Not exact matches
Wall off a
piece of land and build a room with a thatched roof...» (Malfoozat Vol 2, p. 42) «Jamaat» is a
form of jihad (today's word is Terrorism) against all other religions not following Islam or accepting Islam as the only true religion.
For many years the magazine was not available on the Web site and then only
pieces of it were available on the Web site and again we are going to the model where just a few — it's the feature articles, the long
form feature articles — are behind the pay
wall.
The Hubs did a great job hanging these really large
form pieces of art since they're quite big and some of them are quite heavy, not to mention plaster
walls aren't the easiest.
The look can be achieved using actual shiplap that has a special notch aligning with the next board to
form a water - tight seal, tongue and groove which uses interlocking wood
pieces to add strength, or by simply nailing wooden or MDF boards to the
wall.
lacks the straightforward narrative or melodic thrust of The
Wall, but it isn't as somnolent as The Final Cut, and if the songs don't call attention to themselves, they nevertheless
form a long suite that works as a sustained mood
piece.
David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the
form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind of the creator and his audience.A film is a dream of the director made tangible, a conceit familiar from the fourth
wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that film in Lynch's
piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the auteur's use of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo, as well as those of his first collaboration with inamorata Tippi Hedren, The Birds).
Additionally, Disney Infinity now includes standard development features like invisible
walls to keep characters from falling off prescribed paths or tracks into nowhere, and procedural content generation in the
form of Builders and Creators for content without the need to custom - build each individual
piece of a racetrack, city, or forest environment.
For its part, the
Wall Street Journal has already announced its intentions for its replacement for AllThingsD, which will include long -
form pieces on the industry and its own global technology conference, which isn't surprising given the popularity and the attendance of the long - time AllThingsD conferences.
A convivial nook is
formed by Kasseler Rippchen (Kassel - Style Spare Ribs), 1996, a corner installation with furniture by West, objects by Jason Rhoades and Wolfgang Winter, and
wall pieces by more than a dozen artists, including Albert Oehlen, Martin Kippenberger, Andreas Rohrbach, Mary Heilmann and Kiki Smith.
6 Johannes Vogt's themed booth invites viewers to examine aspects of feminist philosophy, with a particular stand out from artist Monika Bravo, who's
wall piece Bild - Objekt layers materials to create solid
forms.
In Mungo Thomson's solo exhibition at Kadist Art Foundation,
Wall, Window, or Bar Signs, the gallery is filled with neon works that appropriate the
form of Bruce Nauman's spiraling neon text
piece, The True Artist Helps the World by Revealing Mystic Truths (Window or
Wall Sign) from 1967.
The works epitomize creative reuse: They are created with bottle caps and tin can tops which are
pieced together to
form lush sculptures and
wall hangings.
Happily, his most recent work is among his best, an elliptical mandala of colored light that resembles a dematerialized version of the vacuum -
formed plastic
wall pieces that Craig Kauffman, Mr. Turrell's fellow light - and - spacer, started making in the 1960s.
Alongside those works, Serra designed a series of forged
pieces including: «Two Forged Rounds for Buster Keaton», «Snake Eyes and Boxcars» and «Ali - Frazier» and «Charlie Brown» One of his biggest installation is «The Matter of Time» commissioned by the Museo Guggenheim Bilbao, it incorporates a series of seven sculptures made of spot - welded sheets of steel that
form 4,3 m high curling
walls positioned around the existing sculpture, «Snake», that had been commissioned for the museum's opening in 1997.
Shaped
pieces of painted electrical conduit, pulled from the
walls of his own studio,
form the semblance of a mask, revealing the painting, Son on the Steeple, behind.
The exhibition included both freestanding sculptures and
wall works combining text and image; exhibited as well were examples of «interactive sculptures» (some produced in collaboration with Esther Shalev - Gerz),
pieces either re-created, presented in the
form of photographic documentation, or made accessible by computer.
Imagining what would happen if attempts to contain nature collapsed and plants began to overwhelm these carefully managed interior spaces, Goh layers printed and cut paper onto the Sunroom
walls and suspends
pieces from the ceiling, surrounding the viewer in an overgrowth of both botanical imagery and architectural
forms.
Soap
wall pieces cast in relief, potentially lathered by rain and humidity, match one another in
form, while their varied material makeups describe a society that tends to overprescribe and sanitize.
Harmonic Distortion is comprised of an eponymous series of large - scale sculptures, a further series of
wall - based works, and a performative
piece inspired by Shibari, a ritualised
form of erotic bondage that will incorporate drawing and original music.
The final
wall is devoted to
pieces from Ippolito's «Regatta Series» (1984 - 89) in which the watery color planes suggest abstract but recognizable elements like pennants, sails and boats, and black wave
forms blend into blue ground in «Land's End» (1986), with the full blast of wind on sails being felt in the horizontal diptych «Windward» (1987).
Her own creative breakthrough took the
form of long
wall pieces shaped like giant nail files, using dripped beeswax built up in coloured, visceral layers.
With this
piece, Yi - Fan Chen picks up where Barbara Kruger and Bruce Nauman left off — Authoritative, white raised Latin letters
form scrambled words into nonsense phrases mounted on the installation
wall.
