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The wall text tells us that this work ``... communicates... the massive brutality of a catastrophe.»
So
the wall text tells us in a new joint exhibition by the two Atlanta - based artists at the Swan Coach House Gallery through February 17.
So
the wall text tells us in at a new joint exhibition by the two Atlanta - based artists at the Swan Coach House Gallery through...
At the opening of Comix Creatrix, just when I was hoping to reveal that this genre is not restricted to narrow boundaries, a large
wall text tells us what we are looking at: «The art of comics is a distinct form of illustration.
Not exact matches
On the interior
walls of these burial places were carved religious
texts as well as many other things that
tell of the life and thought of the ancient Egyptians.
Suspenseful
text and wordless double - page spreads
tell the story of young Hugo, an orphan secretly living in the
walls of a train station where he labors to complete a mysterious invention left by his father.
The
wall text, bending over further than usual to make Alÿs look serious, will
tell you it's a work about «the present chaotic state of Mexico» [Hat tip Roberta Smith for the quote].
(It's hard to
tell, exactly — as is the artist's wont, there is no explanatory
wall text or title provided for the piece.)
Except for a crisp and adulatory
wall text introducing the artist, «Waiting for God» — which kicked off with a 1999
text painting that
tells the story of a young woman's inability to become pregnant, and concluded with The Cockpit (2008), a work that debuted on South African television — eschewed captioning altogether.
Add to this curator Julia Slaff's intelligently written story -
telling wall texts and labels and what you have is a near - perfect installation.
Loosely organized by general themes unobtrusively embedded in the
wall text such as «Abstraction to Figuration,» «Biomorphic Abstraction,» and «Abstract Expressionist Ceramics,» the curatorial rhetoric deployed in The Ceramic Presence is one of showing rather than
telling.
In an attempt to carve out a niche for itself, and avoid Manichean oversimplification, the Hamburger Bahnhof show employs extensive
wall text to
tell the complex stories behind art that was both celebrated and despised at different times by the regime.
Waters» actual sources of inspiration, we are
told by
wall text, are typographic.
In the age of hyper - conceptual art, the story about the art often resides less in the object than in the stories that are
told about it: the curator talks and
wall text descriptions.
But who needs
wall text to
tell you about the hardships of the poor, when you can see the homeless RIGHT OUT FRONT OF THE CONVENTION CENTER.
As the sky turned deep purple, Christov - Bakargiev
told me about a
wall text by Lawrence Weiner, which she had installed in the 19th - century Italian workers» building known as the Casa Garibaldi, even though the space was declared unsafe for visitors because it didn't have an emergency exit.