Amighi's celebrated sculptural
wall pieces composed of industrial materials are influenced by the art and architecture of her home country.
Amighi's celebrated sculptural
wall pieces composed...
The second work is
a wall piece composed of Slinkys ® that have been taken apart and then reassembled into a two - dimensional «drawing» of intricate, curvilinear patterns.
Not exact matches
Drawing on a range of influences from music, fashion and poetry to and Eastern spirituality and Abstract Expressionism, for this exhibition she is presenting a new site - specific
wall painting, a multi-paneled
wall piece, 10 collage paintings and four hanging «bundle» sculptures
composed of discarded clothing.
In one of Mr. Baltrop's photographs you get a glimpse of a
piece of art
composed of those elements: a 1975 installation called «Day's End» by the artist Gordon Matta - Clark (1943 - 1978), who cut a giant half - moon - shaped slice out of a pier
wall and brought daylight streaming in.
Brickley adjusts each
piece to the
wall by
composing them of multiple canvases, each the dimensions of a movie screen turned on its side.
Composed of liquor bottle caps and labels stitched together with copper wire, the artist's hanging
wall pieces and suspended sculpture bring to mind jewel - toned mosaics and the embellished textiles of his birthplace in Ghana.
As far as my exhibition at PC — G is concerned, each work on clear mylar, which are kind of like «mobiles,» are
composed of
pieces of painted tape from my studio
walls, past paintings and installations.
Thursday, October 13th - Teatrino di Palazzo Grassi 6 pm: Talk by Sol LeWitt scholar and curator Béatrice Gross 6.45 pm: Listening session in the foyer with
pieces from «Inevitable Music»
composed by Sébastien Roux Friday, October 14th - Punta della Dogana 5 pm:
pieces from Sébastien Roux's «Inevitable Music» will be performed by Ensemble Dedalus in the exhibition rooms, in front of Sol LeWitt's monumental
wall drawing Talk in French with simultaneous interpreting in Italian Free entry to the Teatrino and Punta della Dogana
The site - specific installation commissioned by the SCAD Museum of Art is
composed of three large - scale, thinly sliced
pieces of marble, balanced in a tilted configuration but held upright by industrial ratchet straps that stretch from the gallery's
walls.
The show includes both his current practice —
wall works
pieced together with found bottle caps and sculptures
composed of lids from tin cans — along with earlier wood works.
For example, «Undecidability Meme Diffusion» (2007) is
composed of cone - shaped
pieces of cardboard assembled to form a hive - like structure, backlit with florescent light, and leaning against a
wall — John McCracken gone Ikea via Planet of the Apes.
The installation, Le Magasin Monumental, is
composed of mixed - media
pieces, «reliefs au mur» constructed out of discarded materials (wire, weathered wood and stories) and installed on the
wall among circles painted in pale, pastel colours.
The
wall text explains that the
piece is
composed of residue sanded and shaved from other works, which «evoke a new kind of «history painting.
Some works are
composed of enormous cast bronze blocks or massive wooden beams that suggest architectural elements, while others, hanging from the
wall or ceiling and made of various
pieces of wood conjoined with wires, nails, and screws, are delicate and light in their toy - like format — the seemingly spontaneous results of sculptural bricolage.
More recently, Bradford worked on projects quite various in nature as he narrated the soundtrack to the site - specific dance duet Framework by choreographer Benjamin Millepied (2012), created a
wall drawing inspired by Sol LeWitt (2015), authored the Waterwall
piece composed of remnants of paper and rope (2015), etc..
Juxtapositions of skin, clay, soil, and other organic elements
compose flat digital shapes, which the artist repositions on pedestals and as
wall pieces that perform a gestural migration throughout the space.
Nowhere was the mysterious affinity more in evidence than on the gallery's second floor rotunda, where a super-refined Donald Judd
wall piece, Untitled (Bernstein 78 - 70), 1978, was hung above a rough Andre floor work, 32 - Part Reciprocal Invention (1971),
composed of lengths of steel rods used to make reinforced concrete.
For the exhibition, Benglis will show one of her early floor
pieces composed of brightly pigmented poured latex, as well as new works and a selection of earlier
wall works.