Expanding on — and more expediently dramatizing — the philosophy of monotony that characterizes his earlier film El Custodio, Moreno
wanders the streets, apartments, and rural suburban roads around the Argentine metropolis by way of a scrawny
flaneur protagonist, Boris (Esteban Bigliardi), who's ejected from his terminally bored girlfriend's loft in the daintily circuitous dialogue of the opening sequence.