Sentences with phrase «walls of light»

The most sought after floor plan - 2 walls of light looking onto the river - a corner home!

Philips has released a video of a gorgeous light design called Lumiblade, which is a single OLED rectangle that can be used in a range of different fixtures, and even arranged as walls of light.

Manifesting themselves as walls of light, an ode to Hollywood - style storybook - endings, and the post-victorian beauty of a deconstructed chandelier, the works by Violette in the setting of the church will together form a new type of altar.

Densely distributing the works on three walls of the light - filled gallery, Young invoked a symmetrical, chapel - like display punctuated at the end wall with Untitled, a two - part piece.

As it happens, Fujimura is extending the technical wizardry and attention to surface textures, this time in gold leaf, and I could feel his own walls of light slowly building up and breaking down.

His stripes mimic the rhythms of the modern urban world — his walls of light are painted walls of color.

There are plaids like Union Blue (2004) and walls of light, like Wall of Light Green Blue Black (2008) and Landline Inwards (2015), which — in a new stylistic development — takes the stripes across to the picture's edge.

Her rectangles have harder edges than Scully's, and she could well have squeezed the space from between the stones in his «Walls of Light.»

Sean Scully calls his work «Walls of Light,» but one could see neither the walls nor the light without the spaces between the stones.

Dan Flavin and Ellsworth Kelly had their very different walls of light, each with an implicit opposition between art as object and visual record.

So yes, the gist of the game is that you're a warrior sent to save the world from an unrelenting threat called the Shine Raid, which is this wall of light on a slow but devastating path.

Well, basically, you can escape the battle with Dark Beast Ganon by taking a horse to the wall of light outside the arena and getting off while the horse is trotting along.

«The beginning of the «Wall of Light» paintings came when I was sitting on a beach in Mexico in Zihuatanejo.

Landscape and location have always played an important role in Scully's working process, and he often titles his works with reference to where they were painted, as with the ongoing series Wall of Light.

A 1984 watercolour was the first Scully work to use the title Wall of Light — something he revisited when he began the seminal series of that name.

One also can not step on her floor pieces without breaking them, and one has to circumvent that wall of light via another room.

Why, then, does their abstraction cherish the cracks in a wall of light?

Visitors will see the «Wall of Lights,» with more than 160 Lighthouse Models, and a host of other unique exhibits.

You need only look from «Wall of Light Heat» (2013) to his pastel on paper «Doric» (2013) to see this.

Likely best known for the painting series «Wall of Light,» Scully has practiced a variation on the New York School, giving it a European sadness as well as continuing the American penchant for expressiveness.

And where Wall of Light Cubed shows shades of gray and pink stone, cut with horizontal and vertical lines marking stripes, Boxes Full of Air, which has only the natural color of Cor - Ten steel, is a gigantic physical realization of the drawings.

3 «Sean Scully: Wall of Light» opened at Mnuchin Gallery, New York, on February 28 and remains on view through April 24, 2018.

Title: Wall of Light Peru Date: 2000 Artist: Sean Scully Dimensions: 110 x 132 in.

Scully often adds the name of a color to a work's title, after Wall of Light.

Scully's splendidly luminous «Wall of Light Arles» (2012), with blocks of orange, blue, black, and pink, for example, alludes with those colors to the site of Vincent van Gogh's late art.

Outstanding works in the contemporary collection include Frank Stella's monumental geometric painting Raqqa II (1970), Ellsworth Kelly's minimalist painting Blue Panel (1980), Anselm Kiefer's Untitled (1980 — 86) triptych, Gerhard Richter's abstract painting Station (577 - 2)(1985), Elizabeth Murray's three - dimensional painting Pigeon (1991), Guillermo Kuitca's evocative painting People on Fire (1993), Sean Scully's luminous painting Wall of Light Peru (2000), Jaume Plensa's illuminated sculpture Doors of Jerusalem I, II, & III (2006), Beth Lipman's monumental glass sculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture II (2013).

The auras which sometimes surround the color fields give them a luminous halo and a strange mix of stillness and drama, such as in the large «wall of light,» Untitled, from 1952 - 53, which is part of the Guggenheim Museum Bilbao Collection.

From his precisely gridded works of the 1970s to the three - dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.

