Sentences with phrase «wall sculptures at»

L.A. viewers currently have a rare opportunity to appreciate the depth and breadth of this internationally renowned artist in two simultaneous exhibitions: Embodiment, a solo exhibition of beautiful wall sculptures at Kohn Gallery (January 9 - February 27, 2016) and 20/20 Accelerando, a poetic film with a sculpture installation, at USC Fisher Museum (January 27 - April 10, 2016).

2 Strauss Bourque - LaFrance's naïf textural wall sculptures at Rachel Uffner Gallery.

One piece is Rachel Whiteread's US Embassy (Flat pack house; 2013 - 1015), a wall sculpture at the entrance of the embassy, which is joined by works by such contemporary art luminaries as Sean Scully, Mark Bradford and Jenny Holzer.

Not exact matches

Bandshell at Forest Park in Woodhaven • $ 300,000 to improve lighting along the shorefront facing Queens in Franklin D. Roosevelt Four Freedoms Park on Roosevelt Island • $ 1.5 million to renovate the baseball fields at Glen Oaks Playground in Glen Oaks • $ 1 million to renovate Hallets Cove Playground in Astoria • $ 975,000 to improve the asphalt field at Hoffman Park in Elmhurst • $ 1.3 million to construct a meditation garden and upgrade Rachel Carson Playground in Kissena Corridor Park in Flushing • $ 322,000 to construct a skate park at Laurelton Playground in Laurelton • $ 850,000 to upgrade Lannett Playground in Far Rockaway • $ 600,000 to renovate Maple Playground in Flushing • $ 1.5 million to install new play equipment and to upgrade the sprinklers and surface at Mauro Playground in Kew Gardens Hills • $ 350,000 for landscape improvements along the Merrick Boulevard Mall in Springfield Gardens • $ 700,000 to enhance the lawn area, install new walkways, decorate pavers, install new benches and plantings, create a new entry and repair the retaining wall at Newtown Playground in Elmhurst • $ 2 million to upgrade to existing benches and equipment in Norelli Hargreaves Park in Jamaica • $ 300,000 for a mall enhancement and tree plantings along the Northern Boulevard Mall between 62nd Street and 102nd Street in Woodside / Jackson Heights • $ 400,000 to renovate Kingsland Homestead in Flushing • $ 3 million for the preservation of the New York State Pavilion in Flushing Meadows — Corona Park • $ 480,000 to replace the aviary mesh and marsh bridge at the Queens Zoo in Flushing Meadows — Corona Park • $ 2 million to renovate the asphalt field at the World's Fair Playground in Flushing Meadows — Corona Park • $ 800,000 to formalize the picnic grove, add gravel pads and grills, install new fences and benches and upgrade the basketball courts in Rainey Park in Astoria • $ 1.5 million for turf and track upgrades at Roy Wilkins Park in Jamaica • $ 1.4 million to renovate Sandpiper Playground in Rockaway Beach • $ 600,000 to renovate the museum building at Socrates Sculpture Park in Long Island City • $ 500,000 construct a dog run at Triborough Bridge Playground B in Astoria • $ 375,000 for pavers and accent lighting at Tribute Park in the Rockaways • $ 250,000 for site acquisition to add to Udalls Cove in Little Neck • $ 175,000 to improve sidewalk and perimeter of Veterans Grove in Elmhurst • $ 1.6 million to resurface the baseball field and upgrade the play equipment at Vleigh Playground in Flushing • $ 300,000 to support the borough's Tree Stump Removal Program.

A statue of a young girl that has been staring down New York City's iconic Wall Street bull sculpture since the eve of International Women's Day is not going anywhere — at least for another year.

The far wall of the dining room is paneled in antiqued mirror; a brass sculpture by John Raible sits on a Howard Werner table, which is surrounded by a suite of Paul Evans chairs found at Todd Merrill Antiques and Craig Van Den Brulle.

At designer restaurant Restaurante el Jardin your backdrop is wavy white walls and a sculpture or two by Yannick Ru.

Upon arrival at this 70 - story, glass - and - granite edifice in the center of Miami's business district, guests enter a cavernous lobby featuring a high arched ceiling, trickling water wall, and colossal sculptures that are part of the hotel's $ 3.3 million Latin American art collection.

