Exploring the reflective, textural, sculptural, and thematic possibilities of road signs and scrap automobile parts he assembled
wall reliefs such as Bumper Slip Late Summer Glut (1987) and Splice Early Winter Glut (1987).
Not exact matches
Given today's florid emotionalism when it comes to discussing
Wall Street finances, it hardly is surprising that the Angelides hearings do not dare venture into
such territory as to ask whether the bottom 90 % of the U.S. economy might need to be bailed out with debt
relief just as
Wall Street's elites were.
The authors define the placebo effect as
relief of symptoms that arise from patients» overall medical encounters including responses to medical symbols (
such as medical diplomas prominently displayed on the
wall or words on a medication bottle) and, importantly, patient - physician interactions.
Others,
such as the
wall relief Sudden Enclosures, 1986, are bulky and dense, taking the viewer's eye on an alluring trip over a convoluted topography of textures and colors.
Navigating this uprooted position has given rise to enthralling recent work,
such as Roots, a large triptych
wall relief made from reels of painstakingly twisted cable wire.
In the
wall - constructions she fuses
relief elements,
such as exposed structural fragments or sand - cast bronze, shaped by the physical process of the pour.
The artist breaks away
such divisions and focuses on the creation of the minimal abstract objects —
wall - mounted
reliefs from foam shapes, which Adian beforehand covers with oil enamel or spray painted canvas.
The exhibition pairs stand - alone sculptures and
wall reliefs with installation elements,
such as functional seating made out of hand - cut wood and black wooden
wall sconces holding mint green candles.
When exhibited in their glowing light boxes they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures
such as Dan Flavin's fluorescent light installations or Donald Judd's metal and Perspex
wall reliefs.
She assembles individual pieces of wood into shallow
reliefs on the
wall and then refines them with select materials,
such as vellum, pencil, gesso, and gouache.
Often combining two or more abstract forms into one piece to create a three - dimensional composite
wall relief, the surface of the canvas is painted using industrial materials
such as oil - based enamel and spray paint.
His sculptures — geometric
wall objects, façade - like
reliefs, objects and sculptures created from abstract stereometric bodies which take the form of cubes, angles, columns, pedestals, podiums, movable
walls and shelving — are made of cheap no - frills materials
such as particle board, cardboard, linen, molton, Styrofoam, synthetic resin, emulsion paint, fluorescent tubes and other everyday building materials.
The exhibition highlights
such recurring forms, bringing together metal
wall reliefs related to the paintings on view.
Herman de Vries is a Dutch artist known for his
wall reliefs and installations that explore principles
such as repetition and the beauty of everyday objects.
The exhibition also present a
wall with different works in various materials,
such as: textiles, drawing, watercolor,
relief and smaller jewelry - like objects in silver, which are all connected to «Slottet».
After receiving Sculp - Metal in a can as a gift in 1955, Samaras used the claylike material to make proto - minimalist, floor - based objects as well as several
wall - mounted
reliefs that encase disquieting objects
such as an exposed double - edge razorblade, an undone safety - pin, and mangled cutlery (here a teaspoon).
During the late - 50s he made sculptures
such as Wave
Relief I (1959, Private Collection), sometimes using cut out flat forms silhouetted against interior
walls.
In a 2006 series of
wall reliefs made of white sponge stretched over wood, Amado once again references Minimalism — in this case to the white paintings of Robert Ryman — while presenting symbolically suggestive words
such as «desire,» «beauty,» and «death» that appear like raised inscriptions on tombstones, which clouds their meanings in mystery and ultimately leaves interpretations ambiguous and open - ended.
In the early 1970s, the artist attracted attention for his
wall -
relief wood sculptures,
such as Honeymoons in the collection of the Honolulu Museum of Art.
His installations mix imagery and media
such as painting, fiberglass
relief sculpture,
wall - size flowcharts, and digitally generated wallpaper.