In its finest moments, Leap Before You Look exposes the white
walls of the gallery as a permeable membrane through which the ideas and creative energies of generations of students can flow alongside some of the finest artists of the last century.
Spare, black - on - white 1978 studies of rectangular boxes, each one subtly different in line or angle, the etchings hang on the downstairs
walls of the gallery as quiet reminders of an artistic legacy almost selfless in its commitment to form.
Not exact matches
They built the front desk out
of plywood and Ikea furniture and modeled the studio's dark tile and gleaming white
walls after London's White Cube art
gallery, honing the look
as «inviting but still sexy, cool but still tribal,» Rice remembers.
It resembles a temporary
gallery space more than a bona fide eating establishment (chalkboard
wall; simple wood finishes; a long open kitchen where, behind bouquets
of flowering herbs and tiles doubling
as plates, Taymor and his merry band
of cooks work all night, barely stopping to look up).
According to its capital campaign brochure, the non-profit organization is in the midst
of a $ 2.5 million fundraising push to repair the exterior
of the arts center,
as well
as to upgrade the historic playhouse and renovate the
galleries, including the «installation
of moveable
walls (to) accommodate video installations and other contemporary work.»
High magnification provides some surprising views
of the familiar,
as well
as providing images that could easily grace the
walls of art
galleries.
As the focal point in a room or as a piece of your gallery wall, this print is an easy way to make a fun, modern statemen
As the focal point in a room or
as a piece of your gallery wall, this print is an easy way to make a fun, modern statemen
as a piece
of your
gallery wall, this print is an easy way to make a fun, modern statement.
I'm also linking lots
of the items I have used here,
as well
as giving the details on how I made the Thanksgiving print in my
gallery wall.
Morning light is happy light and
as I sat there admiring my
gallery wall, the pictures brought back memories
of my wedding, vacation destinations and special family moments.
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walls.
With its vintage appeal, itâ $ ™ s perfect over a buffet or dining nook, or
as part
of a
gallery wall.
As someone who dislikes clutter and too much furniture or a lot
of knick - knacks,
gallery walls have become my go - to decorating tool to add interest, color, and personality to... [Continue Reading]
Originally created
as a gouache painting in various shades
of gray, our Aloe Triptych takes center stage on a
gallery wall.
A well - executed
gallery wall as seen in any number
of beautiful rooms on Pinterest is almost
as difficult to recreate
as say... a mason jar terrarium or that tufted upholstered headboard.
Fortunately, this is not our first
gallery wall rodeo (
as seen here, here, here, here, and here), so we've put together a list
of tips to keep in mind when creating your next
gallery.
A few years ago, a painted black
gallery wall appeared on my computer screen and I became a forever fan
of the lady behind the idea: Alaina Kaczmarski (also known
as the co-founder and editor
of The Everygirl) who I'm happy to now call a friend.
With its vintage appeal, it's perfect over a buffet or dining nook, or
as part
of a
gallery wall.
As I'm changing up my
gallery wall in my living room to a more Christmas - y collection, I made a simple printable into a more festive piece
of art.
Life presents a
gallery of Allan Grant's celebrity photographs, which convey a vibrant immediacy whether they're backstage shots
of Audrey Hepburn and Grace Kelly snapped on the fly or
as staged
as a hundred Shelley Winters smiling at you from mirrored
walls.
Occasionally,
as he moved along the
gallery walls, he thought
of Erica Frank.
Corey's travel across the Yellowstone Trail are on the
walls of the
gallery, but also available
as a handmade limited edition journal chronicling the streets, cities and counties along the way.
From the
gallery,
as from the bedrooms, a
wall of glass doors opens to the deep wraparound porch and vistas over the golf course and the turquoise waters on the horizon.
Many
of Ojai's best local artists use the Emerald Iguana Inn
as gallery space supplying the original artworks that hang on almost every
wall.
(And it appeared that at least the
gallery had sold Bernardo Bellotto's Venice, a view
of the Grand Canal looking east from the Palazzo Loredan Cini on the Campo San Via, 1741 — 1742,
as the
wall text had been affixed with a small orange sticker.)
These bronze busts, in the same
gallery as the
wall of portraits, make me appreciate the artist's feeling for volume and form, an updated sculptural impressionism.
Pae White has created a maze
of black, red, blue and purple threads which reach from and terminate into the
gallery walls as endless and bewildering
as the sleepless nights that conceived it.
Commissioned by The Ballroom
as a component
of the Fire Into Music presentation, the silkscreened mural was printed directly onto the
gallery walls.
Viewed within the modern monastic space
of the Paul Kasmin
Gallery, with its cool white
walls, polished floors, and concrete ceiling, the visceral earth tones and frantic forms
of Lee Krasner's «Umber Paintings» emerge
as fields
of boundless energy.