Opening: «Pixar: The Design of Story» at Cooper - Hewitt National Design Museum This exhibition is a rare peek into the design process behind the creation of Pixar favorites like Toy Story, Wall - E, Up, Brave, The Incredibles, and Cars, including relics such as rarely seen paintings, sculptures, hand - drawn sketches, and other original artwork.

For his new show at the Brooklyn gallery, which recently relocated from Greenpoint to Prospect Heights, Tcherepnin will once again show work that quite literally goes over everyone's heads: five new chandelier - like sculptures hanging from on high, with videos projected on the walls around them.

Cheim & Read outdoes Metro Pictures by filling the ordinarily open fourth wall of its booth with a monumental sculpture by Jannis Kounellis, «All or Nothing at All» (2013).

The Wall is the Floor: The Shaped Canvas / Wall Sculpture takes a contemporary look at the pioneers of shaped canvas and untraditional wall sculptWall is the Floor: The Shaped Canvas / Wall Sculpture takes a contemporary look at the pioneers of shaped canvas and untraditional wall sculptWall Sculpture takes a contemporary look at the pioneers of shaped canvas and untraditional wall sSculpture takes a contemporary look at the pioneers of shaped canvas and untraditional wall sculptwall sculpturesculpture.

Composed as wall installations that cling to architecture or freestanding sculptures, Caesar's work exudes a blunt «it is what it is» presence, but with a highly visceral, permeable density that hints at greater depth.

Nearby, more stand out works abound, including a rare Bruce Nauman sculpture at Hauser & Wirth (E10), End Tunnel Folded Into Four Arms with Common Walls (1980); an investigation of the relationship between drawing and sculpture in the work of Roy Lichtenstein and Robert Morris at Castelli (F11); and works by David Salle, Cindy Sherman and George Condo at Skarstedt (E14).

RASHID JOHNSON: Islands David Kordansky Gallery, Los Angeles Sept. 13 — Oct. 29, 2014 On view at both of David Kordansky's exhibition spaces, Rashid Johnson's new sculptures will be installed on the floors and the walls.

Through The Contemporary's Museum Without Walls program, Grachos has arranged the long - term loan of outdoor sculpture from the museum's existing collection for display at various parks throughout Austin, including the monumental installation of Ai Weiwei's Forever Bicycles at Waller Creek.

Most of the sculptures in Willard Boepple: The Sense of Things at The New York Studio School were box - like containers placed, for the most part, on the wall at eye level.

Pulse: Cordy Ryman had a wall devoted to his witty and modest - size sculptures, all made from what look to be construction - site castoffs; at Mark Moore Gallery, Santa Monica

Among the most stunning works in the critically lauded Frank Stella retrospective at the Whitney Museum this fall are four wall sculptures — three - dimensional paintings, if you prefer — that revel in nautical themes inspired by Melville's White Whale.

The exhibition includes Simmons's first chalk drawings on blackboards done in the artist's «erasure» technique along with sculptures, paintings, photographs and a 1992 wall drawing not seen since it's first presentation at the Drawing Center.

Armory: Arlene Shechet sculptures on integral pedestals, with cast paper sculpture on wall, at the Jack Shainman Gallery, New York City

The cloud's reflective surface winks at the gleam off of Lynda Benglis» golden wall sculpture.

In the summer of 2009, Shainman visited Cafritz at her home where «Power to the People,» an accumulative wall sculpture by Kerry James Marshall, was installed in the entrance hall.

A 2005 group show at the Whitney, called «Remote Viewing,» took painting, drawing, and sculpture on the scale of a room — often directly on museum walls.

The sculpture, placed randomly to break up that numbing march down the wall, involved materials that ranged from a Duane Hanson clothed grandmother to a replaceable Urs Fischer melting candlewax full - length portrait of Zhou Yinghua (AKA Michael Chow — coincidental that Gagosian held the after - party at Chow's W eatery?)

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

This year's Artbus tour was much the same as last year if you replace Deitch Project's Kanye West and Vanessa Beecroft collaboration with a car hood reminiscent of Michael Jackson's Peter Pan golf cart, a bunch of crappy Josh Smith wall paintings and a guided tour by curator Fionn Meade at the Sculpture Center.

His new works — created for his solo exhibition Penumbra at Goodman Gallery Johannesburg — explore interconnections between drawing and sculpture and consist mainly of wire wall hangings that resemble overblown lace or crochet work.

