Sentences with phrase «walls of the studio space»

Not exact matches

Today, Jamie gives us a look into her newly relocated 3,000 square foot retail space and design studio where colorful swatches of fabric and magazine cutouts adorn the walls as larger than life inspiration boards.

Distinctive entrances, daylighting, large / medium / small group learning spaces, student display areas, thoughtful color palettes, flexible / mobile walls, spaces of solitude, creativity spaces, multimedia studios, performance areas, flexible / mobile furniture variations, student - accessible teacher work areas, technology anywhere - anytime, portable writing surfaces, and private, personalized spaces are some of the characteristics that signal to a customer that engagement and choice are a top priority in delivering 21st - century education.

We wanted to keep some of these architectural features to provide some visually interesting points and it helps us not to stumble too far into the typical white walls / grey floor of the usual gallery and studio spaces.

In 1981, the gallerist Annina Nosei had offered him studio space in the basement of her Prince Street gallery, where he swapped the city streets and walls for canvases.

In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its walls.

Twenty - eight - year - old Mack recently relocated his studio from a room within the Studio Museum in Harlem, which he occupied as part of a yearlong residency, to a sprawling space in the Bronx, scattered with paint, peg boards, packing blankets, umbrellas, and other sundry objects, all fodder for his visceral sculptures and wall - hangings.

In the main space, I'll hang recent paintings, but in the entrance, I'm installing a bank of digital prints, scanned from the things I pin up on the studio wall on impulse.»

In Sticky Pictures, Werner makes visible the source material of her paintings — not only the subject in the photograph, but also the photograph itself; the material quality of the printed image, its traces of weathering, handling and use, its physical presence as an object lying on the corner of a table or hanging loosely on a wall, in a space that might be a studio.

The backs of a few of the works are brightly painted, allowing a glow to extend onto the wall behind them, further blending the structures themselves into the studio space.

By setting his camera at an extremely low point, perhaps on the floor, Rauschenberg created a dramatically angled view in which he appears wedged into the wall of his studio, his body geologically layered between his artwork and his creative space.

Wedged in at a right - angle between 3rd Street and Howard Street, the Snøhetta addition includes 170,000 square feet of extra indoor and outdoor gallery space, the largest living green wall in the Bay Area, three restaurants, two museum shops, a state - of - the - art conservation studio, a theater, gender - neutral bathrooms and a lower level filled with art that is free and open to the public.

Her projection also literally built on the presence of the many black - and - white photographs that Krasinski applied to his studio's walls and objects, which he used to double and mirror spaces and objects.

[1] Claiming that this privileged space had become nothing more than an «ossified custom» — a «commercial depot» for curators and dealers to ship works out into the world (and thus detach the artwork from the conditions of production and site of creation)-- Buren stated that artists could only resist the domestication of their work by preserving it within their studios forever (like Constantin Brancusi) or abandoning the four walls of the studio altogether for a life of art making away from institutional repression and commodification.

«My studio has white walls, a grey painted wooden floor, a big window with a view out to the garden and lots of space to put / store stuff.

As one critic has noted, these spaces were «an experimental expansion of the work and the condition for its accomplishment»... [Ben Nicholson recollected that Mondrian's Paris] studio had a black floor, and white walls on which the ageing artist, 62 at the time of Nicholson's visit, pinned cardboard rectangles of primary colours that he could move around at will.

The photographs are of a wall that was a shared studio space at Cooper Union where I started writing this list of names that were «ethnically consistent» (culled from baby name websites).

On the other two walls of the main gallery, which are painted a customary white, there is an oil painting of blue balls on a white field, «Bloobs» (2014) by Mathew Cerletty; a loopy, oddly affecting drawing, «Untitled (shit)» (2011) by David Shrigley, of concentric circles emanating from the word «shit»; Vern Blosum's «Off The Hook» (2015), a larger - than - life - size graphite drawing of a vintage payphone with its receiver dangling, appropriately, off the hook; and Emily Mae Smith's «The Studio (Science Fiction)» (2015), which depicts the split halves of an eggshell hovering above a flying saucer / fried egg, the edge of its white perimeter forming the words «THE STUDIO» against the starry blackness of outer space.

