Will Mackenzie be able to match the epic nature demanded of
a war film of this nature and will Chris Pine be up for the accent?
Not exact matches
While it suffers from the obviously propagandist
nature of World
War 2
films, it's better than most when it comes to the human non-political
nature of this kind
of warfare.
At its heart, Black Panther has a fairly standard comic book sort
of story: baddie Ulysses Klaue (a rare live - action Andy Serkis: Star
Wars: The Last Jedi,
War for the Planet
of the Apes), one
of the few outsiders who knows the secrets
of Wakanda, and who had stolen a small quantity
of vibranium decades ago, is up to no good again, with a scary dude nicknamed Killmonger (Michael B. Jordan: Fantastic Four, and both
of Coogler's previous
films) at his side; they must be stopped by T'Challa, Nakia, and the absolute force
of nature General Okoye (Danai Gurira), with an assist from CIA agent Everett K. Ross (Martin Freeman: The Hobbit: The Battle
of the Five Armies, Sherlock).
Obviously, the
film leans in the direction
of peace, but it's as subjective as a documentary could possibly be on this subject, and it definitely makes one think
of the true consequences
of war, the
nature of American imperialism, and how it all relates to our current situation in Iraq and the rest
of the world.
The brilliant new
film by Steven Spielberg talks universally about the
nature of war and diplomacy.
Positively giddy in its nihilistic misanthropy, the
film watches a good man's sundering from his better
nature by the ravages
of war.
It's a directorial choice that some critics have questioned, but Attah never feels less than honest in those moments, even when high on drugs and hallucinating while part
of a marauding band laying waste to a village; or when the exact
nature of his and The Commandant's (Idris Elba) relationship is sickeningly revealed; or even in the quiet, tiny moments at the
film's end when by the merest flicker across his face we understand how much the
war outside has been internalized.
Despite the lightweight
nature of the short, it is instrumental in creating a link between Civil
War and the upcoming Marvel
films Thor: Ragnarok and Avengers: Infinity
War.
MCU
films have always favored the fun, colorful
nature of comic books which has taken me off guard in the past but have grown to accept this, another thing that took me off guard was how Infinity
War could keep that light - hearted tone but also take its own story seriously.
The effect World
War II had on Frank Capra, John Ford, John Huston, George Stevens and William Wyler was profound, changing the
nature of the
films they made, and this three - part, three - hour Netflix presentation is intimately in tune with its subjects and the work they did.
Writer / director Gary Ross»
film is an overtly political treatise on the cyclical
nature of systematic prejudice and oppression that's primarily set during the Civil
War and Reconstruction.
by Walter Chaw Stop on any single frame
of Alfonso Cuarón's remarkable
war idyll Children
of Men — a
film that's rarely in repose, sometimes seeming composed
of one long, frantic shot — and I suspect the sharp - eyed, educated viewer would be able to cull a reference to modern art, most likely one about men reduced to their base animal
nature.
As a true blend
of sci - fi and horror, the Alien series takes the aesthetic
of films like Star
Wars and marries it to the serial
nature of horror franchises like A Nightmare on Elm Street.
Then again, could be these are all red herring titles designed to obfuscate the true
nature of the
film, a cruel trick perpetrated on the endlessly - speculative Star
Wars fanbase by noted trickster John Powell (note: John Powell does not have a reputation as a trickster), but we won't know for sure until Solo: A Star
Wars Story opens on May 25th.
It's a
film thick with messaging about the
nature of man, and
of war.
However it has to be said that the simple shooting style works with the
nature of the
film, again reminding us that there's nothing pretty about
war.
Through this edition's theme, «Oxygen», the festival aims to strengthen already existing public awareness on environmental issues through photography and
film — exploring concepts
of ecological collapse, perishing
nature, industrial waste, human helplessness at facing
wars, and destruction caused by immigration and urbanisation.