Eiben's works, whether pastel watercolors or aluminum wall sculptures, evoke freshness and light — perhaps one reason his upcoming solo show at Christian Lethert is entitled «Running on Sunshine.»

Vandals ran wild this weekend, tagging the walls at a Jeff Koons exhibit and deflating Paul McCarthy's butt plug sculpture in Paris.

Troy A. Allen will be creating spontaneous sculptures and vicarious drawing devices for wall drawings at Art.Science.Gallery.

The first solo show in the UK of the Iranian - American artist at Sophia Contemporary Gallery in London features nine new wall sculptures, all made by materials that the artist has been meticulously collecting throughout the years — all involving steel, fiberglass mesh, and chains.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstat Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, FeldstAt The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Leaving no stone of art unturned, Matthew Ritchie came on strong at Andrea Rosen with painterly paintings of information systems on wall and canvas, sculpture, and a large video projection to boot.

Gravitas was well rewarded, however; a wall of Louise Bourgeois gouaches at Hauser & Wirth, an Antony Gormley cast - iron Prop lV at Sean Kelly, a gleaming stainless steel Saint Clair Cemin at Paul Kasmin, and Lygia Clark's interlocking sculptures — all sold the first day.

Michael Heizer's impressive installation at Gagosian Beverly Hills features new paintings that deny the conventional rectangular or square confines of the canvas, alongside negative wall sculptures, known for their size, raw materials, and ability to awe viewers.

Wall has had solo exhibitions in New York at Sculpture Now (1977, 1978,) Simon Lowinsky Gallery (1987,1998,) and at Flowers Gallery (2008).

Barbara Bloom's installation at David Lewis — a series of posters begun in the early 1980s that juxtaposes terrorism and tourism — serves as a warm - up for an exhibition of»80s art at the Hirshhorn next year, and Anna Betbeze presents sculptures in front of ruglike wall works at Jay Gorney.

Recent group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing Exhibition,» Leon, Spain.

Highlights in the Galleries sector included a wall installation of works on paper by Sol Lewitt (b. 1928, d. 2007) and floor sculptures by Carl Andre (b. 1935) at Paula Cooper Gallery, a solo presentation by Ugo Rondinone (b. 1964) at Galerie Eva Presenhuber and Ellsworth Kelly's (b. 1923, d. 2015) «Sumac» at Lévy Gorvy.

Wall has worked at his Emeryville, California studio since 1975, and continues to construct welded steel sculptures, producing one - of - a-kind pieces himself.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7

For Oursler's first solo exhibition in Hong Kong, entitled «PriV % te,» Lehmann Maupin gallery presents eight new multimedia wall works and sculptures offering the artist's perspective on a particular slice of chaos erupting at the convergence of digital media and cultural identity: facial recognition technology.

Two views of Louise Bourgeois's marble sculpture (foreground) and Lynda Benglis's hemispheres on the wall, at Cheim & Read

A number of the sculptures feature tubes traversing corners or doorways, or at a right angle to the wall, further engaging the architecture of a room.

Taking its title from the name of a fictional, post-iPhone device at the centre of Gary Shteyngart's 2010 near - future novel Super Sad True Love Story, Äppärät is concerned with labor, play and the uncertain zone between the two; with the extension of the body, and the self, through technologies ancient and contemporary; with things (to borrow Martin Heidegger's formulation) «present - at» and «ready - to» hand; with compulsion and with death Äppärät begins with Jessie Flood - Paddock's Just Loom (2015), a wall painting - cum - sculpture based on an illustration of a worker operating a loom from Denis Diderot's Encyclopédie (1751 - 72), one of the first attempts to record and systematize all human knowledge in published form.

In his first solo show at Tripoli Gallery in Southampton, «Nico Yektai: Cousins» presents functional furniture, wall objects and sculpture.

For his residency at the UT Visual Arts Center, the designer - illustrator and Okay Mountain co-founder has created a semi-immersive environment — filled with sculptures, wall paintings, animation, and drawings — «that examines the transition between childhood and adulthood.»

White Painting [two panel] is on the wall at right and several Elemental Sculptures appear in the background.

Major works made by Mason around this time, like his «Blue Wall» (recently featured in Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture at the Getty Center) and free - standing «spear» and «X» forms, would define a new expressive potential and monumentality for ceramic - based art.