Sentences with phrase «walls between people»

A serious diagnosis rises walls between people.

It often feels to me like the jargon builds walls between people.

They expect the same from others which creates walls between people and ministries.

Perhaps if more of us had done this instead of building walls between people and the truth you would not have become disillusioned.

If it is to break down unhealthy walls between people, establish and maintain healthy boundaries and mutual thriving then yes to anyone with an unhealthy wall then questions can appear to be devastation but contain a gift.

It reactivates the feelings of overwhelming anxiety which caused it originally and stands like a high wall between the person and the help which he desperately needs.

«Bloomberg put up a wall between people and himself.

Not exact matches

Education may not sound as sexy as a protective wall or suit, but it's the best way to limit interactions between sharks and people.

Between the wall on the U.S. - Mexico border and the status of the undocumented young people who were brought to the country as children (known as Dreamers), immigration has been a major policy issue for the Trump administration.

«Believing with you that religion is a matter which lies solely between Man & his God, that he owes account to none other for his faith or his worship, that the legitimate powers of government reach actions only, & not opinions, I contemplate with sovereign reverence that act of the whole American people which declared that their legislature should «make no law respecting an establishment of religion, or prohibiting the free exercise thereof,» thus building a wall of separation between Church & State.»

I found myself in a crowd that seemed to be made up of at least half a million people, crushed between the walls on either side of the road as they made their way to the Church of the Black Virgin.

Another convert priest who had been married but was widowed before he was finally ordained, Fr Ronald Walls, admits in his autobiography that even as a Presbyterian minister he had felt torn between «giving himself totally to his wife and family and «giving himself to the people to whom God had sent him.

On his cross he had broken down the middle wall of partition between peoples and nations.

Thomas Jefferson wrote, «I contemplate with sovereign reverence that act of the whole American people which declared that their legislature should «make no law respecting an establishment of religion, or prohibiting the free exercise thereof,» thus building a wall of separation between Church & State.

Through his blood Christ has broken down the wall of separation between Jews and gentiles and has made possible a table fellowship between them and among all races and peoples.

On the other hand, Satan lies to all people of all parts of the world to make us fearful and judge others as to cause us to put up walls between us.

So between the Stop Saying God Bless You article and the Stop Using These Christian Cliches article, I gather that my «Christianese» makes people uncomfortable and I guess people should never feel uncomfortable so I should stop talking like a Christian, or at least keep my Jesus freak talk confined to the walls of the church where it belongs.

What grace will break forth among us all when we stop building walls of hostility between ourselves and other people who are loved by the Holy Spirit!

«Believing... that religion is a matter which lies solely between man and his God, that he owes account to none other for his faith or his worship, that the legitimate powers of government reach actions only, and not opinions, I contemplate with sovereign reverence that act of the whole American people which declared that their Legislature should «make no law respecting an establishment of religion, or prohibiting the free exercise thereof,» thus building a wall of separation between Church and State.»

Believing with you that religion is a matter which lies solely between man and his God, that he owes account to none other for his faith or his worship, that the legislative powers of government reach actions only, and not opinions, I contemplate with sovereign reverence that act of the whole American people which declared that their legislature should «make no law respecting an establishment of religion, or prohibiting the free exercise thereof,» thus building a wall of separation between church and State.

The New Testament speaks of «the wall of hostility» between people, which Jesus Christ's life and death have broken down.

By 7:30 p.m., game time, the yardwide swaths between the sidelines and the gym's walls are jammed with people.

While most people co-sleep without incident, if there is any amount of space between your wall and your bed where your baby could slip into — fix it.

The wall was originally supposed to consist of two separate pieces, one to stop vehicles and another to stop people with space between them.

It is time to end the racial profiling of innocent people in our City that has tragically built a wall between our police department and communities of color.

In this imagined conversation between Plato's mentor Socrates and Plato's brother Glaucon, Socrates asks Glaucon to imagine people who had lived all their lives as prisoners in a dark cave, chained facing a wall, unable to turn around.

Set against the backdrop of a technologically advanced Shanghai, where people are only allowed to travel between countries with official passports called «papelles,» the film charts the efforts of Seattle native William (Tim Robbins) to get to the bottom of a contraband - papelle operation within the walls of a high - tech company that manufactures them.

A luminescent wall known as «The Shimmer» — a mysterious phenomenon that resembles a cross between a forest fire and a lava lamp — has fallen over part of an unidentified coastal area, creating «Area X.» Several teams of explorers have been sent in to Area X to figure out what's going on, but only one person, Kane (Oscar Isaac), has returned alive.

Loosely based on books written in Britain by Mary Norton, this adaptation of The Borrowers does an incredible job of recreating the tiny lives of the Clock family — little people that live in between the walls of a house owned by the late aunt of the Learner family.

Loosely based on books written in Britain by Mary Norton, this adaptation does an incredible job of recreating the tiny lives of the Clock family — little people that live in between the walls of a house owned by the late aunt of the Learner family.

I don't know what is is about robots, but between this and Wall - E, animation studios are able to make them seem more human than the «real» people.

The truth is somewhere in - between, as the Quays have retained a bit of their glacial patience and a marked affection for created environments but have miscalculated the extent to which our fascination with animate clockworks translates into a commensurate fascination with people sitting around, staring at a wall.

