Sentences with phrase «wall space without»

I like them because you can cover a large amount of wall space without the investment in a huge piece of art or an oversized mirror.

You done a wonderful job in filling up the wall space without making it look crowded.

Not exact matches

The T design is flexible with movable walls allowing us to modify the trucks as business changes and grows without limiting the total space in the truck.»

Some moms may need a more portable pump than others, especially those who spend workdays out and about without reliable access to a wall outlet or private space in which to pump.

That is why this art piece is perfect — you can store all your jewellery neatly without taking up any extra space, as it is hidden behind a painting on the wall, that you have either purchased or done yourself.

A bookshelf or other tall shelving unit like we have is a great way to store many toys without taking up valuable floor space because it's utilizing space that's otherwise not used higher up on the wall.

While most people co-sleep without incident, if there is any amount of space between your wall and your bed where your baby could slip into — fix it.

The super narrow width alone makes this ideal for strolling through tight spaces without bumping into walls and doorways.

There is all this free space for kids to run, the grass offers padding for all the falling and rough - housing, and they can yell as loudly as they want without the sound being amplified by bouncing off your four walls.

Such conversions of homes generally consists of taking lawfully occupied homes and greatly increasing the number of residents by adding unlawful walls and dividers to create multiple tiny living spaces without sufficient exits, ventilation or plumbing and electric service.

Hang it on a door or open wall space for a look full of life ane without the hassle and worry of maintenance.

Adding a tapestry to your space is a fun an easy way to give your room a seasonal #makeovertakeover and turn that blank wall into a colorful accent wall without using any paint or heavy artwork.

This wonderful hinge - mounted cabinet creates additional storage in your home or office without sacrificing any floor or wall space.

It is easy to add light if you are tearing down walls or adding skylights, but even without remodeling you can create a light airy space.

Simply changing paint color, swapping out curtains, adding new throw pillows or wall art can have a dramatic effect on a space without the dramatic impact on your wallet!

Red walls add a fun personality to this space without being overwhelming.

And if you're creating a space that's semi-temporary or will be changed frequently, details like a standing mirror rather than one on a wall, framed art propped against the wall, picture frames of loved ones, and fresh flowers can give it that personal touch without getting too permanent.

This accuracy makes for some very memorable sequences: a moonbus whizzing silently across a desolate landscape, a space pod door blasted off without a noise, a flight attendant literally walking up walls.

School Without Walls Senior High School gains tremendous power from melding the new with the old: The school's new spaces are designed to give students the sense of freedom to explore and learn that emulates the collegial atmosphere of nearby George Washington University.

Francis - Stevens will fill its extra space by serving as a second campus for the School Without Walls, a selective high school nearby.

In contrast, the 2014 Malibu 2.5's start - stop system uses a small, 12 - volt, motorcycle - grade lead - acid AGM battery, which serves primarily to stabilize voltage while the engine is being restarted, neatly tucks into the trunk's side wall without encroaching on space.

Two doors are shorter than one long door and swing out a shorter distance from the side of the vehicle, so a Veloster driver cramming into a tiny parking space can get closer to a wall or other obstruction on the passenger side without inhibiting the swing of the doors.

The 50 / 50 - split bench actually folds against the walls, creating a flat load space without the seats submerging into the floor.

Hidden behind a wall that shields villa guests from prying eyes without taking away from the sea views, the double - storey Villa LeGa is built around a central 12 - metre swimming pool, complete with outdoors shower and various water features, which takes up most of the garden space...

Though the stages in - between are well spaced, and I found that 6 out of 8 stars was a reasonable amount of challenge without me wanting to smash my joypad against the wall.

Sean Scully calls his work «Walls of Light,» but one could see neither the walls nor the light without the spaces between the stWalls of Light,» but one could see neither the walls nor the light without the spaces between the stwalls nor the light without the spaces between the stones.

The South African Pavilion Without Walls at Performa 17 lets the Institute take a deeper look at the country in order to conduct an in - depth investigation into the artistic practices developing in the post-apartheid era, which represents one of the most dynamic and vigorous spaces of artistic practice in a state of constant invention.

