kiss, curated by Rob Wynne, JGM Galerie, Paris, FR The Shapes of Space (Phase II), curated by Nancy Spector, Guggenheim Gallery, New York, US Held Together With Water: Art From the Sammlung Verband, curated by Gabriele Schor, MAK, Vienna, AT; Istanbul Museum of Modern Art, Istanbul, TR A Theater Without Theater, MACBA, Barcelona, ES MARTa Is Silent - The Art of Silence from Duchamp to the Present, The Mystery of the Etruscans, curated by Jan Hoet and Michael Kröger, MARTa Herford, DE 52nd International Art Exhibition: Think with the Senses - Feel with the Mind, Art in the Present Tense, curated by Robert Storr, La Biennale di Venezia, Venice, IT Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, AU Monument of Sugar, curated by Lonnie van Brummelen, Siebren de Haan, Argos Centre for Art and Media, Brussels, BE À propos de Carl Andre..., Espace d'Art Contemporain, Saint Restitut, FR Verzameling Roger En Hilda Matthys - Cole, curated by Joost Declerq, Museum Dhondt - Dhaenens, Deurle, BE On Fait le mur, flux + territoires + frontières = multimedia, Espace de L'Art Concret, Mouans - Sartoux, FR Visiting Card, Brigitte March Galerie, Stuttgart, DE Iceland, curated by Tony Trehy, Bury Art Gallery, Bury, UK Grey Water, Institute of Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiaof Space (Phase II), curated by Nancy Spector, Guggenheim Gallery, New York, US Held Together With Water: Art From the Sammlung Verband, curated by Gabriele Schor, MAK, Vienna, AT; Istanbul Museum of Modern Art, Istanbul, TR A Theater Without Theater, MACBA, Barcelona, ES MARTa Is Silent - The Art of Silence from Duchamp to the Present, The Mystery of the Etruscans, curated by Jan Hoet and Michael Kröger, MARTa Herford, DE 52nd International Art Exhibition: Think with the Senses - Feel with the Mind, Art in the Present Tense, curated by Robert Storr, La Biennale di Venezia, Venice, IT Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, AU Monument of Sugar, curated by Lonnie van Brummelen, Siebren de Haan, Argos Centre for Art and Media, Brussels, BE À propos de Carl Andre..., Espace d'Art Contemporain, Saint Restitut, FR Verzameling Roger En Hilda Matthys - Cole, curated by Joost Declerq, Museum Dhondt - Dhaenens, Deurle, BE On Fait le mur, flux + territoires + frontières = multimedia, Espace de L'Art Concret, Mouans - Sartoux, FR Visiting Card, Brigitte March Galerie, Stuttgart, DE Iceland, curated by Tony Trehy, Bury Art Gallery, Bury, UK Grey Water, Institute of Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiaof Modern Art, Istanbul, TR A Theater Without Theater, MACBA, Barcelona, ES MARTa Is Silent - The Art of Silence from Duchamp to the Present, The Mystery of the Etruscans, curated by Jan Hoet and Michael Kröger, MARTa Herford, DE 52nd International Art Exhibition: Think with the Senses - Feel with the Mind, Art in the Present Tense, curated by Robert Storr, La Biennale di Venezia, Venice, IT Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, AU Monument of Sugar, curated by Lonnie van Brummelen, Siebren de Haan, Argos Centre for Art and Media, Brussels, BE À propos de Carl Andre..., Espace d'Art Contemporain, Saint Restitut, FR Verzameling Roger En Hilda Matthys - Cole, curated by Joost Declerq, Museum Dhondt - Dhaenens, Deurle, BE On Fait le mur, flux + territoires + frontières = multimedia, Espace de L'Art Concret, Mouans - Sartoux, FR Visiting Card, Brigitte March Galerie, Stuttgart, DE Iceland, curated by Tony Trehy, Bury Art Gallery, Bury, UK Grey Water, Institute of Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiaof Silence from Duchamp to the Present, The Mystery of the Etruscans, curated by Jan Hoet and Michael Kröger, MARTa Herford, DE 52nd International Art Exhibition: Think with the Senses - Feel with the Mind, Art in the Present Tense, curated by Robert Storr, La Biennale di Venezia, Venice, IT Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, AU Monument of Sugar, curated by Lonnie van Brummelen, Siebren de Haan, Argos Centre for Art and Media, Brussels, BE À propos de Carl Andre..., Espace d'Art Contemporain, Saint Restitut, FR Verzameling Roger En Hilda Matthys - Cole, curated by Joost Declerq, Museum Dhondt - Dhaenens, Deurle, BE On Fait le mur, flux + territoires + frontières = multimedia, Espace de L'Art Concret, Mouans - Sartoux, FR Visiting Card, Brigitte March Galerie, Stuttgart, DE Iceland, curated by Tony Trehy, Bury Art Gallery, Bury, UK Grey Water, Institute of Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiaof the Etruscans, curated by Jan Hoet and Michael Kröger, MARTa Herford, DE 52nd International Art Exhibition: Think with the Senses - Feel with the Mind, Art in the Present Tense, curated by Robert Storr, La Biennale di Venezia, Venice, IT Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, AU Monument of Sugar, curated by Lonnie van Brummelen, Siebren de Haan, Argos Centre for Art and Media, Brussels, BE À propos de Carl Andre..., Espace d'Art Contemporain, Saint Restitut, FR Verzameling Roger En Hilda Matthys - Cole, curated by Joost Declerq, Museum Dhondt - Dhaenens, Deurle, BE On Fait le mur, flux + territoires + frontières = multimedia, Espace de L'Art Concret, Mouans - Sartoux, FR Visiting Card, Brigitte March Galerie, Stuttgart, DE Iceland, curated by Tony Trehy, Bury Art Gallery, Bury, UK Grey Water, Institute of Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiaof Victoria, Melbourne, AU Monument of Sugar, curated by Lonnie van Brummelen, Siebren de Haan, Argos Centre for Art and Media, Brussels, BE À propos de Carl Andre..., Espace d'Art Contemporain, Saint Restitut, FR Verzameling Roger En Hilda Matthys - Cole, curated by Joost Declerq, Museum Dhondt - Dhaenens, Deurle, BE On Fait le mur, flux + territoires + frontières = multimedia, Espace de L'Art Concret, Mouans - Sartoux, FR Visiting Card, Brigitte March Galerie, Stuttgart, DE Iceland, curated by Tony Trehy, Bury Art Gallery, Bury, UK Grey Water, Institute of Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiaof Sugar, curated by Lonnie van Brummelen, Siebren de Haan, Argos Centre for Art and Media, Brussels, BE À propos de Carl Andre..., Espace d'Art Contemporain, Saint Restitut, FR Verzameling Roger En Hilda Matthys - Cole, curated by Joost Declerq, Museum Dhondt - Dhaenens, Deurle, BE On Fait le mur, flux + territoires + frontières = multimedia, Espace de L'Art Concret, Mouans - Sartoux, FR Visiting Card, Brigitte March Galerie, Stuttgart, DE Iceland, curated by Tony Trehy, Bury Art Gallery, Bury, UK Grey Water, Institute of Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiaof Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US FiaOf Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiac!

