Sentences with phrase «wall reliefs by»

A group of wall reliefs by Monir Shahroudy Farmanfarmaian, at the Frieze New York 2015 booth of Dubai gallery The Third Line.

Three wall reliefs by Nicholas Buffon that depict New York's Jewish eateries (and the historically landmarked Stonewall Inn) are charming and weird tributes to a disappearing, idiosyncratic urban landscape.

The collection includes many works acquired early in its artists» careers, among them: collage by Kara Walker; paintings by Mickalene Thomas; neons by Tracey Emin, digital animation by Jennifer Steinkamp; paintings by Amy Sillman; sculpture by Kiki Smith; wall relief by Teresita Fernandez and woven trompe l'oeil by Miami artist Frances Trombly, among others.

Among the works: a recently - acquired set of five Tony Smith posters for The Wandering Rocks, just outside the window; a wall relief by Heinz Mack; and sculptures by Barbara Hepworth, James Rosati, and more.

It is an uneven playing ground with no potential for dialogue, an imbalance further shown in several instances by artworks that do not represent an artist's best contribution (a large wall relief by Camargo, for instance, would have better represented his ideas than the selection of tiny sculptures).

Among these works are Cindy Sherman's Untitled Film Still # 19, two early silhouette collages by Kara Walker, a painting by Mickalene Thomas, neon work by Tracey Emin, digital animation by Jennifer Steinkamp, wall relief by Teresita Fernandez and woven trompe l'oeil sculpture by Miami artist Frances Trombly, all of which will be on view in the NSU Art Museum exhibition.

Not exact matches

It seems bizarre that the most reasonable understanding of why the 2008 bank crisis did not require a vast public subsidy for Wall Street occurred at Monday's Republican presidential debate on June 13, by none other than Congressional Tea Party leader Michele Bachmann — who had boasted in a Wall Street Journal interview two days earlier, on Saturday, that she voted against the Troubled Asset Relief Program (TARP) «both times.»

In keeping with the rather serious tone infecting The Lunch Tray this week (except for the comic relief provided by the school lunch lady action figure - thank goodness for her), the Wall Street Journal recently reported on two new studies showing... [Continue reading]

In keeping with the rather serious tone infecting The Lunch Tray this week (except for the comic relief provided by the school lunch lady action figure — thank goodness for her), the Wall Street Journal recently reported on two new studies showing that good heart health starts in childhood — and that poor habits can potentially cause cardiac problems later in life.

As Congress returns to town today, the president faces weeks of hard negotiations to overhaul the tax code, raise the debt ceiling, keep the government open, finance his border wall, and secure relief and reconstruction money for areas devastated by Hurricane Harvey.

TENANT SWITCH — «After Troubled AIG, a Maiden Lane Tower Shifts to Consumer Debt Relief,» by The Wall Street Journal's Keiko Morris: «Talk about flipping the script.

«While Comptroller DiNapoli has been fighting for tax relief for working and middle - class people in New York State, Hedge Fund Harry Wilson has been focused on ensuring that his fellow Wall Street millionaires make out like bandits by opposing President Obama's Wall Street reform package,» Sumberg said.

Finally the first week of paying guests arrive: John, the American movie star thinks he has arrived incognito; Winnie and Lillian, forced into taking a holiday together; Nuala and Henry, husband and wife, both doctors who have been shaken by seeing too much death; Anders, the Swedish boy, hates his father's business, but has a real talent for music; Miss Nell Howe, a retired school teacher, who criticizes everything and leaves a day early, much to everyone's relief; the Walls who have entered in 200 contests (and won everything from a microwave oven to velvet curtains, including the week at Stone House); and Freda, the psychic who is afraid of her own visions.

By the early 60s, he abandoned the abstract paintings and wall reliefs his early career and dedicated himself to installation.

The relief panels, depicting the rise and fall of the tide and shifting horizon lines, are densely arranged on graphite - colored walls where Fernández has extended the blue - hued images by drawing directly on the wall surface.

Frank Stella's journey towards more detailed wall reliefs (which he famously always referred to as paintings) are presaged by Hinman.

