Sentences with phrase «walls of gallery contemporary»

Not exact matches

According to its capital campaign brochure, the non-profit organization is in the midst of a $ 2.5 million fundraising push to repair the exterior of the arts center, as well as to upgrade the historic playhouse and renovate the galleries, including the «installation of moveable walls (to) accommodate video installations and other contemporary work.»

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In 1967, the artist devised an arithmetically expanding system of 8 - foot lamps that were placed vertically along the available gallery walls of the Museum of Contemporary Art, Chicago.

2005 — BRIC PROJECT DIVERSITY, Corridor Gallery, Brooklyn, NY 2004 — THE MELTING, Rockefeller Arts Center, SUNY Fredonia — TELL ME A STORY OF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicaOF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicaof Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicaof Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicaOF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicaof Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicago

** Other Terms for My Style of Art: impressionist art, expressionist art, contemporary art, modern art, colorful art, impasto painting, impasto art, large wall art, textured art, original painting, palette knife, impasto art, abstract painting, rainbow art, fine art, canvas art, canvas painting, gallery wrapped canvas, custom art, commissioned artwork, landscape painting, seascape, ocean art, by the sea, brush paintings, one - of - a-kind (OOAK), made to order art, tree painting, nightscape painting, night landscape, paintings of trees, nature paintings, unique artwork, expressionism, impressionism, mid century modern art, minimalist art ** Ways People Have Displayed my Paintings: inspirational wall art, colorful home decor, contemporary office decor, mini easel, gift giving, writing inspiration, art therapy, gallery art, collectible art, inspiration for dancing, contemporary décor, meditation, background for music, cover art, national television, collector's art, unique wall decor, wall hanging, kitchen decor, bedroom decor, nursery decor and countless other ways!

The organizers of Wendel White's Manifest exhibition at Blue Star Contemporary had the gallery walls and wall labels rendered in all - black, framing the show in a somber and funereal atmosphere.

The artist is represented by Verso Contemporary Art, Ministry of Walls, Magda Danysz Gallery, Lazarides, Hang - Up Gallery, Galerie Perrotin, ARTSUGGEST.com.

Before Lygia Clark was getting major museum retrospectives; beforeAdriana Varejão was represented by leading galleries; before Beatriz Milhazes was achieving high prices at auction, Patricia Phelps de Cisneroswas collecting Latin American art, filling the walls of her home with Modernist abstraction and contemporary works by artists from Brazil, Venezuela, Argentina and Uruguay.

Like his late contemporaries Keith Haring and Jean - Michel Basquiat, Kenny Scharf has been a key figure in the translation of street - art culture from the walls and train yards of New York City to the fine - art galleries of Chelsea, applying the graffiti burner's tools of trade (spray paint, acrylic, scrawled words) to canvases.

Rituals Since 1851», Triennale di Milano, Italy (2015); «Visual Deception II: Into the Future», The Bunkamura Museum of Art, Shibuya - ku, Japan; touring to Hyogo Prefectural Museum of Art, Kobe, Japan; Nagoya City Art Museum, Nagoya, Japan (2015); «Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections», The Warehouse, Dallas, Texas, USA (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2013); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London, England (2012); «Paper», Musée d'Art Moderne et d'Art Contemporain, Nice, France (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas, USA (2010); and «Chasing Napoleon», Palais de Tokyo, Paris, France (2009).

The first solo show in the UK of the Iranian - American artist at Sophia Contemporary Gallery in London features nine new wall sculptures, all made by materials that the artist has been meticulously collecting throughout the years — all involving steel, fiberglass mesh, and chains.

There is only one work hung on the wall in Tauba Auerbach's exhibition in the Lower Gallery of London's Institute of Contemporary Art.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

She has exhibited her large - scale abstract paintings and wall drawings throughout the United States and Europe, including Corbett vs. Dempsey in Chicago; the Nerman Museum of Contemporary Art in Overland Park, Kansas; the Rhona Hoffman Gallery in Chicago; The Rose Art Museum at Brandeis University in Waltham, Massachusetts; and Saatchi Gallery in London.