Wall of Light, 2001, pp. 92 - 93, no. 27 (illustrated).

Now his work admits as much, with «Wall of Light Cubed.»

This volume, published concurrently with an exhibition at New York's Galerie Lelong, features 22 recent paintings, including works from Scully's much - admired Wall of Light and Robe series, plus recent watercolors and drawings.

The exhibition and this accompanying catalogue are divided into three parts: seven large paintings from the Wall of Light series; a set of 40 watercolors; and three photographic series, which intriguingly illuminate Scully's image - making process — Aran, Santo Domingo for Nene and Alhambra, the latter of which is published here for the first time.

His «Wall of Light» series, which was exhibited at the Phillips Collection in 2005, conveyed a desire to dissolve a fa ade with a sense of spirit or emotion; Light representing a spiritual and emotional dialogue with painting.

However, each was a standout, and Flavin's wall of light transformed Paula Cooper gallery, by adding and subtracting colors as one walked from one side to the other.

Wall of Light, Mnuchin Gallery, New York Sean Scully: 1970, Laing Art Gallery and Hatton Gallery, Newcastle upon Tyne Sean Scully, Cuadra San Cristóbal, Mexico City 2017 Facing East, Multimedia Art Museum, Moscow Before New York, Sean Scully Studio, Berlin Sean Scully, Lempertz, Brussels Coming and Going, Sean Scully Studio, New York Sean Scully: Wall of Light Cubed, Cheim & Read, New York Sean Scully.

By the 1980s however Scully began to experiment with the formal constraints of painting, creating sculptural works where the stripe expanded to become a building block, ultimately paving the way to the artist's celebrated Wall of Light paintings of the 1990s.

A new monumental, Corten - Steel outdoor sculpture entitled Boxes Full of Air will stand in stunning contrast to the enormous, permanent stone sculpture Wall of Light Cubed (2007).

From Vuillard he acquired the painterly edges that we see at the sides of rhe rectangles of paint in the Wall of Light.»

«Rothko's mature abstractions foreshadow Scully's Wall of Light paintings in both form and intention, although his relationship is somewhat obscured by their respective use of unprimed and primed canvas.

The «Wall of Light» series stems from the artist's travels he made during 1983 and 1984 to the Yucatan in Mexico and his observation of the play of light and shadow on ancient ruins.

The large canvases come with grandiose titles such as Wall of Light Sky, which leads one to report that the exhibition is generally overcast with brighter spells developing later.

In his catalogue essay, «Toward the Light,» Mr. Phillips notes that the Wall of Light series now numbers over 100 works that the paintings «transform Scully's familar stripes and straps into masonry stacks of two to four «bricks» placed in alternating vertical and hoizontal rows.

Holzer's recent use of text ranges from silk - screened paintings of declassified government memoranda detailing prisoner abuse to poetry and prose in a sixty - five - foot - wide wall of light in the lobby of 7 World Trade Center, New York.

His designation Wall of Light is often accomplanied by a subtitle that refers to a place, person, or condition.

This major traveling exhibition originated at The Phillips Collection in Washington, D.C., which also «organized an installation of Scully «s early paintings, pastels, watercolors, and photographs to place the large - scale Wall of Light paintings in a larger context and demonstrate Scully «s great proficiency in varied media.»

The auction record for an abstract work by Sean Scully was set in 2012, when his geometric oil painting, entitled Wall of Light, Stone, was sold at Christie's, in London, for # 601,250.

Surveying the forever in progress «Wall of Light» series is an upcoming exhibition of Sean Scully's work at the Mnuchin Gallery.

Among his most interesting recent works are: Union Grey, Wall of Light White (1998), Wall of Light Brown (2000), Wall of Light, Red Red (2001), Floating Red Wall (2002) and Floating Grey Wall (2002).

Sean Scully (b. 1945)(Elemental, Geometric Forms)- Wall Of Light White (1998, Dublin Gallery, The Hugh Lane) See also: Abstract Artists: Ireland.

Michael Auping, the Modern Art Museum's chief curator, who organized an early exhibition of the Wall of Light paintings in Mexico and South America in 2001, remarks, «The Wall of Light paintings are a remarkable group of works.