Activism and Camouflage denote works that are overtly political — like the Gran Fury collective's famous 1987 New Museum installation «Let the Record Show...» which is re-created in the exhibition with the same pink triangle and the words «Silence = Death» in neon — and on the opposite end of the spectrum, works in which artists «bury references to AIDS or sexuality so thoroughly that they often claimed that their work had no personal or expressive meanings at all,» according to the wall text.

Lee Bontecou's ominous wall reliefs with toothed metal and twisted wire remind one of the mask in The Silence of the Lambs and evoke a darker side of creation.

Here, Perry draws a parallel between the blue screen of death and the «blue wall of silence» or «blue code» in the police force that protects errant cops.

Anyone interested in the present and recent RealClimate postings will likely want to visit the Wall Street Journal's OpinionJournal.com today, where there's a link to an op - ed by MIT's Richard Lindzen that's headlined this way: «FREE INQUIRY: Climate of Fear: Global - warming alarmists intimidate dissenting scientists into silence.»

In this manner, debate about the environment and associated issues is effectively and routinely silenced by an indiscriminate wall of contempt that associates anyone questioning any part of the warming orthodoxy as either the moral equivalent of a neo-Nazi or of someone who thinks the earth is flat.

A recent article by The Wall Street Journal referred to «the pin - drop silence» in federal courthouses, saying that fewer than 1 percent of civil cases are tried by jury.

He also suggests that the Canadian Bar Association should take the lead in determining whether institutional screening devices «such as Chinese walls and cones of silence» might be effective in shielding against a transferee lawyer «tainting» his or her new law firm and in developing national standards for using such devices.

In the early 1990s, the wall of silence surrounding the marriage issue began to crumble.

One (or both) of you puts up a wall and withdraws in silence to protect yourself since you don't feel safe