Cheryl Donegan points out that both Polke and Prince were beaten to the punch by the protean Dieter Roth, who made peg - board and rubber - band wall reliefs in the early 1960s.

Soap wall pieces cast in relief, potentially lathered by rain and humidity, match one another in form, while their varied material makeups describe a society that tends to overprescribe and sanitize.

In his Spatial Reliefs, Nuclei and Penetrables, made during the early - 60s, he strove to liberate the abstract coloured shapes from the wall and from adherence to a particular form by making them part of the viewer's environment.

There's an eye - catching series of towering wall - reliefs by the late artist Terry Adkins, all made out of stacked drum cymbals.

Nathan Carter's wall reliefs, sculptures, collages, and hanging objects are inspired by myriad aspects of contemporary society: modes of transportation, mass communication devices, sports insignias, and architecture for mass gatherings like stadiums and parade grounds.

Curated by Brussels - based collective Bunk Club, the installation consisted of four new figurative wall reliefs, cast from acrylic - modified gypsum and arranged in a narrative tableaux, reading across the gallery as a life - size frieze.

The Ranch Office building was renovated by Judd to house his wall reliefs and maps of his ranch properties outside of Marfa.

In the wall - constructions she fuses relief elements, such as exposed structural fragments or sand - cast bronze, shaped by the physical process of the pour.

The Ranch Office building was renovated by Donald Judd to house his wall reliefs and maps of his ranch properties outside of Marfa.

Stella has several other works in the auction including Lot 201, «Playskool Bobbin,» a 35 3/4 - by -47-by-33 1/4 - inch wall relief of acrylic on cast bronze, wood, etched honeycomb aluminum, fiberglass, balsa wood laminate, plastic and masking tape.

For those who like larger Stellas, Lot 189 is a 109 1/2 - by - 110 3/4 - by -23-inch wall relief that is colorful and organic and was executed in 1982 and has an estimate of $ 180,000 to $ 220,000 and Lot 180, «Vemish,» is a 71 5/8 - by - 120 1/8 - inch acrylic, paper collage, plaster and color pencils on canvas that was executed by Stella in1985 and has an estimate of $ 150,000 to $ 200,000 and may tempt some viewers to don sunglasses and / or helmets.

The components are found objects as well as shapes she has precisely cut from Lucite, aluminum, wood, cardboard and paper, yielding pieces that are not unlike the wall reliefs made by Frank Stella beginning in the 1980s.

Tyrome Tripoli's «Rubber Fan, Exhaust» (2007) seemed to recede into its own shadowiness, while close by Kevin Curran's «The Woods» (2011), a wall - mounted sculpture, depicted an exhausted figure sprawled over a boulder or mound against an arch of bas - relief trees.

WHITE ROOM GALLERY - «Off the Wall / On the Wall» has an Opening Reception on Saturday, July 2, 2016 from 6 to 8 p.m. which includes music by DJ Willie G. Co-presented by the White Room Gallery and C Fine Art, the exhibition features outdoor sculpture, indoor wall reliefs plus paintings by Sally Breen, Melissa Hin and Beth BaWall / On the Wall» has an Opening Reception on Saturday, July 2, 2016 from 6 to 8 p.m. which includes music by DJ Willie G. Co-presented by the White Room Gallery and C Fine Art, the exhibition features outdoor sculpture, indoor wall reliefs plus paintings by Sally Breen, Melissa Hin and Beth BaWall» has an Opening Reception on Saturday, July 2, 2016 from 6 to 8 p.m. which includes music by DJ Willie G. Co-presented by the White Room Gallery and C Fine Art, the exhibition features outdoor sculpture, indoor wall reliefs plus paintings by Sally Breen, Melissa Hin and Beth Bawall reliefs plus paintings by Sally Breen, Melissa Hin and Beth Barry.

There were «under $ 5,000, small paintings by Ray Parker, Christo collages, and multiples by Jean Arp; under $ 10,000, a unique wall relief sculpture from 1969 by Gerald Laing, granite sculpture by Brazilian Iran do Espiritu Santo, and photographs by Jim Naughton, paintings by Jules Olitski, and Leon Golub.

