Sentences with phrase «walls of the gallery as»

In its finest moments, Leap Before You Look exposes the white walls of the gallery as a permeable membrane through which the ideas and creative energies of generations of students can flow alongside some of the finest artists of the last century.
Spare, black - on - white 1978 studies of rectangular boxes, each one subtly different in line or angle, the etchings hang on the downstairs walls of the gallery as quiet reminders of an artistic legacy almost selfless in its commitment to form.

Not exact matches

They built the front desk out of plywood and Ikea furniture and modeled the studio's dark tile and gleaming white walls after London's White Cube art gallery, honing the look as «inviting but still sexy, cool but still tribal,» Rice remembers.
It resembles a temporary gallery space more than a bona fide eating establishment (chalkboard wall; simple wood finishes; a long open kitchen where, behind bouquets of flowering herbs and tiles doubling as plates, Taymor and his merry band of cooks work all night, barely stopping to look up).
According to its capital campaign brochure, the non-profit organization is in the midst of a $ 2.5 million fundraising push to repair the exterior of the arts center, as well as to upgrade the historic playhouse and renovate the galleries, including the «installation of moveable walls (to) accommodate video installations and other contemporary work.»
High magnification provides some surprising views of the familiar, as well as providing images that could easily grace the walls of art galleries.
As the focal point in a room or as a piece of your gallery wall, this print is an easy way to make a fun, modern statemenAs the focal point in a room or as a piece of your gallery wall, this print is an easy way to make a fun, modern statemenas a piece of your gallery wall, this print is an easy way to make a fun, modern statement.
I'm also linking lots of the items I have used here, as well as giving the details on how I made the Thanksgiving print in my gallery wall.
Morning light is happy light and as I sat there admiring my gallery wall, the pictures brought back memories of my wedding, vacation destinations and special family moments.
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With its vintage appeal, itâ $ ™ s perfect over a buffet or dining nook, or as part of a gallery wall.
As someone who dislikes clutter and too much furniture or a lot of knick - knacks, gallery walls have become my go - to decorating tool to add interest, color, and personality to... [Continue Reading]
Originally created as a gouache painting in various shades of gray, our Aloe Triptych takes center stage on a gallery wall.
A well - executed gallery wall as seen in any number of beautiful rooms on Pinterest is almost as difficult to recreate as say... a mason jar terrarium or that tufted upholstered headboard.
Fortunately, this is not our first gallery wall rodeo (as seen here, here, here, here, and here), so we've put together a list of tips to keep in mind when creating your next gallery.
A few years ago, a painted black gallery wall appeared on my computer screen and I became a forever fan of the lady behind the idea: Alaina Kaczmarski (also known as the co-founder and editor of The Everygirl) who I'm happy to now call a friend.
With its vintage appeal, it's perfect over a buffet or dining nook, or as part of a gallery wall.
As I'm changing up my gallery wall in my living room to a more Christmas - y collection, I made a simple printable into a more festive piece of art.
Life presents a gallery of Allan Grant's celebrity photographs, which convey a vibrant immediacy whether they're backstage shots of Audrey Hepburn and Grace Kelly snapped on the fly or as staged as a hundred Shelley Winters smiling at you from mirrored walls.
Occasionally, as he moved along the gallery walls, he thought of Erica Frank.
Corey's travel across the Yellowstone Trail are on the walls of the gallery, but also available as a handmade limited edition journal chronicling the streets, cities and counties along the way.
From the gallery, as from the bedrooms, a wall of glass doors opens to the deep wraparound porch and vistas over the golf course and the turquoise waters on the horizon.
Many of Ojai's best local artists use the Emerald Iguana Inn as gallery space supplying the original artworks that hang on almost every wall.
(And it appeared that at least the gallery had sold Bernardo Bellotto's Venice, a view of the Grand Canal looking east from the Palazzo Loredan Cini on the Campo San Via, 1741 — 1742, as the wall text had been affixed with a small orange sticker.)
These bronze busts, in the same gallery as the wall of portraits, make me appreciate the artist's feeling for volume and form, an updated sculptural impressionism.
Pae White has created a maze of black, red, blue and purple threads which reach from and terminate into the gallery walls as endless and bewildering as the sleepless nights that conceived it.
Commissioned by The Ballroom as a component of the Fire Into Music presentation, the silkscreened mural was printed directly onto the gallery walls.
Viewed within the modern monastic space of the Paul Kasmin Gallery, with its cool white walls, polished floors, and concrete ceiling, the visceral earth tones and frantic forms of Lee Krasner's «Umber Paintings» emerge as fields of boundless energy.