To solve the problem, I asked my kids to line up for class outside my door with their left arm against the wall and a foot of space between them and the person in front of them.

In Mr. Behr's view, the U.S. Supreme Court's decision to uphold those vouchers breaks down the wall between church and state, weakening the opportunity for religious people and schools to stay independent and be a conscience for society.

Muxicall — A collaborative «wall of music» Click on the notes to play a track, but other people can also be using it at the same time and play music between you!

We've been hearing of a collaboration between Google and HTC to make the next Nexus tablet for a while and The Wall Street Journal has had word from «people familiar with the matter» that HTC engineers have been flying to the Googleplex in Mountain View to work on the project.

That's a good thing, and I'm always excited to see the walls crumbling between «professional» authors and the rest of us ordinary people who have a story to tell.

They leave behind the walls and barriers between peoples.

Between its warm tropical waters, fantastic sea walls covered in corals, drop - offs boasting of a variety of animals, and a plethora of large pelagics and sharks, it is no wonder people flock here every year to enjoy some of the best diving in the world.

Air Conditioned Cabin accommodating up to 5 people with a dividing wall between main bedroom and lounge area.

Our «no walls» creative culture approach and unfettered collaboration between every person and department are central to our game development processes.

Features • Sci - Fi action / adventure combines aerial and on - foot combat for a totally unique third - person shooter experience • Will's jetpack delives total freedom of movement allowing players to race against UFOs in high - speed chases and rain death from above onto unsuspecting otherworldly foes • Speed and scale unmatched by any other action title: send Will zipping through tight corridors and then out into immense canyons and futuristic geoscapes • Gravity - defying vertical combat system, where moving up is the only way to bring your enemies down • Seemless transition between jetpack flight, ship - to - ship dog fighting and third - person shoot - «em - up action all exists within the same level — not broken up into different «areas» • Unique grip system that allows the players to scale walls by jumping from surface to surface and hijack UFO's while in mid-air • Huge bosses that require fast reflexes and aerial barnstorming manoeuvres to defeat • Developed by Airtight Studios, a new group featuring team members from the Crimson Skies series of video games

Some people complain that Saints Row has sort of breached the thin line between absurd and tedium: that Saints Row 2, was a great illustration of the limits of this very peculiar genre, because it was anchored just enough by a story line that seemed to try to take itself seriously, but everything surrounding it was so off the wall that it transcended the trappings of games like Grand Theft Auto... and that Saints Row 3 lost something but just running with that entirely...

Clemens von Wedemeyer Production shot: The Fourth Wall © The artistn Photocredit: Sheila Burnett The Fourth Wall, German artist Clemens von Wedemeyer's first solo show in the UK, is an ambitious film - based installation which revolves around first encounters between two groups of different people: in anthropological terms referred to as «first contacts».

At some time in the»80s I gave a lecture about American painting between the world wars at a space the Whitney Museum had on Wall Street, where they put on shows and had people come and give talks at lunchtime.

Wall Street International has published a conversation between Sylvain Baumann, Justin Eagle and Raja'a Khalid about their recent three - person exhibition at VITRINE, Basel, which explored the artists» shared concerns with trust and safety and the relationship between society, architecture and the commercial object.

Comparisons were made with magazine layouts (accurately, since he'd laid out his own stories in i - D, and cites it as one of the places where he began to learn about spatial relationships); some people made reference to teenage bedroom walls, which, in the seemingly ad hoc positioning, the shifts between genres and the inclusion of portraits of friends and the occasional music or fashion celebrity, also seemed pertinent.

Solo Exhibitions 2017 The Cook and the Smoke Detector, CertLüdde, Berlin 2016 Medulla Plaza, Kunstverein Grafschaft, Bentheim Fair Play, Barbara Seiler Gallery, Zürich 2015 Amygdala, The Breeder Playroom, Athens Airbags, MOTINTERNATIONAL, Brussels 2014 FIAC, Grand Palais, Paris cloud metal cities, Kunsthalle São Paulo, São Paulo La Nuit Liquide, The Breeder, Athens 2013 One Torino, with Santo Tolone and Naufus Ramírez - Figueroa, Castello di Rivoli, Turin 3 Pounds of Jelly, Chert, Berlin Der Tanz, curated by Roman Kurzmeyer, Atelier Amden, Amden 2012 Present Future, Artissima, Turin, with Chert, Berlin After the Monument Comes the People, Back wall installation, Kunsthalle Basel I Wish Blue could be Water, CRAC Alsace, Altkirch Les Figures Autonomes, Centre Culturel Suisse, Paris 2011 Resort, Kunsthaus Glarus, Glarus No More Ice Cream, Pro Helvetia, Cape Town 2010 Between a Tree and a Plastic Chair, Chert, Berlin Wandering Works, Claudia Groeflin Galerie, Zürich Successes and Traumas, Le Palais Bleu, Trogen 2009 NEO, Naphtaline, Lausanne 2008 DOM - TOM, zwanzigquadrameter, Berlin

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

I think that's why everybody is so, groans when you talk about mission vision and values because they know that they've worked places that have those things and there's a disconnect between what it says on the break room wall or what it says on the org chart, and what people actually do and how they behave day - to - day.