2010 Hide / Seek: Difference and Desire in American Portraiture, Smithsonian National Portrait Gallery, Washington, DC Off the Wall, Whitney Museum, New York, NY The Global Africa Project, Museum of Arts and Design, New York, NY Traveling 2010 — 2013 to Reginald Lewis Museum, Baltimore, ME; High Museum, Atlanta, GA; Seattle Art Museum, Seattle, WA; Tacoma Art Museum, Tacoma, WA; Bellevue Art Museum, Bellevue, WA Ghana: Who Knows Tomorrow, Dei Centre for the Study of Contemporary African Art, Accra, Ghana

Recent group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing Exhibition,» Leon, Spain.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7

2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) Around 1984: A Look at Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago Collectors: The Collection of Fondation Cartier for Contemporary Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York Sandra Gering Gallery, New York

Curiously some of the commercial galleries that represent the apotheosis of the contemporary art industry and market, such as, here in NY, Gagosian and Zwirner, have been able to mount museum quality shows the past few years, including for example excellent Picasso and Frankenthaler exhibitions at Gagosian and the recent exhibition of Ad Reinhardt's work at Zwirner, in spaces that either are as beautiful as any museum or that are just functional in a good way, with few frills, just good walls and space.

1995 Images, Masks, and Models, 11, rue Larrey at Sidney Janis Gallery, New York (booklet) Mario Diacono Gallery, Boston, MA (booklet) Galerie Bruno Bischofberger, Zurich Wall Installation, TZ Art, New York (installation) Exploding Cell, Edition Schellmann and Pace Prints, New York Galerie Thaddaeus Ropac, Paris (installation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installation, booklet)

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

Before Lygia Clark was getting major museum retrospectives; before Adriana Varejão was represented by leading galleries; before Beatriz Milhazes was achieving high prices at auction, Patricia Phelps de Cisneros was collecting Latin American art, filling the walls of her home with Modernist abstraction and contemporary works by artists from Brazil, Venezuela, Argentina and Uruguay.

On view September 30, 2016, through March 5, 2017, Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker presents seminal works by 18 artists, including Thomas Demand, Thomas Struth, Hiroshi Sugimoto, and Jeff Wall, who in the last two decades have created pictures that expand our understanding of the nature of photography and greatly enhance the Gallery's holdings of contemporary photography.

(Tokyo Opera Art City Gallery, 2000), Counter Pieces (Galerie der Stadt Stuttgart, Germany, 2000), Count of Life (Art Sonje Center, Seoul and Art Sonje Museum, Gyeongju, Korea, 2002), Tatsuo Miyajima (Museo d'Arte Contemporanea Roma, Rome, 2004), Beyond the Death (Contemporary Art Museum, Kumamoto, Japan, 2005), Counter Voice (Contemporary Art Centre of South Australia, Adelaide, Australia, 2005), Art in You (Art Tower Mito, Japan, 2008), Time Train (Kunsthalle Recklinghausen, Germany, 2008), 38 (Mongin Art Center, Seoul, 2008), Time Train (Six, Osaka, Japan, 2010), Ashes to Ashes, Dust to Dust (Ullens Center for Contemporary Art, Beijing, 2011), Three Time Train / Counter voice on the Wall (Kunstmuseum St. Gallen, Switzerland, 2011), House Lives with Time (Han Family's House, Gahoe - dong, Seoul, 2012), LIFE I - model (SCAI THE BATHHOUSE, Tokyo, 2012), I - Model (Lisson Gallery, London, 2013), Life (Rhizome)(Buchmann Galerie, Berlin, 2013), KU (Lisson Gallery, Milan, Italy, 2014).

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

2013Grand Opening, Frutta, Roma The Writing is on the Wall, Jonathan Viner, Margate Degrees of Separation, Galerie Jeanroch Dard, Paris Yes I will Yes, American Contemporary, New York Group Show, Mihai Nicodim Gallery, Los Angles Paradise Garage, Kinman, London Friendship in six planes, with Tomas Downes, Peles Empire, London We outsourced everything and now we're bored, L'Atelier Kunst Spiel Raum, Berlin

Using raw, sculptural charcoal affixed to the gallery wall, Fernández refers to contemporary American violence as well as the technique of «slash and burn» used by indigenous people throughout the Americas to shape and cultivate the land.

