Sentences with phrase «wall texts about»

There are various islands of self - congratulation, little educational («Didaktika») spaces where you can read bouncing wall texts about the brilliance of the Guggenheim brand.

The paintings were only half the story — the other half was the wall text about local artists who seem to have dropped off the map.

Not exact matches

Trying reading about evolution from an unbiased source before spewing a wall of text that essentially proves you don't know what you are talking about.

Another angle on this metaphor is that when we appropriate the Bible ideologically as proof - texts, it's about as personal to us as a brick wall of truth that we build and then stand next to and point at.

A few weeks ago, my husband texted me a link to a story the Wall Street Journal had recently posted about the best oatmeal raising cookie recipe that they had ever tried.

So although we're not the ones doing any of the work (yet), we're the ones who get text messages about concrete walls that won't allow for proper mounting (so that's why the previous owners glued the hanging cabinets to the wall) and a heads up that, «a 20 pound powder keg just came out of the stud bay and exploded on the ground.»

These walls of text about how each of you are better than each other and more «mature» really bore me.

Sorry for the wall» o text:-P but this is a series that I'm really passionate about.

Whether intentionally or not, museums embody views about what's worth learning, and the way that artworks, objects, and historical material are presented — from exhibitions to architecture to wall texts — embody views about how learning happens.

So, here I am at the end of this rather long review where I have to try to sum up my feelings about Mass Effect 3 into just a few words so that everyone who can't be arsed reading a massive wall of text, and who can blame you, can simply skip to the end and get the gist of it all.

You won't always have a choice to make, but when you do, a text bar appears and says something like: The people of Fenumia are angry about taxes and are forming a protest outside the palace walls.

The dragon is no longer a word written on the wall of texts, but a huge monster attacking your village — yup, you will see that happening, for instance, buildings exploding in giant fireballs and characters in the game world screaming about a dragon attack.

Schad writes: «Camino Real is a 1948 play by Tennessee Williams... and when it comes to entering into a dialogue with the works at Gagosian, reading the text can be illuminating... On the set, there is a wall and a gate that separates the town from what is simply out there - an unknown wasteland, a place where no one ever comes back from, Terra Incognita... I think about Twombly at the end of a long journey, which has taken him to places in the old world and the texts of our Western culture that I would like to visit.

About 65 objects created from 2011 to the present will be featured including figurative works, text - based wall hangings, a significant selection of beaded punching bags, painted works on rawhide and canvas, and video.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

The gallery will be installed with images of color photographs of great lushness and black & white photographs of frozen desolation, while the center of the space will be occupied by a wall - mounted aluminum plaque with the original Russian text of Brodsky's A Part of Speech, a poem about the memory of his lost homeland.

But, it's impossible to know that without reading the wall text, which also prescribes that we should be nervous about using public Wi - Fi and being watched.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

1992 Doubletake: Collective Memory and Current Art, Hayward Gallery, London, England, essays by Lynne Cooke, Bice Curiger and Greg Hilty, London: South Bank Centre / Parkett Stephan Balkenhol: Uber Menschen und Skulpturen / About Men and Sculpture, texts by Stephan Balkenhol, James Lingwood and Jeff Wall; interviews by Ulrich Ruckriem and Thomas Schutte, Stuttgart: Edition Cantz Witte de With Center for Contemporary Art, Rotterdam, The Netherlands

The wall text, bending over further than usual to make Alÿs look serious, will tell you it's a work about «the present chaotic state of Mexico» [Hat tip Roberta Smith for the quote].

If you go into one of the larger, more popular exhibitions in a museum today you are faced with masses of humans reading wall texts or listening to tape recorded comments about the individual paintings.

ArtsATL: The wall text at the Contemporary says your piece is about this neighborhood and the gentrification happening here.

«A certain amount of haphazardness is to be expected from Mr. Pettibon, whose intentionally disheveled mix of illustration and text have coalesced into an influential style,» writes Andy Battaglia on The Wall Street Journal about the artist's 2013 exhibition To Wit at David Zwirner.

Already, the wall text mentions another model's anonymous allegations of inappropriate sexual contact by Mr. Araki, noting that «the controversy surrounding Araki's work has almost exclusively been about reception and meaning, and far less about the issues of consent and the potential abuses of power that can be at the foundation of artistic practice and artistic production.»

This wraparound wall text «Untitled (Portrait of Julie Ault)» (1991) really drives home the point about collaboration; Ault is defined here by a strand of events and artworks, some known to everybody, and others that sound like names of people she knew or maybe locations of trips she took.

Accompanying wall text written by Wilson explains the works as responses to his research about Venice's rarely discussed or even acknowledged yet substantial African population in 18th century.

Mauss is as concerned with history's absences as he is with its remnants: in one wall text, he writes that while researching this period, he realized that he might have known much more about the era if the intervening generation hadn't been decimated by AIDS.

Apart from transferring the caption writer here to a job at the Ministry of Second - Hand Sociology, and imposing a ban on the use of «practice» and «narratives» in your wall texts, what you need to do in your shows, Alex, is remember that art is something you want to see, not read about.

