Sentences with phrase «wall text at»

This effortful agenda is blurted out on a wall text at the start of a beautiful Tate Britain show devoted to Nash that is also daftly confusing.

According to a wall text at the MFA, «He invented peaks, rearranged mountains, and morphed rivers into lakes.»

Wall text at the Whitney describes how Cat in a Cradle required Koons to push the limits of a worldwide network of specialist plastic fabricators, suggesting that the work owes the «sense of wonder» it supposedly inspires to this insistence on medium and scale.

The opening wall text at the Brooklyn Museum says that she plays on «our deepest impulses, compulsions, and fantasies.»

The ramps and ordinary exhibition spaces lie empty, except for wall text at the start and a few hard but elegant benches.

ArtsATL: The wall text at the Contemporary says your piece is about this neighborhood and the gentrification happening here.

In 1995, they sponsored the installation of Weiner's wall texts at Grand Central Market.

Not exact matches

Another angle on this metaphor is that when we appropriate the Bible ideologically as proof - texts, it's about as personal to us as a brick wall of truth that we build and then stand next to and point at.

At first it was coherent messages that were on point, then came the rambling walls of text.

«I have to read these books,» he says, waving a hand toward a wall of science and technology texts in his small, neat office at U.C.S.B.. For him, reading textbooks is like rehashing what is already known.

It can be a bit dry (and is certainly not for those who dislike walls of text), but it's thorough writing combined with a palpable sense of risk and reward make it a strategy game worth looking at, if not buying.

Though, still, at least I didn't create an unparsed wall of text or run - on sentence.

However it drives me up the wall that the spine text is in the middle for European games unlike NA and Japan which is at the top.

We watched students engage with the text, with each other, and with their teachers in a variety of modalities throughout the pod: independent learning in the coastline which stretches along the wall, collaborative peer work at the counter-height tables in the middle of the pod, and two simultaneous small - group instruction groups wherever the flexible chair - desks are circled together.

The presentation doesn't help - there's little definition between chapters, little consistency to how the images have been applied - sometimes you'll come across a wall of text with little to illustrate it - while some creative cropping also cheapens the feel somewhat, at odds with the fairly hefty # 40 cover price.

Reception is open: 9 am — 5 pm Monday to Friday 9 am — 11 am Saturday, Sunday & Public Holidays We do provide a service for guests to check in or check out after hours, we have a safe located on the left hand side wall at the main entrance, if you will be arriving after 5 pm weekday or 11 weekends we will text a code to the safe to your mobile phone, when you arrive you can enter the code and your keys and instructions to your apartment will be waiting for you.

So, here I am at the end of this rather long review where I have to try to sum up my feelings about Mass Effect 3 into just a few words so that everyone who can't be arsed reading a massive wall of text, and who can blame you, can simply skip to the end and get the gist of it all.

It's there in dribs and drabs with the odd line being uttered at the start of each wall of text but what is there is surprisingly good which makes the absence of a full voice cast that much stranger.

Despite being an action - game, Senran Kagura «s character development may not appeal to impatient gamers, as it is often presented through several «walls of text» and animated character conversations; players have the option to fast - forward through these moments - at the cost of missing large details that define each character and his / her past.

This doesn't happen often (only a few times), but when it does, prepare to be hit with a wall of text that is at least interesting to read.

Schad writes: «Camino Real is a 1948 play by Tennessee Williams... and when it comes to entering into a dialogue with the works at Gagosian, reading the text can be illuminating... On the set, there is a wall and a gate that separates the town from what is simply out there - an unknown wasteland, a place where no one ever comes back from, Terra Incognita... I think about Twombly at the end of a long journey, which has taken him to places in the old world and the texts of our Western culture that I would like to visit.

(And it appeared that at least the gallery had sold Bernardo Bellotto's Venice, a view of the Grand Canal looking east from the Palazzo Loredan Cini on the Campo San Via, 1741 — 1742, as the wall text had been affixed with a small orange sticker.)

At times, labels can not be placed directly next to the object but every effort is made to place wall text within easy view of the art.

All special exhibitions at the DIA have large print versions of wall text and interpretative materials available.

The new galleries also incorporate more wall text, or «didactics,» to explain the groupings, and that too is another welcome nugget of innovation squeezed out by the glacial forces of change at the gallery.

I went back out to look at the wall text: the exhibition is Mingei Are You Here?