Other site - specific works and commissions include Storm King Wall, Storm King Art Center, Mountainville, NY; Garden of Remembrance, Jewish Heritage Museum, New York, NY; and Roof, National Gallery of Art Washington, D.C. Goldsworthy has exhibited in major museums such as the Metropolitan Museum of Art, New York, NY (2004); Frederik Meijer Gardens & Sculpture Park, Grand Rapids, MI (2006); the Yorkshire Sculpture Park, U.K. (2007); Pori Art Museum, Finland (2011); and deCordova Sculpture Park and Museum, Lincoln, MA (2011).
site specific installation directly on the gallery walls; a further three large scale works and a number of smaller scale works, enjoy learning more about the collaboration between artist, curator, and institution as well as the artist's vision, process, and creativity.
And what's on the paper is something that has been on a lot of museum and gallery walls lately, as we noted here early this year.
The small images hung in Davies Street on the three walls of the single room gallery welcomes natural light and fills in the space as carefully as the works at the new Grosvenor Hill location.
His cutouts are made of thin pieces of plywood, not paper, and they eschew Matisse's glorious color, but they evoke the feeling of flight just as handily, dancing as they do across the gallery walls.
This modest easel - size painting is set in the center of a wall that faces you as you enter the main gallery, not so much to greet you as seemingly to square off with you.
Installed in the old Domino Sugar Factory in Brooklyn, the much - talked - about monumental sugar sphinx draws more than 130,000 visitors; inspires praise, countless opinions and selfies, and a porcelain pitcher; earns her recognition from Wall Street Journal Magazine as its 2014 Art Innovator and a spot on Foreign Policy magazine's list of leading 2014 Global Thinkers; and is currently being explored in «Afterword,» an exhibition at Sikkema Jenkins Gallery in New York.
The homeyness of their work is reinforced by the installation, with such midcentury touches as mint green walls and Eames chairs in the museum's wood - paneled second - floor galleries.
As if floating on the gallery walls, Tom Henderson's works are composed of coloured Plexiglas panels, partially covered with oil paint, each supported by an aluminium armature which projects through the surface.
If painting as a practice is viewed with far more skepticism today, the sense of conversation evoked by the works on this wall — and in a smaller room off the main gallery, which is also filled with the art of Schloss's friends and acquaintances — rings eerily familiar.
In the projection gallery, the documentary work of Genaro Molina, Lawrence K. Ho, and Kirk McKoy, the three other L.A. Times staff photographers (Cole also worked at the Times), played as a slideshow on the walls.
McQueen's films as an artist were typically projected onto one or more walls of an enclosed space in the gallery space, and often in black - and - white and minimalistic in nature.
Wide - open gaps in the gallery walls of this important exhibition, which offer glimpses of future works from earlier bays and vice versa, allow us to conceive of Stella's career as a single, unceasing effort to grapple with painting's potential.
Following his years as a student at Cal Arts and teaching in Nova Scotia, he describes his early years in New York with the artist April Gornik, just as Wall Street money begins to encroach on the old gallery system and change the economics of the art world.
Without context, they look like minimalist heaps of glass artfully arranged on the floors and walls of the tiny gallery, as if simplified reincarnations of Robert Smithson's Map of Broken Glass (Atlantis)(1969).
Womack, too, works some of the same territory as Leslie Hewitt, who dismembers flooring, leans slabs against the walls, or adds thick frames to displace the gallery into memory.
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In the upstairs gallery, Suga is presenting more recent installations, such as Ido no gensoku — A (1994), a tower of paraffin blocks on a steel plate, as well as a wide range of small wall - mounted assemblages.
Inside the gallery's smaller space Steinkamp has installed Bouquet, an enchanting filmic arrangement of tree limbs — instead of flowers — that twist and turn in the middle of the wall, as it's been doing for the past year at the American Consulate building in Guangzhou.
Some two decades later, however, the age - old medium is now experiencing a veritable resurgence as it once again fills galleries, museums, and art fairs (not to mention the eyes of critics and the walls of collectors).
In this overdue exhibition, Toroni has cunningly hung twenty - five square paintings from 1987, each one marked with fourteen orange strokes, at the height of the gallery's mezzanine: in the main space, the canvases are a tick below eye level, while in the upper space they're propped against the wall, as they rest on the floor.
As with the spectral uniting of the gallery walls, he is finding within the fragmented a means to a unity, a reciprocal and harmonious relationship between seemingly disparate entities and concepts.
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