Recent group exhibitions include «Magic Mountain,» Museum of Contemporary Art Santa Barbara, CA; «Spectra,» San Diego State University Downtown Gallery, San Diego, CA; «Lost line,» Los Angeles County Museum of Art, Los Angeles, CA; «ABCyz,» Launch Exhibition, Silvershed, New York, NY; «The Trans - Aestheticization of Daily Life,» University of California, Riverside Sweeney Gallery, Riverside, CA; «Too much love,» Angles Gallery, Curated by Amy Adler, Los Angeles, CA; «Around About Abstraction,» Weatherspoon Art Museum, Greensboro, NC; «Wall Painting,» University of Texas at San Antonio, San Antonio, TX; «Snap Shot,» UCLA Hammer Museum, Los Angeles, CA (Traveled to Museum of Contemporary Art, North Miami, FL); «Fresh,» Altoids Curiously Strong Collection, New Museum, NY; «KOREAMERICAKOREA,» Sonje Museum of Contemporary Art, Seoul, Korea; «Rundgang,» Kunstakademie Düsseldorf, Düsseldorf, Germany.

Selected exhibitions include: Atomic Sunshine at The Okinawa Prefectural Art Museum, Japan (2009); Wall Rockets: Contemporary Artists and Ed Ruscha, curated by Lisa Dennison at The Albright - Knox Art Gallery, Buffalo, NY (2009); Making a Home at The Japan Society, New York (2008); Second Lives at The Museum of Arts & Design, New York (2008); Wall Rockets, Curated by Lisa Dennison at The FLAG Art Foundation, New York (2008); Free Fish at the Asia Society, New York (2007); Thermocline of Art - New Asian Waves at ZKM, Karlsruhe, Germany (2007); Attention to Detail at The FLAG Art Foundation, New York (2007); The Shapes of Space at the Guggenheim Museum, New York (2007); Greater New York at P.S. 1 Contemporary Art Center, Queens, NY (2005); Yokohama International Triennial, Yokohama, Japan (2005); and Fuchu Biennale at the Fuchu Art Museum, Tokyo, Japan (2004).

Recent exhibitions include: Jancar Gallery, Los Angeles, CA; Cue Art Foundation, New York; LAXART, Culver City, CA; and large scale wall works for the Hagga Gallery in Descanso Gardens, La Cañada Flintridge, CA, and collaborations with Kim Schoenstadt, for the Urban Institute of Contemporary Art, Grand Rapids, Michigan and the Los Angeles International Airport.

Within the gallery walls are more than 5,000 20th - century works by the likes of Henri Matisse, Pablo Picasso, Francis Bacon, David Hockney, Andy Warhol and Lucian Freud, as well as pieces by prominent contemporary artists such as Antony Gormley, Gilbert & George, Damien Hirst and Tracey Emin.

His work has been the topic of several solo exhibitions including Walking on The Wall, Nahum Tevet Small Sculptures, 1980 — 2012, Tel Aviv University Art Gallery, 2012; Nahum Tevet, Museo d'Arte Contemporanea Roma (MACRO), 2008; Nahum Tevet: Works, 1994 — 2006, The Israel Museum, Jerusalem, 2007; Nahum Tevet: Take Two, Le Quartier, Center for Contemporary Art, Quimper, France, 2005; and Opening Moves, Nahum Tevet Sculptures, Museum of Modern Art, Ludwig Foundation, Vienna, 1997.

In 1937, the Delphic Gallery, New York held her first solo exhibition and subsequent group exhibitions followed including «Contemporary Decorative Art», The Toledo Museum of Art, (1939), «Miscellaneous Textiles», Addison Gallery of American Art, Andover, MA (1948) and «Wall Hangings and Rugs», The Museum of Contemporary Crafts, New York (1957).

Art on the Underground, London GSK Contemporary, Event Horizon, Royal Academy, London Forgotten Bar Project, Galerie im Regierung, Berlin Walls Have Ears, Man & Eve, London Lustwarande 08 — Wanderland, Baroque Forest de Oude Warande, Fundament Foundation, Tilburg, The Netherlands The Brotherhood, Kunstbunker, Nuremberg The Krautcho Club / In and Out of Place, 176 Gallery, London The Arrivals: Brian Griffiths and Matthew Draper, Royal Acedmy Schools, Hornsey

Several of Burden's other performance pieces were considered somewhat controversial at the time: another «danger piece» was Doomed (1975), in which Burden lay motionless in a gallery at the Museum of Contemporary Art, Chicago under a 5 ft × 8 ft (1.5 m × 2.4 m) slanted sheet of glass near a running wall clock.

