Sentences with phrase «wall of windows presents»

An innovative sliding door opens to reveal a large bedroom, where a curved wall of windows presents stunning views similar to those in the lounge, and an upholstered headboard and bedside tables frame a plush king - size signature Luxury Collection bed.

Not exact matches

The south wall of Oswego City Hall has several cracks in it that present a safety hazard for employees, including Mayor Billy Barlow who sits behind those windows during common council meetings.

This project will present many windows to your work and engage you in a learning community beyond the walls of the Science Center.

They enumerated elements of prison regime which are present in the centres such as: barred windows, barbed wires, tall walls and limited time and space for walking6.

Machu Picchu, the stone city, built by the Inca Pachakuteq, is now one of the Modern World's Seven Wonders, protected by the Young Mountain; the impressive Waynapicchu, situated among abrupt mountains and almost inaccessible places, presenting a set of buildings, such as the Main Square, groups of houses, stairways, towers, walls, water fountains, where ceremonial places stand out, such as the Intiwatana (Solar observatory), the Temple of the Three Windows, the Sacred Temple, etc., and all of this built with an incredible urban harmony, in such a hostile place, demonstrating the advanced development level of Incan engineering.

It opened this February, presenting a well - windowed wall of poured - in - place concrete to a street of old brick and rusting steel,» noted The New Yorker.

For «OUVERTURE», her first exhibition with Galerie Buchholz, Anne Imhof has presented a number of paintings and sculptural works and staged a eponymously titled performance: a group of actors marched through the gallery as if it were a catwalk; a girl hung out on a window bench shaving her belly, others sat along the walls drinking soft drinks, lounging on mattresses in the backroom, or spat out what looked like pips on the floor.

The fictional house Schubert creates with folded paper will be presented with accompanying illustrations showing various views of the house and focusing on how natural window light and shadows affect the interior space of paper floors and walls.

The exhibition presents a range of works that riff on building elements from moving walls and misplaced window blinds to casino carpets and anti-slip guards gone rogue.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Whatever it is, if drawing presents a certain window into the artist's brain, then the exhibition «Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing,» which opens at the Studio Museum in Harlem on Thursday, will serve as a trip inside the mind's eye of an artist whose practice has included everything from multimedia paintings comprised of acrylic and collaged felt to site - specific installations and even a ballet — one that explodes off the page and directly onto the gallery walls.

Since his first solo exhibition 50 years ago, Mangold's work has been the subject of numerous one artist and retrospective exhibitions throughout the United States and abroad, including Robert Mangold at the Guggenheim Museum, New York (1971); Robert Mangold: Paintings 1971 — 1984, organized by the Akron Art Museum with subsequent venues in New York, Texas and California (1984 — 86); Robert Mangold: The Oberlin Window at the Allen Memorial Art Museum, Oberlin College (1992), which coincided with the unveiling of a stained glass window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (Window at the Allen Memorial Art Museum, Oberlin College (1992), which coincided with the unveiling of a stained glass window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (2011).

Comprising more than eighty works dating from 1999 to the present, Guyton's first midcareer survey features a dramatic, non-chronological design in which staggered rows of parallel walls confront the viewer like the layered pages of a book or stacked windows on a monitor.

Professional Experience SMC Construction (Irvine, CA) 05/2007 — Present Senior Project Superintendent • Supervise and managed subcontractors for a $ 4.2 million parking garage for LA Valley Collage • Perform demolition of the existing parking lot and construction of new 458 parking spaces • Install new lighting and «fire life safety» emergency phone system throughout the parking lot • Construct new storm drain system, Bio-swale, landscaping and new marquee signs • Oversee an $ 18 million construction project for the Ventura County Fire and Sheriff Academy Training Academy (FSTA) • Build single story, metal framed, 47,640 square foot of classroom building • Construct classrooms, fire lab, driving and shooting simulator rooms, library, offices, kitchens, multipurpose rooms, break rooms, and restrooms • Supervise and manage the construction of the Gold LEED Huntington Library • Oversee demolition of existing library in accordance with city regulations • Manage the construction of the $ 28 million Gold LEED Rieber Hall for UCLA • Direct team of more than 120 workers a day for refurbishment of 424 dormitory building • Ensure compliance with Title 24 and the latest code and building regulations • Perform asbestos abatement, installation of HVAC system with new boilers and ductwork, plumbing with Solar panels providing hot water to 24 bathrooms with multiple showers, toilets and sinks, and ADA compliant restrooms • Install electrical system with an emergency generator backup system, 4 traction elevators, windows, and curtain wall system • Completed project on schedule without disrupting the University's use of the 1st floor and exterior • Oversee the $ 5.6 million exterior renovation of the Anaheim Convention Center • Remove exterior walls on 3 sides of the building and install complex new curtain wall system in 20 bays • Maintain job site and public safety allowing use of the convention center during ongoing construction

But a wall of stunning 19 - foot - high windows presented one major challenge.

This window configuration is so common and presents a different type of dilemma: how to dress three windows on angled walls.

Not having much in the way of wall space above the counters (mostly appliances and windows to the lanai), a backsplash is the least of my worries... Countertops, however, present a dilemma.

Only the main living area needed Orlando's deft touch, but it presented a challenge for the designer: How would he make the grand all - white room, which gets lots of light from a wall of floor - to - ceiling windows, feel elegant and cozy?