Sentences with phrase «wall sculptures using»

In 1968, he began creating wall sculptures using incandescent light and sheer fabric before shifting his attention to neon.

Not exact matches

Using the seaside locale as inspiration, a coastal theme prevails throughout the — a wall sculpture akin to a swimming school of fish and a three - spout, blue - tiled fountain welcome guests in the entry courtyard.

You can even use your bedroom walls to display three - dimensional decor like sculptures, vases and pictures.

Right now it is primarily used in architectural design such as product displays, sculptures, tables and even walls.

The Wreath Recipe Book inspires readers to design an array of living sculptures to hang on your wall, door or ceiling throughout the year — or, alternatively, to use the same ingredients to make arrangements for shelves and tables.

One of the most intriguing techniques that Jojo incorporates into his work as an artist is a water - pressure - inflation technique, which he uses to shape metals into one - of - a-kind pieces of art, including wall sculptures, chairs, coffee tables, and other pieces of furniture.

He is using this opportunity to create wall murals and a compressed jute sculpture just for the space.

He uses both bright and grayscale colors in his wall sculptures; his intricate designs are often made with unconventional media, like nylon yarns, printed fabrics, and even the tights he designs.

Edwards uses a diverse palette of metal objects to create his wall - mounted sculptures known as Lynch Fragments.

Tethering wall and floor elements was a recurrent device used by Rauschenberg to blur and transcend the distinction between painting and sculpture.

Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitalism.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

[10] He mostly creates painting, sculpture and wall paintings using media such as acrylic, collage, fresco, ink drawing (Pen and Ink), mixed media / multimedia, and oil.

The Nashville artist uses textiles to create wall sculptures that offer a new take on the painterly values that have informed her work.

Pottery, sculpture, wall tile, or mix media work will be considered — the only requirement is the use of a mold.

Using a range of media, including installation, wall sculptures, paintings and works on paper, the show explores the formal and psychological aspects of symmetry, distortion, inside and outside.

Fred Sandback: Renowned for his Minimalist, conceptual sculptures, Fred Sandback's best - known works were made using colored acrylic yarn, like his «leaning» series, which used lengths of yarn, extended between walls and floors, to alter the perception of a space.

Escobar's work, characterized by the use of materials charged with historical and symbolic meaning, is articulated in a minimalist language like in Yellow Composition, a linseed oil drawing, and the wall sculpture.

This exhibition marks Wynne's most ambitious gallery show featuring his now iconic glass wall sculptures in the shape of waves, vortexes, and underwater exhale bubbles and text works including a new series using black glass.

In the main gallery, four ominous sculptures loom, dotting the large space like standing alien sarcophagi undergoing a ritualistic software update, encased using the salvaged modular steel walls from Bell Labs.

Celebrated for his full - scale installations and wall - mounted sculptures, Drew uses a variety of materials such as wood, iron, cotton, paper and mud to re-work in the building of new and lively forms.

The four walls and collages (or clocks) are «talking to» a childhood memory, «imported from London», according to the press release, which sits in the middle of the room and is a sculpture of a clock based on the model used in the on - stage dramatization of Philip Pullman's Dark Materials.

For her solo exhibition Blondie, Bircken developed freestanding sculptures, hanging objects and wall art from ropes, vintage clothing pieces, wood, concrete, articles used in daily life, hair and wool.

The show consists of wall sculptures created using the parts of vintage racing automobiles.

Cologne - based artist Regine Schumann creates sculptures and wall - reliefs using acrylic glass and a special phosphorescent pigment that allow the works to glow from within, whether in day light or UV light.

Pascali's other works involving canvas include «Grande bacino di donna, mons Venus», and «Labbra rosse», these works were large flat canvases that became three - dimensional sculptures through the use of wooden structures, paint, and other materials, though they were still able to be hung on the wall.

ENVIRONMENTS: The artist has returned to the idea of her early New York experiments with total sculptures occupying entire spaces (floor, walls and ceiling), now playing with infinite repetitions of the dot though the use of mirrors and endless reflections (Dots Obsession, 1998, Les Abattoirs, Toulouse; Infinity Mirror Room, 2011, collection of the artist).

This art transcended function; basket techniques were used to create forms that were more sculpture than basket and basic weaving techniques were employed to fabricate large wall pieces that were unprecedented at the time.

It cares too much for the wall to be quite sculpture or installation either, and its use of materials as her elements of color and composition look back to shaped canvas as well.

Sheets of dried acrylic, colors and mediums can be used to produce translucent and rigid sculptures that can stand alone or be made to appear to drip from the walls and ceiling.

