In Santiago Cucullu's recent solo exhibition,
wall sculptures constructed from paper table skirting (the disposable kind you find at «party paper» outlets) acted as a minimalist counterpoint to...
Not exact matches
Bandshell at Forest Park in Woodhaven • $ 300,000 to improve lighting along the shorefront facing Queens in Franklin D. Roosevelt Four Freedoms Park on Roosevelt Island • $ 1.5 million to renovate the baseball fields at Glen Oaks Playground in Glen Oaks • $ 1 million to renovate Hallets Cove Playground in Astoria • $ 975,000 to improve the asphalt field at Hoffman Park in Elmhurst • $ 1.3 million to
construct a meditation garden and upgrade Rachel Carson Playground in Kissena Corridor Park in Flushing • $ 322,000 to
construct a skate park at Laurelton Playground in Laurelton • $ 850,000 to upgrade Lannett Playground in Far Rockaway • $ 600,000 to renovate Maple Playground in Flushing • $ 1.5 million to install new play equipment and to upgrade the sprinklers and surface at Mauro Playground in Kew Gardens Hills • $ 350,000 for landscape improvements along the Merrick Boulevard Mall in Springfield Gardens • $ 700,000 to enhance the lawn area, install new walkways, decorate pavers, install new benches and plantings, create a new entry and repair the retaining
wall at Newtown Playground in Elmhurst • $ 2 million to upgrade to existing benches and equipment in Norelli Hargreaves Park in Jamaica • $ 300,000 for a mall enhancement and tree plantings along the Northern Boulevard Mall between 62nd Street and 102nd Street in Woodside / Jackson Heights • $ 400,000 to renovate Kingsland Homestead in Flushing • $ 3 million for the preservation of the New York State Pavilion in Flushing Meadows — Corona Park • $ 480,000 to replace the aviary mesh and marsh bridge at the Queens Zoo in Flushing Meadows — Corona Park • $ 2 million to renovate the asphalt field at the World's Fair Playground in Flushing Meadows — Corona Park • $ 800,000 to formalize the picnic grove, add gravel pads and grills, install new fences and benches and upgrade the basketball courts in Rainey Park in Astoria • $ 1.5 million for turf and track upgrades at Roy Wilkins Park in Jamaica • $ 1.4 million to renovate Sandpiper Playground in Rockaway Beach • $ 600,000 to renovate the museum building at Socrates
Sculpture Park in Long Island City • $ 500,000
construct a dog run at Triborough Bridge Playground B in Astoria • $ 375,000 for pavers and accent lighting at Tribute Park in the Rockaways • $ 250,000 for site acquisition to add to Udalls Cove in Little Neck • $ 175,000 to improve sidewalk and perimeter of Veterans Grove in Elmhurst • $ 1.6 million to resurface the baseball field and upgrade the play equipment at Vleigh Playground in Flushing • $ 300,000 to support the borough's Tree Stump Removal Program.
Featuring 50 works, «Maryland to Murano» is the first exhibition to pair the beaded neckpieces and
wall hangings Scott
constructs in her Baltimore studio — her foundational work — with the blown glass
sculptures she has created over the past five years in Murano, Italy.
Thus, with no formal training in
sculpture, but an interest in exploring the illusionistic potentials of three - dimensional space, Simpson began making
constructed forms, both
wall based and freestanding, from corrugated cardboard, some titled Corrugated Drawings (1978 — 1980).
Wall has worked at his Emeryville, California studio since 1975, and continues to
construct welded steel
sculptures, producing one - of - a-kind pieces himself.
The Cabinet (2014), a large
wall - mounted
sculpture constructed of replica ConEdison barriers, a signature material for the artist, assembles weapons and tools with handles the artist calls «knockers.»
This makes them essentially different from Frank Stella's
wall - mounted high reliefs that are
constructed like three - dimensional
sculptures (with space in between) projecting directly from the
wall.
Focal points of the booth will be the presentation of The Lovers by Marina Abramović, a body of work she created after walking the Great
Wall of China in 1988; Embajada Rusa, a new
sculpture by Los Carpinteros
constructed from LEGO ® bricks, playfully reimagining the architecture of the Russian Embassy in Cuba; a group of new paintings by Hugo McCloud; and The Time Vivarium, a stop - animation film by Sun Xun, created for his debut exhibition at the gallery in 2015.
The exhibition will be composed of felt, knitted and ceramic
sculptures (both as object and costume), corn dolly masks and
wall prints, presented as an installation around a centrally
constructed stage.
Through the careful application of surface treatments on
walls, calculative placement of thin, angular, wood
sculptures and the addition of signature painted fragments, Amm
constructs a visual picture plane from the tangible gallery space.
A central figure in the California Light and Space movement, Laddie John Dill has been using a combination of weighty and incandescent elemental materials to
construct luminous
sculptures, formalistic
wall pieces, and site - specific installations since the 1960s.
Preserving the open nature of the galleries, the few temporary
walls constructed for the exhibition are themselves artworks designed by Creed, including a monumental brick
wall outside on the
sculpture terrace.
To frame these works, Billingham painted pale blue and pink grids on the
walls as well as
constructed three wood and chrome dinghy - shaped
sculptures, which rest upon blue watercolor tapestries and hold a pair of paintings each.
Bianchi's
wall - based works are both
sculpture and painting, emerging from the
wall or built in many layers and exactingly
constructed all the way through, from stretcher to support to surface.
The «
walls» of the
sculpture were
constructed of 20 wood headboards dating from the 1900s to the 1970s hinged together to disrupt the viewer's typical navigation of the space.
Made using a makeshift pendular device
constructed with materials such as wood, rocks and string, the
sculpture is manipulated by the artist to rubber - stamp words onto the gallery
walls.
The freestanding
sculptures that Rowe has created for the first time, complement and contrast her earlier works (
wall mirrors
constructed of glass shards, wood) and reclaimed frames which insist on personal negotiations with reflections and desire.
I was similarly taken with a series of
wall - bound
sculptures constructed from found refuse that alluded to the forms of African masks by Romuald Hazoumè, at the booth of London's October Gallery (among them Passe Temps, 2015 and A mi chemin, 2016).
While it is true that many of the more recent works follow the traditions of
constructed sculpture that originated in Cubism and were defined by Russian Constuctivists like Vladimir Tatlin and Alexander Rodchenko, most of these remain attached to the
wall, and some continue to use color as painters do.