At the opening of Comix Creatrix, just when I was hoping to reveal that this genre is not restricted to narrow boundaries, a large wall text tells us what we are looking at: «The art of comics is a distinct form of illustratioAt the opening of Comix Creatrix, just when I was hoping to reveal that this genre is not restricted to narrow boundaries, a large wall text tells us what we are looking at: «The art of comics is a distinct form of illustratioat: «The art of comics is a distinct form of illustration.

The didactic text on the wall at the entrance to the exhibit mentions that Vicuña's first experiments with precarios from the 1960s were not documented, evidence of what Vicuña calls «history as a fabric of inclusion and exclusion.»

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

In Mungo Thomson's solo exhibition at Kadist Art Foundation, Wall, Window, or Bar Signs, the gallery is filled with neon works that appropriate the form of Bruce Nauman's spiraling neon text piece, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) from 1967.

So the wall text tells us in at a new joint exhibition by the two Atlanta - based artists at the Swan Coach House Gallery through...

So the wall text tells us in a new joint exhibition by the two Atlanta - based artists at the Swan Coach House Gallery through February 17.

Cut from the walls of a previous exhibition at the Wattis Institute, Owens's series of custom wallpaper on panels contains phone numbers to which viewers can text questions to receive audio responses of text - to - speech quips and found recordings.

Chen's work, seen previously at the Albright - Knox, benefits here from more incisive and less didactic wall text.

(The art in the room displaying Arbus et al., according to the wall text, «embodies a rebellious punk attitude aimed at upending established norms and power structures.»).

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

That Schapiro herself was unconscious of the gendered content when she did the painting is detailed in the wall text for a related, earlier painting, «Big Ox» (1967), exhibited at the National Academy:

Such details undermine Soltis's claim in the catalogue that Sully «allowed» his women to perform — as the wall text notes, Ridgely would have been expected to master the harp at finishing school — and that «they were free to show up in unusual poses» that one could more readily read as suggesting a lack of freedom.

For his fourth solo show at the gallery, Wynne will exhibit work across a range of mediums, including large - scale poured and mirrored glass wall abstractions, canvases of baroque imagery embroidered with text, and collaged prints of a magic act.

On exhibit at SCAD Atlanta Gallery 1600 from Tuesday, Feb. 2 through Friday, May 20, 2016, will be a selection of recent work, including acrylic on elk hide paintings, intricately beaded punching bag sculptures and wall hangings that incorporate text statements.

You've seen her work, even if you've never been to one of her shows — photography overlaid with coloured boxes filled with bold white Futura Oblique, or caps locked sans serif text that bears down at you from gallery walls and the sides and roofs of buildings.

The very first thing you see when visiting Stefan Stagmeister's «The Happy Show» at MOCA's Pacific Design Center is wall text boldly declaring: «THIS EXHIBITION WILL NOT MAKE YOU HAPPIER.»

Site - specific installation detail: collaged dry - wall panels with collaged elements, canvas with torn edges, photo transfers, acrylic, text, 9 1/2 ft high at highest point; bronze elements,

Site - specific installation detail: collaged dry - wall panels with collaged elements, canvas with torn edges, acrylic, text, 9 1/2 ft high at highest point; images of ancient texts of the Abrahamic religions from 10 Centuries of peaceful co-existence; one text in ancient Coptic dialect; book of Exodus written in an arabic dialect; a page of the Koran written in Hebrew script

Site - specific installation overvew: 17 collaged dry - wall panels with collaged elements, canvas with torn edges, photo transfers, acrylic, text, 9 1/2 ft high at highest point; 5 bronze elements, underground cable, and 1 tall and 2 smaller broken border posts with barbed wire from the former East German Border, 5 curved broken sections from the top of the former Berlin wall

This object - heavy approach is generous to lay viewers unaccustomed to the dense theoretical wall texts and schematic drawings that often stifle architecture exhibitions; at the same time, none of the towers were accompanied by a wall text, so visitors to the opening wandered through them as if lost in a maze, stopping to snap selfies for Instagram.

Wall text in all the «20 Years / 20 Shows» displays make note of the artists» previous appearances at SITE Santa Fe.

Visitors must face away from the exhibition to read the window, and then turn back again to look at the wall, find the piece and turn back again to the window to read the text and so on.

With no accompanying explanation or wall text, one is left to wonder whether or not the installation involved an actual dining experience at some point.

Installed as a large floating sculptural work, the full text for which reads THE SUPERPOWER OF SEEING THROUGH WALLS, at once speaks out to the surrounding public space and addresses the architecture in which it is encased.