As paintings, they are activated by the play of colors and visible brushstrokes... As dynamically composed reliefs... they energize the space around them, seemingly almost to be caught in the act of moving across the wall.»

After Industry will also feature work by Verginer's son, Christian Verginer, including several wall reliefs, made of wood and depicting scenes of forests.

VAGINAL DAVIS - Come on Daughter Save Me November 20 - December 19, 2015 Opening reception: Friday, November 20, 6 - 8 pm Invisible - exports, 89 eldridge street, new york ny, 10002, 212 226 5447 New York Times Rave Review: Vaginal Davis's Feminist Wall Reliefs Pledge «Open Revolt» by Holland Cotter

Working out of her antiques shop in Hudson, New York, she refashions decrepit wooden boxes into wall reliefs that measure less than 6 by 12 inches and enlivens them with roughly geometric, abstract paintings.

Dividing his time between Paris and a studio in Belle - Île, where reproductions of works by Pierre Bonnard, Paul Klee, and Pablo Picasso were tacked on his wall, Kelly produced a stunning variety of works, from extensive studies and drawings to mixed media paintings and small - scale relief sculptures.

In addition to the wall reliefs, Kelly's work in three dimensions is further represented by Curve XI (1974), an early example of one of the artist's totemic sculptures.

This is represented in «Why Pictures Now» by objects Lawler produced while working with, or for, others: promotional materials from exhibitions and events she organized with Levine under the moniker A Picture Is No Substitute for Anything, production stills she took for a film by Lawrence Weiner, a business card she designed for Dan Graham, bronze wall reliefs she made with Allan McCollum.

The Crystal Land is divided into three sections: a series of wall reliefs (Crystal Landscape Paintings) inspired by the artist Robert Smithson; a film, including a «glass cinema» and movie posters (The Light Club of Vizcaya: A Women's Picture) inspired by the writer Paul Scheerbart; and a large - sacle installation (Island Universe) inspired by the physicist Andrei Linde.

From 1960 to 1971, Lee Bontecou showed consistently at Leo Castelli Gallery in New York, where her large - scale wall reliefs were admired by critics and collectors alike.

His early abstract drawings, influenced by the work of Paul Klee, evolved into spare, delicate, and often grid - based sculptural wall reliefs.

(Also on view are Richard Rezac's thoughtful wall reliefs, aptly described by David Pagel as «dyslexic minimalism.»)

True to his current explorations, he moved away from painting and towards wall reliefs, sculptures, and installations by destroying his canvases in a bonfire, titling this action, Burning an Entire Body of Work (2006).

These were followed by a brief period in the late 1950's and early 60's of making boxy wall reliefs in strong monochromatic colors, to which he attached colored light bulbs and fluorescent tubes.

The museum purchased «Town of Hope,» a 1927 painting by Archibald Motley; a Two - Handled Jug, by enslaved South Carolina artisan David Drake, dated 1840; and two works by Sanford Biggers, «Khemestry» (2017), a wall relief with antique quilts, and «Overstood» (2017), which features a monumental wall silhouette of Black Panther figures casting a shadow over diminutive African statuettes.

There in the ever dimming late - afternoon light, surrounded by his newest works — comparatively small to mid-sized painted wall reliefs and large - scale collages of computer generated images — we spoke of his views and attitude toward his work, both past and present.

«CULTURAL CAPITAL COOPERATIVE OBJECT # 1» is a ceramic wall relief produced in collaboration with artists Manuela Gernedel, Alan Michael, Georgie Nettell, Oliver Rees, Matthew Richardson, Gili Tal and Lena Tutunjian, and co-operatively owned by the makers.

Helix II, an ornate relief, is attached to the wall by enlarged piercings.

Freedom is a fine art wall relief collage by mixed media artist Angelica Bergamini.

Although he had first made wall reliefs from coloured aluminium panels in the 50s, his most ambitious early projects, notably the Statue of Liberty surrounded by gigantic abstract forms, could hardly be realised except in collage.