Key examples from the artist's most iconic neon series will be on view, including elements from Kosuth's renowned «Freud» series (1981 - 1989), in which the artist puts the psychoanalyst's texts regarding unconscious functioning meaningfully into play using wall pieces and installations, and from his acclaimed «Wittgenstein» series (1989 - 1993), which illustrate the fervent influence of the philosopher on Kosuth's foundation of thinking, and belief that art should ask questions about itself, as a language engaged in the production of meaning.

In an installation consisting of a text, floor piece and wall panels, he uses patterned fabric as the metaphorical and literal centre of a discussion about HIV and the relationship of gay men to the North American body - politic.

On the other hand, something about the text in the Wall Drawings can not be reduced to parody, especially as the complexity of the language in the text block leads to a reconsideration and re-viewing of the drawing.

An avowed anti-museum, there are no wall texts (instead visitors are armed with an «O» device that uses GPS technology to offer up details about the art), and visitors are greeted with a fully stocked bar.

Several friends contacted me over the weekend about a shocking wall text in an exhibition at the new Whitney Museum of American Art, opening Friday in New York's downtown meatpacking district.

I find myself thinking about a text piece of yours that appeared most recently on a wall in the Tanya Bonakdar Gallery, «You don't see it, do you?»

In an exhibition that is partially built around actual archival material, the inclusion of these pseudo-artifacts scrambles any sense of consistency regarding the terms of the conversation being proposed about authenticity and artifice — and all of this would be mystifying enough without the wall text's repeated allusions to the artist's previous career as a fashion model.

In the age of hyper - conceptual art, the story about the art often resides less in the object than in the stories that are told about it: the curator talks and wall text descriptions.

Mr Myrone said of the exhibition: «Scholars have long understood Turner's relationship to the masters of the past, but there is a huge difference between reading about that in a text book and seeing them together on a wall.»

[2] This excerpt comes from Cecilia Vicuña's text Quipoem — printed and used as the first wall text for the CACNO's exhibition About to Happen.

Proposing wind at the Kassel dOCUMENTA, producing a remake of one of the key scenes in Julian Schnabel's biopic about Jean - Michel Basquiat, presenting sealed boxes whose contents are seemingly described by texts on the wall, associating images, captions and comments in a discursive style..., art — and in particular that art whose favorite subject is art itself — is, for him, a huge playground where the right thing to do is to redefine constantly the rules in order to play new games.

But who needs wall text to tell you about the hardships of the poor, when you can see the homeless RIGHT OUT FRONT OF THE CONVENTION CENTER.

Nadel: Trent, I wonder if you could talk about the difference between making a narrative with a series of paintings and wall text, and making a book, how language interacts in a book as opposed to the way it interacts in painting or on a wall?

As Ligon noted, «I'm interested in what happens when a text is difficult to read or frustrates legibility — what that says about our ability to think about each other, know each other, process each other» (Glenn Ligon, quoted in Hilarie M. Sheets, «The Writing on the Wall», ARTnews, April 2011, p. 89).

As the sky turned deep purple, Christov - Bakargiev told me about a wall text by Lawrence Weiner, which she had installed in the 19th - century Italian workers» building known as the Casa Garibaldi, even though the space was declared unsafe for visitors because it didn't have an emergency exit.

I wish Four Abstract Classicists was a bigger show (how about, for example, June Harwood and Helen Lundeberg, mentioned guiltily in the wall text yet unrepresented in the show).

Details about the Jerusalem event: â — The event will take place at the JVP Media Center the night of Thursday Feb 12 for NIS 50 â — The event will feature real - time broadcasts of various Twitter feeds integrating text, video and photos from the event and events across the globe projected on walls / screens â — They will be broadcasting and offering «Tweetorials» to attendees (especially the cleantech companies) â — Selected cleantech companies will have tables around the room as part of a «micro-expo» â — They will have additional (fun) activities around the room and outside as well as live music and a cash wine bar â — The activities will not be formal in that people can come and go as they wish as they circulate around the room.

The Facebook Site Information may include, without limitation, the following information, to the extent visible on the Facebook Site: your name, your profile picture, your gender, your birthday, your hometown location (city / state / country), your current location (city / state / country), your political views, your activities, your interests, your musical preferences, television shows in which you are interested, movies in which you are interested, books in which you are interested, your favorite quotes, the text of your «About Me» section, your relationship status, your dating interests, your relationship interests, your summer plans, your Facebook user network affiliations, your education history, your work history, your course information, copies of photos in your Facebook Site photo albums, metadata associated with your Facebook Site photo albums (e.g., time of upload, album name, comments on your photos, etc.), the total number of messages sent and / or received by you, the total number of unread messages in your Facebook inbox, the total number of «pokes» you have sent and / or received, the total number of wall posts on your Wall, a list of user IDs mapped to your Facebook friends, your social timeline, and events associated with your Facebook profwall posts on your Wall, a list of user IDs mapped to your Facebook friends, your social timeline, and events associated with your Facebook profWall, a list of user IDs mapped to your Facebook friends, your social timeline, and events associated with your Facebook profile.

I texted about half a dozen creative friends the wall picture, and asked advice.