Wurm's well - known sweater
pieces, in the format of large - scale
wall works, blur the boundary between human
form and the museum building.
In the 1950s he began producing large numbers of stabiles — large - scale constructions made from cut and painted metal sheets — and simultaneously explored new
forms such as Towers (
wall - based wire constructions with moving elements) and Gongs (sound - producing metal
pieces).
«York's site - sensitive installations of graphite
forms, both sculpted and drawn, engage the existing architecture of a chosen site: a room, a
wall, or a
piece of paper.
In his
piece, «We the People,» Ward uses old shoelaces to make the text on the gallery
wall, weaving in new meaning to the phrase through this arrangement of downtrodden
forms.
The convolutions of these chance felt fragments recall a disparate collection of memories — the quick gestures of a Joan Mitchell painting, the color field
forms of Morris Louis» stained canvases, the starkness of Robert Morris»
wall pieces — each imbued with aleatory process that accepts accident and chance.
Peake's work will have a continuing presence throughout Frieze Week in the
form of a new video
piece projected onto an external
wall in the Bermondsey courtyard and visible after dusk 3 — 8 October.
This art transcended function; basket techniques were used to create
forms that were more sculpture than basket and basic weaving techniques were employed to fabricate large
wall pieces that were unprecedented at the time.
Due to the size limitations of the kiln, the
forms had to be fired in sections and the
pieces later assembled on the
wall.
I have been exploring these issues in several series simultaneously: small drawings on mylar;
wall pieces with wax and handmade paper and thread on glass sheets; sheer handmade paper
pieces embedded with threads and tissue; and installations which use these elements in an accumulated
form.
Wall Drawing # 679 itself isn't the swaths of color on brick, but rather the idea of the work in the
form of instructions left by LeWitt for how to execute the
piece.
Rarely was there a situation where a student is capable of attracting so much attention with her
piece as was the case with Kara and her mouthful of a mural — it wasn't just the theme of the
piece that caught the notice of critics, but its notorious
form of placing black paper silhouette figures against a white
wall.
At 10 feet high and wide, this simple but imposing
wall piece consists of the title
form rendered with painted, polyester - coated wood strips.
Often combining two or more abstract
forms into one
piece to create a three - dimensional composite
wall relief, the surface of the canvas is painted using industrial materials such as oil - based enamel and spray paint.
His large panel
pieces take the
form either of diptychs or of multiple stretchers amassed together on the
wall into rectangles.
Apfelbaum's earlier floor - bound installations incorporate hundreds of
pieces of velvet, hand - dyed in bold hues and often arranged in sprawling configurations that appear to be organically inspired or like abstract paintings that melted off the
wall,
forming vibrant puddles.
Techniques will include using functional ceramic processes to create
wall hangingsculpture; engineering a
piece that will hang securely, shaping and carving from a solid
form and creating a carved plaster mold for intricate detail work.
In Mullican's large
wall pieces, grids of letters, numbers, and childlike pictures are combined with abstract
forms to create a fictive cosmology.
Evident in her multi-layered drawings, glass cube
wall pieces and sculpture Teresita Fernández gives
form to natural phenomena.
In the brighter upper gallery hulking
forms hang from the
walls, while in the dimmer downstairs room more of the
pieces are propped up like metal insects.
Rothschild's works (all 2014) inhabit the spaces with effortless confidence in her use of material and
form: there are floor and
wall based works as well as
pieces suspended from the ceilings.
For example, «Undecidability Meme Diffusion» (2007) is composed of cone - shaped
pieces of cardboard assembled to
form a hive - like structure, backlit with florescent light, and leaning against a
wall — John McCracken gone Ikea via Planet of the Apes.
In keeping with The Sculpted Word and with her own interest in the
forms and functions of language, Huws has been developing a text
piece which she will write on the gallery
walls.
Described as «object poems,» the dozen on view here were made of materials ranging from the customary (graphite, ink, and glue) to the arcane (magnetic videotape, eighteen - karat gold, and kumkum powder) and assumed a range of
forms — some were flat and petite, while other, more sculptural
pieces hung variously from the
wall or ceiling or were displayed on a low pedestal.
Other Voices, 1993, was purchased after a mini-retrospective of Catherine Lee's work at IMMA in 2005, and is
formed from a series of small polychromatic
wall - mounted
pieces cast from aluminium, copper, bronze and iron.
To explore this relationship between
form and ground further, Kelly began using nontraditional, shaped canvases, as in the monochromatic 1966 Yellow
Piece, from, whose two curved corners draws the eye to the
wall behind it, as though the gallery
wall itself were part of the composition.
The show begins with Jeff
Wall's photograph of a climbing frame in a suburban park — easily mistakable for a
piece of abstract, geometric public art — and continues with diverse works highlighting the varied meanings arising from such apparently basic
forms.
He is best known for his
wall pieces, variously shaped colored canvases that he
pieces together and overlaps to create complex, geometric
forms.
The works could be described as either painting or sculpture, yet few hang on the
wall in the traditional rectangular
form of painting; the laser - cut aluminum panels are connected like puzzle
pieces, or as sheets of metal leaning against the
walls.