Sentences with phrase «wall space in building»

The partnerships, which range in time from 15 to 25 years, are modeled on Mass MoCA's 25 - year arrangement with the estate of Sol LeWitt and the Yale University Art Gallery to display 105 of the artist's large - scale wall drawings across nearly an acre of wall space in Building 7.

Moving from very small to very large print along an upward curve before suddenly crashing downward, Slip unfolds across more than 100 running feet of wall space in Building 6.

Not exact matches

«Most offices are built with walls prioritized, and with the most important people in the space having four walls of their own.

Amazon has taken office space in what was once a warehouse at 450 West 33rd Street, although the owner, Brookfield, recently gave the building a face - lift and glass walls.

Housed in the old kitchen building of the Victorian - era home, the low - lit narrow space has rustic brick walls and high ceilings of dark - wood rafters, the better to accommodate the shelves and shelves of whiskey that Chef Brock loves.

The house that Ferguson built is the house in which the Glazers are selling wall - space, and the idea of trying to tout a club that's just sold one of their best (or at least most high - profile) players is not the kind of thing that gets wallets opening.

The union began taking in excess storage items from protesters beginning over last weekend, and, stashing them at a vacant first floor storefront at its 52 Broadway building, a space that protesters have dubbed the «Occupy Wall Street Coat Check.»

It's standard in Pakistan to build these humongous compounds, where living quarters are covered by green space and that green space is then gated and there's a boundary wall, which is usually substantially high with barbed wire on top of it.

The current shelves are decent, but given the fact that these built in book cases take up the majority of wall space in the living room means they are worth focusing on improving.

In this post, I wanted to show you that even if you don't necessarily have a built in drop zone, you can still create one with just a little bit of wall space and a few organizational pieceIn this post, I wanted to show you that even if you don't necessarily have a built in drop zone, you can still create one with just a little bit of wall space and a few organizational piecein drop zone, you can still create one with just a little bit of wall space and a few organizational pieces.

While we were building, my goal was to create a butler's pantry type space in the dining area using this extra wall that we gained.

We're debating adding built - ins to one of the walls, but we want to see how we use the space before we do so because we're not convinced that this storage unit from Pottery Barn Kids wouldn't do the job perfectly.

There are many patterns available to suit all designs, but I have recently used this type of self - coloured board with regularly spaced circular holes, for both wall and ceiling panels in a creative arts building.

Residential designer Paul DeFeis of Trade Mark Design & Build in the New Jersey area says another project that typically pays off is opening up walls to create an open living space.

The shelter was built in 1988 with uninsulated masonry walls, poor ventilation, no areas for handling and / or isolating sick or injured animals, and insufficient space to quarantine for rabies observations.

In cases where piping is located outside the building enclosure or within unconditioned space, the insulation must be installed to a thermal resistance not less than the effective resistance requirements of the exterior above grade wall.

The apartment includes: Built in barbecue and outdoor setting Queen double and two single beds (which can be converted to king double) and a wall bunk: Full size kitchen with microwave and stove: Large outdoor covered area: Undercover parking: Gas space heating: Colour television and video recorder: Continental style breakfast pack: Automatic washing machine: Radio / cassette / CD player: All towels & linen: Hair dryer: Vanity shelf and light to master bedroom.

The apartment includes: Built in barbecue and outdoor setting Queen double and two single beds (which can be converted to king double) and a wall bunk: Full size kitchen with microwave and stove: Large outdoor covered area: Undercover parking: Gas space heating: Colour television and video recorder: Continental style breakfast pack: Automatic washing machine: Radio / cassette / compact disc player: All towels & linen: Hair dryer: Vanity shelf and light to master bedroom.

In - room facilities include a high - definition flat - screen HD TV with access to local programmes as per DStv Compact, BASIC self - catering facilities, which include bar fridge, microwave, kettle, toaster and coffee plunger, crockery and cutlery, built - in cupboards, a wall - mounted work - station with space - saving fold - down counter and free Wi - Fi internet accesIn - room facilities include a high - definition flat - screen HD TV with access to local programmes as per DStv Compact, BASIC self - catering facilities, which include bar fridge, microwave, kettle, toaster and coffee plunger, crockery and cutlery, built - in cupboards, a wall - mounted work - station with space - saving fold - down counter and free Wi - Fi internet accesin cupboards, a wall - mounted work - station with space - saving fold - down counter and free Wi - Fi internet access.

Using special high - tech gloves, you manipulate the environment around you — build bridges, shift walls, open new paths — in order to journey deep into a mysterious giant cube hurtling through space towards Earth and... Read More»

His immersive works are built from amassed art supplies and materials found in his studio space — including artists» tape adhered to the walls, floor and ceiling, bubble wrap, old newsprint, un-stretched canvases and press releases from gallery exhibitions.

Another series from the late 1960s / early «70s was based on a system of building in tiers: polished aluminium sheet was formed into half circles, half squares, or cones, that were placed on mirror - polished bases «in order to push the space down through the floor or out through the wall, thus extending the forms by illusion».

Negative Pyramid (1997) and three works from his Incomplete Open Cube series (1974) illustrate in three dimensions the generative potential of LeWitt's serial approach, exemplified by the museum's sweeping installation of the artist's wall drawings — which span LeWitt's entire career, covering over an acre of wall space on three floors of a building at the very heart of MASS MoCA's campus.

Inside the gallery's smaller space Steinkamp has installed Bouquet, an enchanting filmic arrangement of tree limbs — instead of flowers — that twist and turn in the middle of the wall, as it's been doing for the past year at the American Consulate building in Guangzhou.

For one, the dominance of brick walls, wood floors, big windows and frequent columns of its repurposed 19th - century factory buildings is the apotheosis of SoHo, whose small - industry loft spaces were taken over by commercial art galleries in the 1970s.

