Not exact matches
In particular, Chaplin's impassioned speech at the end of the
film about
war, love and peace.
Is the
film saying anything
in particular about
war or about the Middle East or America?
While all the hubbub at the moment is surrounding Captain America: Civil
War — and deservedly so, given that it opens
in theaters
in a matter of weeks — there's one
particular film on Marvel Studios» horizon that is one of the biggest
films it's ever tackled.
All told, nearly three quarters of the
film is spent trying to decode Assange without much to show for it, but it's only
in the final act that «The Fifth Estate» decides to engage and try to discuss the ethics, morals and consequences of WikiLeaks work —
in particular around the release of the Afghanistan
War Logs —
in any substantive way, but again a lack of courage on behalf of the filmmakers to take any position renders the
film narratively limp.
Of course, the era between 1862 through 1866 is littered with changes
in the country; laws, slave status,
war, economy, all play major roles, but the focus of the
film doesn't zoom
in on any
particular thing.
I'm not too fond of World
War II
films, but I have to say that this one
in particular has got my attention.
by Walter Chaw For me, the James Bond
films are the literalization of a very
particular Conservative fantasy
in which a suave, quippy, emotionally - arrested sociopath battles Cold
War foes, beds beautiful women without consequence, always has the latest technology, and engages
in the endless murder of foreigners.
Though they wouldn't say how, the Russos mentioned one upcoming Marvel
film in particular that ties
in closely with Infinity
War.
That moment is guaranteed to bring a lump to Star
Wars skeptics and superfans alike, as will frequent callbacks to the original
films — including a
particular whopper — that feel like Johnson offering a reassuring «I got you» to a core audience that's been burned too often
in the past.
All,
in one way or another, deal with the following concerns: the contemporary history of Lebanon with
particular emphasis on the
wars in Lebanon between 1975 to 1991; the representation of traumatic events of collective historical dimensions; and the ways
film, video, and photography function as documents of physical and psychological violence.
The story is usually interpreted to mean that one should not believe everything one is told, as
in the first version of the
film in 1943 — one of a series produced by Walt Disney at the request of the U.S. government during World
War II for the purpose of discrediting totalitarianism
in general and Nazism
in particular.