Jeffrey Deitch, art dealer and former director of the Museum of Contemporary Art, Los Angeles argued, «Museums are giving these galleries the best platform in the art world for free, where they can sell work to their clients on the walls of the greatest museums.

2013 Anachronistic Layers of Dispersion, Henry Art Gallery, Seattle, USA Honesty Printed on Modesty, Singapore Tyler Print Institute, Singapore * Journal of Echomimetic Motions, Bergen Kunsthall, Bergen, Norway * Journal of Bouba / kiki, Glasgow Sculpture Studios, Glasgow, Scotland * Corrugated Totems with Glitter Dance, Vitrines sur l'Art — Museums of Strasbourg, Galeries Lafayette, Strasbourg, France Family of Equivocations, Aubette 1928 and Museum of Modern and Contemporary Art, Strasbourg, France Ovals and Circles, Galerie Chantal Crousel, Paris, France Art Wall: Haegue Yang, The Institute of Contemporary Art, Boston, USAn

2008 Wall Rockets: Contemporary Artists and Ed Ruscha, The FLAG Art Foundation, New York, USA New Prints 2008 / Spring, International Print Center, New York School of Interior Design Gallery, New York, USA

2004 - 2005 The Wall at WAM, Jim Hodges: Don't Be Afraid, Worcester Art Museum, Massachusetts, USA 2003 Jim Hodges, The Francis Yang Tang Teaching Museum and Art Gallery at Skidmore College, New York, USA 2000 Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Virginia, USA

2016... and the wall fell away, Stephen Friedman Gallery, London, England Recreating the Pastoral, VISUAL Centre for Contemporary Art, Carlow, Ireland End of Empire, Turner Contemporary, Margate, England Childhood Memories, Pearl Lam Galleries, Singapore Memphis Brooks Museum of Art, Memphis, Tennessee, USA Paradise Beyond, Gemeentemuseum Helmond, Netherlands British Council UK / Nigeria 2015 - 16, Lagos, Nigeria Wind Sculpture IV, Smithsonian National Museum of African Art, Washington, USA

Recent group exhibitions include; «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2010); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Now Here is also Nowhere: Part 1», Henry Art Gallery, Seattle, Washington, USA (2013 - 2012); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London (2012); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas (2010); «Slash: Paper Under the Knife», Museum of Arts and Design, New York (2010); «Chasing Napoleon», Palais de Tokyo, Paris (2009); «The Shapes of Space», Solomon R. Guggenheim Museum, New York (2007); «Art in America», Now, MOCA Shanghai, Shanghai (2007); «Mapping the Self», Museum of Contemporary Art Chicago (2007); «Into me / Out of me», P.S. 1 Contemporary Art Center, Long Island (2006).

His work has been included in numerous group shows including The Smart Museum of Art, Chicago; The Loggia Gallery, Toronto; Hall Walls, Buffalo, NY; and Los Angeles Contemporary Exhibitions.

1982 Zabriskie Gallery, New York, Flat and Figurative: 20th Century Wall Sculpture The Aldrich Museum of Contemporary Art, Ridgefield, CT, Homo Sapiens: The Many Images (catalogue) Mead Art Museum, Amherst College, Amherst, MA, When They Were Very Young Semaphore Gallery, New York, Another Look at Landscape Butler Institute of America, Youngstown, OH, 46th National Annual Midyear Show

Exhibition to Feature Gallery Wall Sized Murals and Multi-Media Installations by a Select Group of National and Internationally Renowned Urban Contemporary Artists

At opposite ends of the main gallery, but not necessarily of the art world, Alex Brewer (HENSE)'s enormous geometric wall painting and Michi Meko's wood - assemblage wall piece both illustrate the journey from gritty vernacular experience to elegantly shaped contemporary art.

There's still no avoiding the experimental spatial illusionism in the works of Valledor and Fleming that punctuate the walls of the gallery — and it becomes obvious that other artists who have until now rarely been associated with the gallery's history, namely Linda Fleming and Patsy Krebs, shared the concerns of their contemporaries.

