Highlights include Christina Quarles» brilliantly claustrophobic paintings of constrained bodies; Mickalene Thomas» haunting sculptural video installation «Me as Muse»; Vaginal Davis» lush punk - inspired
wall sculptures made from nail polish, hair spray, and perfume which stand in contrast to Ulrike Müller's sober - minimalist geometric body compositions.
The Cardboards are
wall sculptures made from found cardboard boxes that have been cut, stapled, bent, and combined by the artist but retain their original history through stains, dents, and tears, in addition to inherent color and labeling.
Three
wall sculptures made up of preserved bovine brain matter, plastic and steel were also among Hiorns's pieces on display, which Ms Little said «challenged» gallery - goers perceptions as they were viewing something which could once see and feel.
The colorful, large - scale
wall sculptures made of appropriated items — ranging from alcohol caps to tin can lids — and Anatsui's -LSB-...]
The knowingly tacky - but - gorgeous swooshes of fabric in gold leaf and the scrunched aluminium
wall sculptures she made in the 1990s suggest mermaid tails — although discarded sweet wrappers also come to mind.
Brixton artist Lesley Hilling brings a series of floor standing and
wall sculptures made from salvaged wood and found objects to Knight Webb Gallery.
One of the earliest works in Ms. Martin's Whitney retrospective is
a wall sculpture made of planks pierced with rusted iron boat spikes set in a grid formation.
Not exact matches
This incredibly detailed, lifelike elephant
sculpture mounts right on your
wall and will
make your friends» jaws drop.
From monochromatic metal
wall sculptures to two - tone geometric panels
made from upcycled wood, you can choose to display our dimensional abstract art in small groups for a more dramatic impact.
I absolutely love art
made from found objects, and this driftwood cloud
wall sculpture is so beautiful...
In the past, this form of painting was only done on the outer
walls of houses but Mahlangu is one of the first artists to transfer these traditional designs to canvas, shoes,
sculptures, ceramics and other modern mediums,
making her a pioneering Ndebele artist and showing that adapting to change is an essential skill in the art world.
The Wreath Recipe Book inspires readers to design an array of living
sculptures to hang on your
wall, door or ceiling throughout the year — or, alternatively, to use the same ingredients to
make arrangements for shelves and tables.
In his original request for artists proposals for inclusion in the Artists» Balls show, curator Hugh Margerum said, «as we all know, whether you are male or female, it takes balls to
make art...» The resulting show encompasses that sentiment and extends in the case of the nine participating artists to a broad interpretation of the ball theme in paintings, drawings,
sculpture, and
wall pieces.
He uses both bright and grayscale colors in his
wall sculptures; his intricate designs are often
made with unconventional media, like nylon yarns, printed fabrics, and even the tights he designs.
He is renowned for being one of the first artists to
make the radical gesture of taking the canvas off the stretcher and hanging it directly on the
wall in works such as Purple Octagonal 1967, as well as
making provocative
sculptures such as Third Rope Piece 1974, the intimate scale of which directly responds to traditional ideas of monumental art.
She soon set about honoring these venerable beasties in varied media, from celluclay - and - acrylic
wall sculptures to eye - popping serigraph prints, which she
makes available as greeting cards in her Torpedo Factory studio.
Pulse: Cordy Ryman had a
wall devoted to his witty and modest - size
sculptures, all
made from what look to be construction - site castoffs; at Mark Moore Gallery, Santa Monica
For her second solo exhibition in the gallery, and in Belgium, Louise Bourgeois has
made a selection of recent
sculptures in fabric, screen prints on vintage cloth and a completely new series of
wall hangings, entitled «The Woven Drawings».
Finishing off the trio were Emilio Lobato's recent
wall relief
sculptures made of found materials.
Thus, with no formal training in
sculpture, but an interest in exploring the illusionistic potentials of three - dimensional space, Simpson began
making constructed forms, both
wall based and freestanding, from corrugated cardboard, some titled Corrugated Drawings (1978 — 1980).
This work, as Starling explains in the
wall text, was
made in response to Henri Moore's
sculpture «Nuclear Energy» on University of Chicago's campus in Hyde Park.
Trilogy includes three films
made between 2004 — 2007: The Paper
Wall, 2004, (won the Worldwide Short Film Festival's Best Experimental Film Award); A Life of Errors, 2006 (acquired & exhibited by the Hirshhorn Museum &
Sculpture Garden); Loudly, Death Unties, 2007 (acquired by the Museum of Contemporary Canadian Art, Toronto).
She
makes free - standing steel
sculptures and
wall - bound installations that reference her artistic lineage going...
The first solo show in the UK of the Iranian - American artist at Sophia Contemporary Gallery in London features nine new
wall sculptures, all
made by materials that the artist has been meticulously collecting throughout the years — all involving steel, fiberglass mesh, and chains.
Alongside those works, Serra designed a series of forged pieces including: «Two Forged Rounds for Buster Keaton», «Snake Eyes and Boxcars» and «Ali - Frazier» and «Charlie Brown» One of his biggest installation is «The Matter of Time» commissioned by the Museo Guggenheim Bilbao, it incorporates a series of seven
sculptures made of spot - welded sheets of steel that form 4,3 m high curling
walls positioned around the existing
sculpture, «Snake», that had been commissioned for the museum's opening in 1997.
