Sentences with phrase «want viewers»

What are the keywords you would want viewers of your profile to notice?
His most telling statement was that movie makers want viewers to see in their movies the same range of colours and highlights that they can see with their eyes.
Remember that you want viewers to act on what you've presented.
AM: Process is so important in your work, and you have said that you want viewers to have a visceral response to your paintings; can you talk about the physicality of your materials?
«Just as my muses insist on their visibility and identity, I want my viewers to feel present with fierceness and boldness.
His cauldron of references contains essences of, among others, Cecily Brown, Karen Kilimnik, Richard Prince, and Sue Williams, but though Whitmore exploits recognizable images and styles, he also claims to embrace a degree of ambiguity not always associated with the practice, and to want viewers to question both what they see and the sincerity of the artist.
«I want viewers to feel the range of emotions and sentiments these artists bring forth in their work, whether is sad, angry, serious or satirical.»
How do you want your viewers to respond to it?
«I want viewers to walk away with the sense that the history of art is always malleable,» Beckwith says.
Some artists trick the public into perceiving images of the Holocaust anew; others want viewers to «feel» it Read More
I want viewers to question the materials of my work, to step closer to get a better look.
I want my viewers to see feminine humanity, intimate beauty, and fearless ethos above all else — because that is the core of all women.»
WW: What understanding of the role of gender in contemporary painting do you want viewers to walk away with?
The artists want viewers to take a more in - depth look into the techniques behind the works and find the messages themselves.
The movie doesn't want the viewers to sympathize with murderers, but like Poison and Araki's movies, it forces them to face a society that brands all deviance as homicidal.
This is the very reason movies are so terrible these days because the studios WANT the viewers to «just turn their brains off».
«I want viewers, when they look at my work, that they see themselves in the picture,» he says, «that they also become part of this land; that they, in a way, merge with the land — but they don't quite disappear into the land.
The Academy Award - winning actor notes how the helmer kept insisting that the drama feel as though it's a real slice of life, as he doesn't want viewers to be able to guess what was going to happen next in the story.
I mean we wouldn't want your viewers to CHANGE THE FUCKING CHANNEL, NOW WOULD WE?
Journalists want glory, programme makers want viewers, and everyone wants to maximise the impact of their stories.
I also think the fans need to learn about the politics of the club they support, politics of the club control our club... understanding that will help us unite and push for Arsenal FC to improve in aspects rather than QQ about the manager, remember a lot of what we hear is from the media and they only want viewers so investigate stuff for yourself.
You want viewers to engage with it, talk about it and share it with friends.
«With Jefferey's résumé, I wanted the viewer to know he's in the music business, know that he works hard, showcase his image in a creative way, and most importantly, display his experience,» says Mundon.
Avnet (whose father, Jon, is a veteran Hollywood director and producer as well as the studio's co-CEO) told Fortune the studio wanted to maintain the film's authenticity — they wanted viewers to think the horror film playing out in real - time might really be happening — so they avoided marketing the movie and, in fact, they did not even run the idea by Snapchat before proceeding.
While he admitted that it's hard to pit President Donald Trump — the man behind «The Art of the Deal» — against those who study Sun Tzu's «The Art of War,» he wanted viewers to understand how the game is played.
You can choose from an array of choices depending on if you want viewer to book service, get in touch, make a purchase or donation, download an app, or simply learn more.
The characters involved in this affair (Keegan - Michael Key and Annie Parisse) often argue with each other over whether or not they're definitely «bad people,» and the show wants viewers to engage in this debate as well.
What I wanted the viewers to see was all of the signs people were holding that read, «I Ride For Kevin.»
The party in 2010 had Matt Damon promoting a vote on the ballot line as well; Goldberg jokes in the video she wants viewers to share it on social media and beat his view total.
We want the viewer to be enticed and mystified by how it looks then move closer and begin to identify the objects.»
He also repeatedly mentioned the exact phrase «pure green coffee bean capsules» — the one his staff had used on all the websites they had set up and which they wanted viewers to type into search engines.
Wilson is a filmmaker who wants viewers to question what they see and hear in the media, and he's willing to travel thousands of miles in order to highlight why you too should remain skeptical about Moore's motivations as a filmmaker.
The metaphorical sentiment of the film is clear: Director Reginald Hudlin, who splashed on the scene with «House Party» in 1990, wants viewers to see Thurgood Marshall as «The Black Superman,» ready to rip out a giant letter «M» on his chest whenever injustice is near.
Director Sebastián Lelio wants viewers to see Esti's choice as being impossibly difficult because each option offers something wonderful.
The poster also lists Marvel Studios as the studio that brought blockbusters Avengers and Guardians of the Galaxy to the screen, creating a clear distinction of exactly which films Marvel wants viewers to think of when they see Ant - Man.
On one hand, Goddard / Whedon definitely want the viewer to be complicit in the artifice of everything at all times, it seems to be the intent of the movie.
It's not a stretch to think that Payne wants the viewer to think about them as well.
And feeling safe is what Zemeckis and partner Bob Gale definitely did NOT want the viewer to feel.
I wanted the viewer to feel trapped and lost, so they could not tell what they were seeing.
After all, this is a tale of existential woe told right from Toller's perspective; Schrader wants the viewer stuck in his protagonist's head with no chance of escape.
Nine years have passed since Peter Jackson last travelled to Middle Earth, not that he wants viewers of The Hobbit: An Unexpected Journey to notice.
But the more distance I've gotten from Tully, the more I'm convinced that's the point — Cody doesn't want the viewer to leave the film thinking they understand just what Marlo is going through.
But Peele wants viewers to see how Missy is subtly using her default power over Chris in this situation (he's in her house, he's dating her daughter) to make it all but impossible for him to refuse her request.
In Season 1, Donald Glover wanted viewers to feel what it's like to be black, while in Season 2, his brother Stephen Glover emphasized that the show would attempt to capture the essence of life in Atlanta.
Cory Finley's debut film, a stylish, gripping yarn about two teenage girls who hatch a murder plot, wants the viewer to consider the environment around them.
As an example, you want your viewer to be logged out exact after 300 hours of their total login time (this can be done to prevent login credentials sharing), then it can be done here.
He wants his viewers to kick the grin, stray a little further from where they normally would, and embrace the growth that comes with it.
I didn't want the viewer to come too close.
He wanted the viewer to enter his world and actively engage with it.
You talk a lot about wanting the viewer to get up close to the work, and there's obviously so much detail, and so much happening in that kind of intimate engagement.
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