A member of the African American avant - garde in Los Angeles and New York in the 1970s and 1980s, Nengudi began her career with innovative sculptures and performances, staged within art spaces and beyond gallery walls, that expanded the definition of sculpture, engaged with performance art's ephemeral nature, and questioned women's delimited roles in contemporary culture.

2005 «Connie Goldman / Eric Zammitt», Tangent Contemporary Art, San Francisco, CA 2004 «Three Some», Three person exhibition with Tim Nolan and Gary Symanski, Newspace Gallery, Los Angeles, CA 2003 «Merge», Curated by Jennifer Faist, Andlab, Los Angeles, CA «Gridlock», Curated by Kristina Newhouse West L.A. College, CA «Trans Fab» (Transcendental Fabrication) Domestic Setting, Venice, CA «Approaching Perfection», The Brewery Project, Los Angeles, CA 2002 Permanent installation, «Wall of Honor», donor wall Baylor College of Medicine, Houston, TX «Kaleidoscope», Raid Projects, Los Angeles, CA Venice Art Walk Silent Auction, Venice, CA Korea International Art Fair, Pusan, Korea Represented by Sabina Lee Gallery, Los Angeles, CA 2001 Venice Art Walk Silent Auction, California Sculpture Garden, Curator: Noel Korten, Venice, CA 1997 «Skin and Bone», L.A. Municipal Art Gallery, Barnsdall Art Park, Curator: Noel Korten, Los Angeles, CA 1996 «New Structuralists», Susan Street Fine Art, Solana Beach, CA «On and Off the Wall», Riverside Art Museum, Riverside, CA «Structuralism», Boritzer / Gray / Hamano Gallery, Santa Monica, CA «Norman Zammitt and Eric Zammitt», M. Anthony Gallery Sierra Madre, CA «Eric Zammitt / Constance Kocs», Brand Gallery, Santa AnaWall of Honor», donor wall Baylor College of Medicine, Houston, TX «Kaleidoscope», Raid Projects, Los Angeles, CA Venice Art Walk Silent Auction, Venice, CA Korea International Art Fair, Pusan, Korea Represented by Sabina Lee Gallery, Los Angeles, CA 2001 Venice Art Walk Silent Auction, California Sculpture Garden, Curator: Noel Korten, Venice, CA 1997 «Skin and Bone», L.A. Municipal Art Gallery, Barnsdall Art Park, Curator: Noel Korten, Los Angeles, CA 1996 «New Structuralists», Susan Street Fine Art, Solana Beach, CA «On and Off the Wall», Riverside Art Museum, Riverside, CA «Structuralism», Boritzer / Gray / Hamano Gallery, Santa Monica, CA «Norman Zammitt and Eric Zammitt», M. Anthony Gallery Sierra Madre, CA «Eric Zammitt / Constance Kocs», Brand Gallery, Santa Anawall Baylor College of Medicine, Houston, TX «Kaleidoscope», Raid Projects, Los Angeles, CA Venice Art Walk Silent Auction, Venice, CA Korea International Art Fair, Pusan, Korea Represented by Sabina Lee Gallery, Los Angeles, CA 2001 Venice Art Walk Silent Auction, California Sculpture Garden, Curator: Noel Korten, Venice, CA 1997 «Skin and Bone», L.A. Municipal Art Gallery, Barnsdall Art Park, Curator: Noel Korten, Los Angeles, CA 1996 «New Structuralists», Susan Street Fine Art, Solana Beach, CA «On and Off the Wall», Riverside Art Museum, Riverside, CA «Structuralism», Boritzer / Gray / Hamano Gallery, Santa Monica, CA «Norman Zammitt and Eric Zammitt», M. Anthony Gallery Sierra Madre, CA «Eric Zammitt / Constance Kocs», Brand Gallery, Santa AnaWall», Riverside Art Museum, Riverside, CA «Structuralism», Boritzer / Gray / Hamano Gallery, Santa Monica, CA «Norman Zammitt and Eric Zammitt», M. Anthony Gallery Sierra Madre, CA «Eric Zammitt / Constance Kocs», Brand Gallery, Santa Ana, CA

The first solo show in the UK of the Iranian - American artist at Sophia Contemporary Gallery in London features nine new wall sculptures, all made by materials that the artist has been meticulously collecting throughout the -LSB-...]