The vertical gallery space includes the end walls of thirty - one landings in the building.

Recently she has been able to take down a wall in her building, increasing her work space significantly and allowing her to work on more projects simultaneously.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, ParIn My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

Opened in 1993 under the direction of Masami Shiraishi and situated in a former bathhouse building located in a charming neighborhood of Ueno Park in Tokyo's Yanaka district, SCAI The Bathhouse gallery features simple white walls combined with excellent natural light which turn it into a bright and airy space.

Situated in a hexagonal space built into the gallery, the artist projects his film about cellphone inventor Martin Cooper projected onto three mirrored walls, reflecting the piece's hypnotic imagery in a continuous, disorienting loop.

Realizing that the CCS galleries, designed by architect James Goettsch and Nada Andric and built in 1992, are primarily made for showing painting and sculpture, for his new work Michael Beutler opted for excess, exaggerating the character of the space by adding even more walls.

SAM's desire to further serve its community was realized in 2007 with the opening of two stunning new facilities: the nine - acre Olympic Sculpture Park (designed by Weiss / Manfredi Architects)-- a «museum without walls,» free and open to all — and the Allied Works Architecture designed 118,000 - square - foot expansion of its main, downtown location, including 232,000 square feet of additional space built for future expansion.

The space mimics that of an open plan gallery, taking over a pavilion - style single storey building with a two wall facade almost fully in glass.

Cardiovascular Vernacular (as in «it's time for my regular cardiovascular vernacular»)(2013) expanded upon her interest in shared space and built upon the environments created within the gallery walls.

Housed on two floors of the Wolf Building in Chelsea, the fair is a curated international group show displayed in a typical white walled space.

Our office space is linear and minimalistic, with as much natural light flooding in as possible; in fact the tree - house has a few walls entirely built from glass which really open up the space.

I sit and I am held by my chair, which in turn is held by the floor and the walls and the beams of the building that hold together the structure of the space in the apartment complex I call home.

In 2008, he developed a maze of an installation for the Santa Monica Museum of Art that consisted of rebuilding every internal wall the museum had ever built in that space for temporary exhibitions — 44 in alIn 2008, he developed a maze of an installation for the Santa Monica Museum of Art that consisted of rebuilding every internal wall the museum had ever built in that space for temporary exhibitions — 44 in alin that space for temporary exhibitions — 44 in alin all.

Amm, inspired by the miniatures of the gallery space, that the artists are used to build in order to have a first approach to the spatial arrangement of the gallery, painted on the walls a resemblance of the pieces of muskin - tape which hold the cardboard walls of those miniatures together.

The text refers to an experimental factory, recently closed, where the former workers or «producers» return to their original work place and over time start to work in the now redundant space — their «product» now being ideas and change, they begin to remodel the building, draw on the floor and break windows into formerly blocked up walls.

Artwork will be located in key public spaces and reception areas of the building: along East and West corridors, Lobby vestibule and on the Main wall of lobby above reception.

For the exhibition, YBCA commissions local, regional and international artists to use the literal aspects of YBCA's architectural space, built in 1993 by acclaimed architect Fumihiko Maki, as a starting point to create new large - scale works directly on the walls of both its galleries and its public spaces.

«Future Greats», December 2005 «Twelve Footnotes for Ian Monroe», Tom Morton, Show Catalog, Haunch of Venison, Zurich Art Review, «The Walls Came Down» Jay Merrick, July 2005 «Ian Monroe's Architecture», Barry Schwabsky, Show Catalog «They Built Upon It», Haunch of Venison, London 2004 Modern Painters, «All in the Best Bad Taste» Sally O'reilly, Dec 2004 - Jan 2005 2003 Art Monthly, «Anyway», Bruce Haines, May 2004, number 276 Contemporary, «The Queen Mum Show» Jamie Lau, issue 53/54 The Times, «New Blood at RA Summer Show Gets Old Blood Boiling» Dalya Alberge, May 29 The Royal Academy of Arts Magazine, «Summer Exhibition» Sebastian Smee, Summer 2003, number 79 Arena, «The Boom», Tom Morton, July, number 136 The Spectator, «Formidable Power», Andrew Lambirth, May 17 Art Review, «Saatchi's New Sensation», Meredith Etherinton - Smith, May Evening Standard, Metro Life, «The Saatchi Effect» Hephzibah Anderson, April 18 The Observer, «Space Traveller», Alison Roberts, April 20 Telegraph Magazine, «Adventures in Saatchiland», Colin Gleadell, March 29 2002 The Sunday Times, «Saatchi's Rival to the Tate Takes Shape» Richard Brooks, September 8 Time Out London.

One of these events will continue into Curious Duke Gallery with a brick wall being built in the gallery space for Tyrimos to paint throughout the exhibition in June.

The exhibition includes 17 wall panels, collectively equivalent to the exact interior measurements of her downtown L.A. studio, which were built onsite in the exhibition space and then transferred to her studio space.

Flying atop a pole in front of the old school building that now houses white - walled gallery spaces, the flag anticipated an inaugural exhibition of works by Nick Cave.

In order to make the upcoming exhibition as immersive as possible, the museum space has been transformed into an environment inspired by the traditional architecture of Moroccan medinas, buildings which are typically walled and riddled with many narrow, maze - like streets.

A structure in the center of the space — a sort of abbreviated house with half - built walls and uncovered studs — set the stage.

Unless you do a sculpture show or something similar, they have to build freestanding walls in the exhibition space.

As part of Het verkeerde moment op de juiste plek / The Right Moment at the Wrong Place, Kinoshita cut through the walls that where built for previous exhibitions and offices in Museum De Paviljoens, and created a new interior space as extension of her installations.