The individual shaped canvases, liberated from hefty supports, are able to float above and below each other, interacting in space and with the wall, without reference to a guiding principle of the rectangle.

SAM's desire to further serve its community was realized in 2007 with the opening of two stunning new facilities: the nine - acre Olympic Sculpture Park (designed by Weiss / Manfredi Architects)-- a «museum without walls,» free and open to all — and the Allied Works Architecture designed 118,000 - square - foot expansion of its main, downtown location, including 232,000 square feet of additional space built for future expansion.

Here, free - standing partitions, as in an art fair, add wall space to the long halls without structuring them.

Exhibition: Select Solo Exhibitions 1960 Great Jones Gallery, New York, NY 1963 Preston Gallery, New York, NY 1975 Gallery Without Walls, Saranac Lake, NY 1976 WIA Foundation, New York, NY 1979 St. Peter's Church, Citicorp Building, New York, NY 1979 Studio Exhibition, New York, NY 1998 Snyder Fine Art, New York, NY 2009 Gary Snyder Project Space, NY Select Group Exhibitions 1959 National Academy of Design 1962 Balin Traube Gallery 1963 Preston Gallery 1970 Esther Bear Gallery, Santa Barbara, CA 1971 Bertha Schaeffer Gallery, New York, NY 1975 Works on Paper, Brooklyn Museum, NY 1976 Manhattan College, NY 1976 Chatham College, Pittsburgh, PA SUNY Binghampton 1978 Cork Gallery, New York, NY 1979 Marymount College, New York, NY Connecticut College, New London, CT 1980 Artists Equity, New York, NY 2008 Gary Snyder Project Space, NY 2009 McCormick Gallery, IL 2009 Gary Snyder Project Space, NY

In contrast to other artists working with shaped canvases, Lukin kept pushing his forms further out into the viewer's space without ever letting go of the wall.

Without any fundamental attachment to the space itself in which they reside, Pinelli's paintings can not be comfortably categorized without the surrounding themselves informing the work, requiring the walls to become part of the experience and artworks Without any fundamental attachment to the space itself in which they reside, Pinelli's paintings can not be comfortably categorized without the surrounding themselves informing the work, requiring the walls to become part of the experience and artworks without the surrounding themselves informing the work, requiring the walls to become part of the experience and artworks itself.

In 2007, an installation entitled «Art and War» included large words such as DOUBT, WITHOUT, and DESPERATE placed at random angles on the walls of a residential space.

You might not notice walls like these as much in a museum because they typically are built close to ceiling height, but Capitain Petzel's space is two stories high with a mezzanine, which meant that I couldn't just hang a painting on one of those walls without it looking like a sculpture.

The only gallery without any sculpture in it embodies another one of the paradoxes that LeWitt's art delights in: The space feels the fullest, as if it's about to burst from the perceptual tug - of - war his wall paintings generate in your gut.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

, 300 New York at Chelsea Piers, New York, US French Kiss, curated by Rob Wynne, JGM Galerie, Paris, FR The Shapes of Space (Phase II), curated by Nancy Spector, Guggenheim Gallery, New York, US Held Together With Water: Art From the Sammlung Verband, curated by Gabriele Schor, MAK, Vienna, AT; Istanbul Museum of Modern Art, Istanbul, TR A Theater Without Theater, MACBA, Barcelona, ES MARTa Is Silent - The Art of Silence from Duchamp to the Present, The Mystery of the Etruscans, curated by Jan Hoet and Michael Kröger, MARTa Herford, DE 52nd International Art Exhibition: Think with the Senses - Feel with the Mind, Art in the Present Tense, curated by Robert Storr, La Biennale di Venezia, Venice, IT Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, AU Monument of Sugar, curated by Lonnie van Brummelen, Siebren de Haan, Argos Centre for Art and Media, Brussels, BE À propos de Carl Andre..., Espace d'Art Contemporain, Saint Restitut, FR Verzameling Roger En Hilda Matthys - Cole, curated by Joost Declerq, Museum Dhondt - Dhaenens, Deurle, BE On Fait le mur, flux + territoires + frontières = multimedia, Espace de L'Art Concret, Mouans - Sartoux, FR Visiting Card, Brigitte March Galerie, Stuttgart, DE Iceland, curated by Tony Trehy, Bury Art Gallery, Bury, UK Grey Water, Institute of Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiac!