In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by
making elements of the work three - dimensional and experimenting with either hanging the work flat on the
wall or setting it off against it in such a way that it appeared as a hybrid between painting and
sculpture.
The exhibition included both freestanding
sculptures and
wall works combining text and image; exhibited as well were examples of «interactive
sculptures» (some produced in collaboration with Esther Shalev - Gerz), pieces either re-created, presented in the form of photographic documentation, or
made accessible by computer.
Work perceived as trending that sold out the first day included pop comments on Pop (Sylvie Fleury's life - size crushed car that she painted with pink nail polish and posed against a
wall caked with makeup; impeccable fabrication (Anish Kapoor's shiny discs that danced down every aisle); mannequin
sculptures (Chicago imagist Karl Wirsum's robotic stick figures); body fetish (Guillaume Leblon's truncated ceramic legs and Jonathan Monk's kicking ones, Naotaka Hiro's body casts of himself
made with his right hand).
In particular he seems to have sought specific settings for exhibitions of his early
wall - mounted
sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he
made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7
Many of Richard Serra's best known recent
sculptures, also
made of this material, are
walls that constrict one's movements and vision.
The exhibition was
made up of a series of
sculptures across the main and first floor galleries, as well as the outdoor area on the expansive Victorian brick
wall of the SLG's Fox Garden.
Brian Wills» new
wall sculpture is a variation on the wedges he
made for our 2014 exhibition with the artist.
She also began
making free - standing
sculptures from hollowed tree trunks and wooden slabs that could rest against gallery
walls.
There are no traditional canvases in Gomes's work: painting instead becomes
sculpture, object, an act of mark
making upon a surface, or an arrangement on a
wall.
Major works
made by Mason around this time, like his «Blue
Wall» (recently featured in Pacific Standard Time: Crosscurrents in L.A. Painting and
Sculpture at the Getty Center) and free - standing «spear» and «X» forms, would define a new expressive potential and monumentality for ceramic - based art.
Fred Sandback: Renowned for his Minimalist, conceptual
sculptures, Fred Sandback's best - known works were
made using colored acrylic yarn, like his «leaning» series, which used lengths of yarn, extended between
walls and floors, to alter the perception of a space.
Louise Bourgeois and Ursula von Rydingsvard
make light - handed, spontaneous drawings distinct from the immense
sculptures that are their hallmark, while Catherine Lee's works - on - paper directly recall her repetitious
wall reliefs.
And if the wealthy collectors don't have the time to hop on a plane to London or Hong Kong to pick up El Anatsui «s new
wall sculpture, or a coveted Anish Kapoor reflective concave disk, then their art advisors will
make the trip on their behalf.
This room must have been an absolute bear to hang, with about four dozen twisting, twitching
sculptures made from handmade paper draped over chicken wire — climbing and scurrying down every
wall.
Sculptures made of corroding metal scavenged from first world war battlefields, and a colourful
wall - hanging consisting of ribbons bearing honours that include Nazi medals.
She
makes free - standing steel
sculptures and
wall - bound installations that reference her artistic lineage going back to the welded
sculpture of Julio Gonzalez.
Stefan Saffer's delicate paper cutouts are
made of what is not there: a drawing, reduced to a skeleton becomes a
sculpture that casts moving shadows onto the
wall.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy
Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky»,
Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «'
Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The
Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «
Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review:
Made in Space», The New York Times, August 1 «
Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
When on January 28, 2013, I
made my first visit to Annette Lemieux's spacious studio in Allston, Massachusetts, I was delighted and excited to see a museum - quality array of over a dozen paintings,
sculptures, and photographic prints arranged on the
walls, floor, and propped up on a variety of chairs and stools.
Styrofoam and cardboard packing materials
make the contours and shapes in Keister's recent ceramic
wall - mounted relief
sculptures.
On the ground floor of the Snøhetta - designed expansion, visitors and passersby will find Richard Serra's monumental
sculpture Sequence (2006) in the free - to - visit, glass -
walled Roberts Family Gallery,
made possible by Linnea and George Roberts, where Roman steps will provide an inviting space to reflect and gather.
In fact, two earlier works by Kelly
make reference to a «large
wall»: Color Panels for a Large Wall from 1951, and Sculpture for a Large Wall, 1957, both in the collection of the Museum of Modern Art, New Y
wall»: Color Panels for a Large
Wall from 1951, and Sculpture for a Large Wall, 1957, both in the collection of the Museum of Modern Art, New Y
Wall from 1951, and
Sculpture for a Large
Wall, 1957, both in the collection of the Museum of Modern Art, New Y
Wall, 1957, both in the collection of the Museum of Modern Art, New York.
Turning to the other
wall, you'll spot Yanko's hanging
sculptures made from crinkled metal parts.
Derrick Velasquez's
wall sculptures from his Untitled Series, create a comforting rhythm in the form of patterned geometric reliefs
made of colored strips of vinyl and wood.
In this exhibition, large - scale floor
sculptures and
wall - mounted works
made over the course of four decades attest to the seemingly infinite variations of shape and color that Chamberlain explored throughout his career.