Other site - specific works and commissions include Storm King
Wall, Storm King Art Center, Mountainville, NY; Garden
of Remembrance, Jewish Heritage Museum, New York, NY; and Roof, National
Gallery of Art Washington, D.C. Goldsworthy has exhibited in major museums such
as the Metropolitan Museum
of Art, New York, NY (2004); Frederik Meijer Gardens & Sculpture Park, Grand Rapids, MI (2006); the Yorkshire Sculpture Park, U.K. (2007); Pori Art Museum, Finland (2011); and deCordova Sculpture Park and Museum, Lincoln, MA (2011).
site specific installation directly on the
gallery walls; a further three large scale works and a number
of smaller scale works, enjoy learning more about the collaboration between artist, curator, and institution
as well
as the artist's vision, process, and creativity.
And what's on the paper is something that has been on a lot
of museum and
gallery walls lately,
as we noted here early this year.
The small images hung in Davies Street on the three
walls of the single room
gallery welcomes natural light and fills in the space
as carefully
as the works at the new Grosvenor Hill location.
His cutouts are made
of thin pieces
of plywood, not paper, and they eschew Matisse's glorious color, but they evoke the feeling
of flight just
as handily, dancing
as they do across the
gallery walls.
This modest easel - size painting is set in the center
of a
wall that faces you
as you enter the main
gallery, not so much to greet you
as seemingly to square off with you.
Installed in the old Domino Sugar Factory in Brooklyn, the much - talked - about monumental sugar sphinx draws more than 130,000 visitors; inspires praise, countless opinions and selfies, and a porcelain pitcher; earns her recognition from
Wall Street Journal Magazine
as its 2014 Art Innovator and a spot on Foreign Policy magazine's list
of leading 2014 Global Thinkers; and is currently being explored in «Afterword,» an exhibition at Sikkema Jenkins
Gallery in New York.
The homeyness
of their work is reinforced by the installation, with such midcentury touches
as mint green
walls and Eames chairs in the museum's wood - paneled second - floor
galleries.
As if floating on the
gallery walls, Tom Henderson's works are composed
of coloured Plexiglas panels, partially covered with oil paint, each supported by an aluminium armature which projects through the surface.
If painting
as a practice is viewed with far more skepticism today, the sense
of conversation evoked by the works on this
wall — and in a smaller room off the main
gallery, which is also filled with the art
of Schloss's friends and acquaintances — rings eerily familiar.
In the projection
gallery, the documentary work
of Genaro Molina, Lawrence K. Ho, and Kirk McKoy, the three other L.A. Times staff photographers (Cole also worked at the Times), played
as a slideshow on the
walls.
McQueen's films
as an artist were typically projected onto one or more
walls of an enclosed space in the
gallery space, and often in black - and - white and minimalistic in nature.
Wide - open gaps in the
gallery walls of this important exhibition, which offer glimpses
of future works from earlier bays and vice versa, allow us to conceive
of Stella's career
as a single, unceasing effort to grapple with painting's potential.
Following his years
as a student at Cal Arts and teaching in Nova Scotia, he describes his early years in New York with the artist April Gornik, just
as Wall Street money begins to encroach on the old
gallery system and change the economics
of the art world.
Without context, they look like minimalist heaps
of glass artfully arranged on the floors and
walls of the tiny
gallery,
as if simplified reincarnations
of Robert Smithson's Map
of Broken Glass (Atlantis)(1969).
Womack, too, works some
of the same territory
as Leslie Hewitt, who dismembers flooring, leans slabs against the
walls, or adds thick frames to displace the
gallery into memory.
-- NYTimes The Larry Gagosian Effect —
Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions
of 2010 — The Art Newspaper Recent Art News - Texas Week
of 03/27/11 Ed Ruscha at the Modern Museum
of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries
of Drawing — ARTnews Recent Art News - National - International Week
of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits
of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week
of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week
of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week
of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week
of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week
of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week
of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week
of 02/13/11 Amon Carter's Director
of Education Named National Educator
of the Year — Amon Carter Museum Blanton curator heads to National
Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum
of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week
of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges
as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
In the upstairs
gallery, Suga is presenting more recent installations, such
as Ido no gensoku — A (1994), a tower
of paraffin blocks on a steel plate,
as well
as a wide range
of small
wall - mounted assemblages.
Inside the
gallery's smaller space Steinkamp has installed Bouquet, an enchanting filmic arrangement
of tree limbs — instead
of flowers — that twist and turn in the middle
of the
wall,
as it's been doing for the past year at the American Consulate building in Guangzhou.
Some two decades later, however, the age - old medium is now experiencing a veritable resurgence
as it once again fills
galleries, museums, and art fairs (not to mention the eyes
of critics and the
walls of collectors).
In this overdue exhibition, Toroni has cunningly hung twenty - five square paintings from 1987, each one marked with fourteen orange strokes, at the height
of the
gallery's mezzanine: in the main space, the canvases are a tick below eye level, while in the upper space they're propped against the
wall,
as they rest on the floor.
As with the spectral uniting
of the
gallery walls, he is finding within the fragmented a means to a unity, a reciprocal and harmonious relationship between seemingly disparate entities and concepts.