1969 0 Objects, 0 Painters, 0 Sculptors, 4 Artists..., Seth Siegelaub at McLendon Building, New York, US One Month Exhibition, Seth Siegelaub Contemporary Art, New York, US Op Losse Schroeven / Situaties en Cryptostructuren (Square Pegs in Round Holes), Stedelijk Museum, Amsterdam, NL (Verborgene Strukuren), Folkwang Museum, Essen, DE When Attitudes Become Form, Live in Your Head, Kunsthalle Bern, Bern, CH; Museum Haus Lange, Krefeld, DE 18» 6» x 6» 9» x 11» 2 1/2» x 47» x 11 3/16» x 29» 8 1/2» x 31» 9 3/16», San Francisco Art Institute, San Francisco, California, US; traveled to Simon Fraser Center for Communication and the Arts, Simon Fraser University, Vancouver, CA No. 7, Art Workers Federation Benefit, organised by Lucy Lippard, Paula Cooper Gallery, New York, US May - June 1969, Center for Communication and the Arts, Simon Fraser University, Vancouver, CA Language III, Dwan Gallery, New York, US July, August, September 1969, Seth Siegelaub Contemporary Art, New York, US Conception, Perception, Eugenia Butler Gallery, Los Angeles, California, US 0 - 9, Issue # 6, New York, US Wall Show - Part 1, Ace Gallery, Los Angeles, California, US When Attitudes Become Form, Institute for Contemporary Art, London, UK Place and Process, Edmonton Art Gallery, Edmonton, CA; Kineticism Press, New York, US 557,087, Seattle Museum of Art, Seattle, Washington D.C., US Prospect 69, Stadtische Kunsthalle Düsseldorf, Düsseldorf, DE Project Class, Nova Scotia College of Art and Design, Halifax, CA Konzeption / Conception, Stadtisches Museum Leverkusen, Schloss Morsbroich, DE Groups, The Visual Arts Gallery, School of Visual Arts, New York, US Pläne und Projekte als Kunst (Plans and Projects as Art), Kunsthalle Bern, Bern, CH Art Without Space, WBAI - FM, New York, US Art in Process IV, Finch College Museum of Art, New York, US Mail Exhibition, Nova Scotia College of Art and Design, Halifax, CA

In one room, the walls do not extend to the ceiling, allowing for an airiness that extends beyond the exhibition space and is indicative of the artist's process: art can not be separated from daily life — it must be left open to influences from within and without.

This November, Muholi will participate in Performa 17's «South African Pavilion Without Walls,» by presenting large - scale portraits in public spaces across New York City, including Times Square.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and MarfWithout Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfwithout a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Dalwood's work is instructive in relation to the Otolith Group: everything can be conceptually in place (and Dalwood's paintings are nothing if not carefully researched and steeped in art - historical nods and winks), but without some sort of visual seduction, it might as well be a post-graduate thesis on «the meta - spaces of postmodernity» pinned to the wall (some of my best friends are postgraduate students, by the way).

The dim lighting and stately pillars of its second floor gallery evoke a cathedral, with pale, gleaming hardwood floors gently reflecting the spot - lit pieces on the walls and creating an ethereal, continuous, reverberating space where art and viewer can exist without boundary.

Sleeping in a space without electricity on a totally silent beach on a remote island behind thick walls, it was the quietest night I have ever spent.

Second, this method of cantilevering changes the way in which the weight of the second story is balanced on the load - bearing fulcrum of the south wall, ensuring that the house is sound and sturdy without the need for an interior support post in the middle of the first story living space.

Wall mounts can be particularly useful in adding smart speakers to spaces without tables or extra counter space.

As far as actual room tracking, the Vive is still the only system that allows you to walk around your play space without fear of crashing into a wall or a piece of furniture.

The skinny MilleniaSub can be mounted on your wall, but we see its svelte design as an opportunity — an opportunity to beef up your home theater's bass without busying up your living space.

With the slim and user - friendly design, you can easily mount on the wall or used on desktop without using most of your space.