Hopper, the villain of the piece,
wants the
tap -
dancing Kermit to become the smiling spokesperson for the doctor's growing chain of restaurants known primarily for their French Fried Frog Legs.
It is perhaps fitting that the exhibition closes with Shoes (2013 - 17), a pair of restless shoes
tap dancing on the ceiling to an unheard rhythm: with striking and assured execution and heavy on the visual gags, Sweet Liberty leaves one
wanting more, but unsure of the direction of travel.