Afshar will also debut a large
wall relief installation made of found Turkish fabrics, tulle, beads, and wire that explore the disintegration of material over time, adding a temporal dimension to her work not present in her woven pieces.
Not exact matches
By the early 60s, he abandoned the abstract paintings and
wall reliefs his early career and dedicated himself to
installation.
The exhibition brings draws together approximately 20 of Nevelson's iconic black and white painted wood sculptures,
wall reliefs, and
installations from the late 1950s through the late 1980s.
Smit's powerful ceramic sculptures includes a spectacular site - specific
wall installation where Smit shifts from her three - dimensional style of sculpting towards two - dimensional
reliefs, hanging flat on
walls.
The exhibition brings together 20 of Nevelson's iconic black and white painted wood sculptures,
wall reliefs, and
installations from the late 1950s through the late 1980s.
Curated by Brussels - based collective Bunk Club, the
installation consisted of four new figurative
wall reliefs, cast from acrylic - modified gypsum and arranged in a narrative tableaux, reading across the gallery as a life - size frieze.
Jay Heikes has created a body of work over the past decade that includes sculptures, drawings,
wall reliefs and
installations.
Displayed at different gallery branches, Man Fung Yi's brass replicas of personal garments and William Tsang's rather straightforward
installation, in which anonymous photographers in a mixed - media
relief are spying on a nude woman, depicted in charcoal on paper on an opposite
wall, contemplate voyeurism and the boundary between self and other.
The exhibition brings together approximately 20 of Nevelson's iconic black and white painted wood sculptures,
wall reliefs, and
installations from the late 1950s through the late 1980s.
The exhibition pairs stand - alone sculptures and
wall reliefs with
installation elements, such as functional seating made out of hand - cut wood and black wooden
wall sconces holding mint green candles.
When exhibited in their glowing light boxes they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures such as Dan Flavin's fluorescent light
installations or Donald Judd's metal and Perspex
wall reliefs.
Cris Worley Fine Arts is proud to present Blood Shot is Blood Loved, our second solo exhibition with Simeen Farhat, opening with an artist's reception on Saturday, April 1st, from 5 to 8 p.m. Blood Shot is Blood Loved will include a large - scale
installation along with various multi-dimensional
wall reliefs.
Durham's work is process - driven sculptural assemblage, which can take the form of a small
wall relief, a human - scale freestanding sculpture, or a room - size
installation.
The main display consisted of two partitioned
installations: Untitled (1992/2012), featuring 22 red aluminum squares in shallow
relief that extended across two adjacent
walls, and Untitled (2012), eight rectangular titanium panels positioned vertically on the floor at alternating angles, which had the effect of disrupting their relationship with the long room in which they were installed.
The Crystal Land is divided into three sections: a series of
wall reliefs (Crystal Landscape Paintings) inspired by the artist Robert Smithson; a film, including a «glass cinema» and movie posters (The Light Club of Vizcaya: A Women's Picture) inspired by the writer Paul Scheerbart; and a large - sacle
installation (Island Universe) inspired by the physicist Andrei Linde.
Herman de Vries is a Dutch artist known for his
wall reliefs and
installations that explore principles such as repetition and the beauty of everyday objects.
In his animated video projections, paintings and drawings,
wall reliefs and sound
installations, abstract formal compositions unfold where biology and architecture, machinery and geometry coexist.
What / Why: «Known for her use of
wall reliefs and site - specific
installation, Wessmann has explored time, memory, loss and the fragility and strength of life through collections of natural materials, mainly plant based, and gifts of hair from family members and friends.
David Scanavino has created a site - specific floor
installation and new large - scale
wall relief for his exhibition titled Imperial Texture at the Aldrich Contemporary Art Museum in Ridgefield CT, transforming the South Gallery into both an experiential sculpture and an engaging platform for interactivity.
The
installation, Le Magasin Monumental, is composed of mixed - media pieces, «
reliefs au mur» constructed out of discarded materials (wire, weathered wood and stories) and installed on the
wall among circles painted in pale, pastel colours.
True to his current explorations, he moved away from painting and towards
wall reliefs, sculptures, and
installations by destroying his canvases in a bonfire, titling this action, Burning an Entire Body of Work (2006).
The artist assembles plastic and industrial material including straws, neoprene, polyurethane foam, bristles, balloons and more to create site - specific
installation,
wall reliefs and folded sculpture.
Through the saturated hues of site specific
installation,
wall reliefs, and undulating, folded sculpture, Pasquali's work redesigns the contours of organic forms through ready - made inorganic material, rendering elegant, playful designs.
Through the saturated hues of site specific
installation,
wall reliefs, and undulating, folded sculpture, Pasquali's work redesigns the contours of organic forms -LSB-...]
Edwards» manipulation of industrial materials — and their cultural connotations — is emphasized with a selection of
installations,
wall reliefs, and free - standing steel sculptures on view.
The exhibition will take place in both galleries and will include textile constructions,
wall reliefs and sculptural
installations.
His
installations mix imagery and media such as painting, fiberglass
relief sculpture,
wall - size flowcharts, and digitally generated wallpaper.
Schulz turned with
relief to a complex two -
wall, floor - to - ceiling
installation near the end of the show.
In Deodorized Central Mass with Satellites (1991 — 99), an
installation sculpture made from untidy clusters of toys suspended from the ceiling, a dozen monochrome plush - toy spheres, linked by a system of cables and pulleys across the ceiling, orbit around a central, rainbow - colored blob; ten large, geometrically faceted, brightly colored
wall -
reliefs are actually monumental dispensers of pine - scented air freshener, which automatically send their cleansing spray into the room at timed intervals.
Andreas Slominski presents an
installation comprising new
wall reliefs and portable plastic toilets in his fourth exhibition at Metro Pictures.