True to the effect of Neff's earlier installations, A Prologue proffers an uncanny phenomenon of viewing: the main gallery acts as a literal reflection of itself — a section of wall is mirrored in a photomural across the room, while other photographs depict Neff's poetic images posed here in the gallery space or in her Philadelphia studio.

The exhibition includes 17 wall panels, collectively equivalent to the exact interior measurements of her downtown L.A. studio, which were built onsite in the exhibition space and then transferred to her studio space.

«This has been a nice steady flow,» she said of the weekend's foot traffic into her studio space, which is dominated by large, vibrant gouache paintings of nude waterfall bathers that take up one full wall.

In 1969, at the Stedelijk Museum in Amsterdam, Wheeler realized his first environmental installation outside of his studio — a «light wall» — using a single row of daylight neon light embedded inside a viewing aperture that encompassed the entire dimension of the gallery wall within an enclosed space.

In 1969, at the Stedelijk Museum in both Amsterdam and Eindhoven, Wheeler realized his first environmental installation outside of his studio — a «light wall» — using a single row of daylight neon light embedded inside a viewing aperture that encompassed the entire dimension of the gallery wall within an enclosed space.

We soon took over the garage of our building and converted it into a studio / gallery space — 50 % very grungy garage and 50 % white - walled.

Keir Smith, collage painting experimenting with application of paint on panels for wall - floor constructions in studio space (1972 - 1973)

When looking around the studio with Emma, I noticed a work titled, «For Wall or Floor», resting, appropriately on the floor and immediately asked myself if it was a work or a part of the space?

That Chicago duo's Wall - Space The Non-Architecture of the Studio Wall replicates Crown's own studio wall in paints, stencil and a trompe l'oeil of electrical wWall - Space The Non-Architecture of the Studio Wall replicates Crown's own studio wall in paints, stencil and a trompe l'oeil of electrical wWall replicates Crown's own studio wall in paints, stencil and a trompe l'oeil of electrical wwall in paints, stencil and a trompe l'oeil of electrical wire.

We recently stopped by Kevin Cyr's Brooklyn studio to check out his latest body of work slated for his two - person show with Jessica Hess entitled «Temporal Spaces,» which was curated by Lainya Magana and opens at San Francisco's White Walls March 6.

For his current installation at the Dallas Museum of Art, Stephen Lapthisophon's first U.S. solo museum exhibition, Lapthisophon has created a space reminiscent of his studio, in which walls obscure the space and appear layered, similar to his collage technique.

Before turning to steel, Serra produced abstract sculptures from nontraditional materials — fiberglass, rubber or molten lead — which he splashed or threw in their liquid states against the walls of studios or exhibition spaces, recording their shapes and angles.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Tomorrow I'm moving to a new studio in one of Bushwick's older artists» buildings.The space features a beautiful view to the east, convenient location near the L train, two big white walls, a sink, plenty of windows, heat and AC, and a freight elevator steps away.

Although they were being painted by then little - known artists working in low - rent studio space, works of Abstract Expressionist art now dominate the walls of major museums.

Intimate space: The «make - out bed» at the centre of Donald Judd's studio, surrounded by his sculptures, a crushed - car piece and, on the back wall, a wooden box made by his father

He took molten lead, and hurled it in large splashes again the wall of a studio or exhibition space.

Clouds AO has previously worked on concepts for a space elevator and a proposal to harness the power of comets for interplanetary transportation, including terrestrial projects such as a yoga studio with curved walls to confuse the perception of space.

Their first building is planned to be a «maker studio» of 100 entrepreneurial spaces, with movable walls, that will allow those companies to grow.

Since the photo above was taken, Jennifer and her hubby have made even more use of the space by building a bookcase divider wall, that conceals a studio for Jennifer behind it...

My dream space / studio would have at least one wall of windows... but 3 if possible... with a beautiful view of nature and a door to the outside where I have beautiful gardens.

And since we're buying a «fixer - upper» (there's a 8 - person hot tub in the master bedroom, a wall of mirrors in the bedroom, and a giant space that once was a sound studio).