Blinn Jacobs describes her work in a recent statement as being a dialogue between polygonal «shaped» wall sculpture and the use of «painterliness» in regard to the interaction of color...

Donzeaud's experiments in turning a plastic used for containers into flat screens that adapt to the walls of the indoor space are stretched out and over a frame; sometimes hanging like a canvas in «Untitled PE (Caring 01)» and «Untitled PE (Caring 02, 03, 04)» or jutting out of wall and becoming a sort of installation - sculpture in «Untitled PE (Caring 05, 06)».

We learn of the first major outdoor exhibition «Sculpture in Environment» organised by the Parks Department in 1967, which saw Claes Oldenburg digging a grave in Central Park, and the formation in 1969 of City Walls Inc. by Doris Freedman, the Grand Dame of New York public art commissioning — a project initiated to use and brighten the proliferation of walls of half - demolished buildings in the city, as the optimistic boom of the 1960s slid into the recessive»Walls Inc. by Doris Freedman, the Grand Dame of New York public art commissioning — a project initiated to use and brighten the proliferation of walls of half - demolished buildings in the city, as the optimistic boom of the 1960s slid into the recessive»walls of half - demolished buildings in the city, as the optimistic boom of the 1960s slid into the recessive»70s.

Using a range of media, including installation, wall sculptures, paintings and works...

Hanging from the gallery walls, and existing at an ambiguous point between painting and sculpture, Dordoy's «skins» are made by using liquid silicon to cast the interiors of old photocopiers.

In early sculptures such as Untitled (Latin Study), 1985, he used wooden armatures to create three - dimensional constructions that appear as constellations of floating painted brushstrokes rendered tangible, their shadows producing flat compositions on the walls behind them.

His work was included in many important exhibitions: Painting Without A Brush, Institute of Contemporary Art, Boston, 1965; Whitney Biennial, New York, 1970; Painting and Sculpture Today, Indianapolis Museum of Art, 1970; Using Walls, Jewish Museum, 1970; Spray, Santa Barbara Museum of Art, 1971; The Structure of Color, Whitney Museum, NY, 1971; Grids, Institute of Contemporary Art, Philadelphia, 1972.

Danh Vo gilds cardboard refuse, reimagining a simple box as wall sculpture, with marks of use as well as golden reminders of Mexican history.

In what we are to believe is her grandfather's filthy old cabin, sculptures double as doorstops, paintings are used to patch holes in the walls.

In Gallery II, a large, wall - based sculpture of colorful ceramic disks on rotating arms titled, THIS ONE GOES OUT ACROSS THE SEMAPHORE SPECTRUM, simultaneously takes form as a double solar system model or an antiquated signal device used to communicate turbulent atmospheric conditions to pilots in air or at sea.

Our textile artists use materials such as yarn, fabric, paper, thread, wire, metal, and glass to create unique and original jewelry, wall hangings, clothing, sculpture, accessories, and many other inventive works of art.

Artist Thornton Dial, who used found objects, fabric, and paint to make astounding, intricate wall reliefs and sculptures that harbor nuanced narratives at once grand and intimate, died yesterday, Monday, January 25, at his home in Emelle, Alabama.

California - based artist Angela Schwer is the genius behind this series of wall sculptures, handmade from her living room using a custom blend of polymer clays.

Kinetic sculptor Tim Prentice of Cornwall offers wall - mounted works, Weston artist Joseph Fucigna's sculpture is made of plastic coated fencing, while Hamden installation artist Howard El - Yasin uses materials that are usually discarded like dryer lint and roasted banana peels.

From 1985 through 1991 Anne Doran made slyly narrative wall - based sculpture from appropriated public images in wide circulation, using them to speak of the commodification of desire, the loss of self, and the dynamics of power relations in modern culture.

Rather than sculpture or painting, the site - specific installations created using thousands of bottle caps from a distillery in Nsukka are more like textiles, folding and billowing from the walls like mosaic - patterned fabrics.

Both artists make reference to the everyday world and socio - political realities: Edwards by using chain, bolts, and tools in his compressed wall sculptures, and Saul through the use of cartoon imagery depicting public figures, food, and language.

A central figure in the California Light and Space movement, Laddie John Dill has been using a combination of weighty and incandescent elemental materials to construct luminous sculptures, formalistic wall pieces, and site - specific installations since the 1960s.

His sculptures and wall works commonly take the form of geometric shapes — circles, lines, ellipses, and spirals — using the raw materials of a place.

Fieroza Doorsen uses a wide range of materials: charcoal, ink, pastel, oil, acrylic, gouache, collage to name a few, producing works on paper, oil on canvases and wall based sculptures.