In this way,
war metaphors in medicine can invite ways of thinking that may not be scientifically or socially productive.
Not exact matches
This «new meteorology», as it was sometimes called, became culturally pervasive
in the years following World
War I. Not only did it lift the metaphors of trench warfare and place them in the air (the «weather front» taking its name directly from the battle fronts of the war), it also insisted that to speak of the weather meant to speak of a global system of energies opening, ever anew, onto different futur
War I. Not only did it lift the
metaphors of trench warfare and place them
in the air (the «weather front» taking its name directly from the battle fronts of the
war), it also insisted that to speak of the weather meant to speak of a global system of energies opening, ever anew, onto different futur
war), it also insisted that to speak of the weather meant to speak of a global system of energies opening, ever anew, onto different futures.
A
metaphor is a word or phrase used inappropriately.12 It belongs
in one context but is being used
in another: the arm of the chair,
war as a chess game, God the father.
The two cultures, she proposes, are best understood
in terms of an «ethics gap,» and here she draws upon and reinforces the important work of sociologist James Davison Hunter, whose writings have done so much to give empirical substance to the culture
war metaphor.
If the intellectual life is like this, if struggle is its blood and bone, then one ought to expect those who think rightly about it to delight
in and deploy the imagery and
metaphors of battle and
war to capture its flavor.
Such a shattering
metaphor typifies the existentialist, expressionist mood
in which the early Barth — and with him the preponderance of post-World
War I theology — came to see Jesus.
Now it is time for the
metaphor to be exercised
in the drug
war.
And he notes that there is a contradiction between those
metaphors that speak of God's forgiveness and care for Israel and victims and those that tell of divine participation
in war and punishment.
In considering the last
metaphor, Brueggemann argues, not always convincingly, that for Israel
war is conducted to defend and to give life.
8 «The
metaphor of a
war of nature», Keith Ward writes, «here gives way to a different
metaphor: that of a developing emergent whole, with increasingly complex and beautiful co-adaptedness among organic life - forms, and which pictures nature as expressing a continuous growth
in harmonious complexity.»
That deep love, that desire to protect and keep our children safe, can cause us to judge others either
in response to criticisms, or (to keep with the
war metaphor) so that we can «draw first blood.»
Of course, the idea of a «
War on Christmas» is terminally silly
in a culture saturated with Christmas messaging (as I write this, the radio at the coffeeshop I'm
in is tuned to a channel that'll play nothing BUT Christmas songs for the next couple of weeks), but what the heck — martial
metaphors work quite well when you want to get folks fired up.
So if we're talking about
war — the real thing, not a
metaphor, as
in the «
war on drugs» — then cyberwar has never happened
in the past, is not taking place at present, and seems unlikely
in the future.
«If applied
in a careless manner,
war metaphors can delude our sense of what's possible therapeutically, and give false hope to people and caregivers who are suffering,» George said.
In the metaphor, first prevalent in the aftermath of World War II, sexual activities are described as if they are actions in a game of basebal
In the
metaphor, first prevalent
in the aftermath of World War II, sexual activities are described as if they are actions in a game of basebal
in the aftermath of World
War II, sexual activities are described as if they are actions
in a game of basebal
in a game of baseball.
The
metaphor for terrorist attack is so front and center it hardly bears mentioning;
War of the Worlds is pure popcorn escapism of the highest order if you want it to be, or more, but it's never less than thrilling, thanks
in enormous part to the film's magnificent, sternum - rattling sound design, surely another of the film's Oscar - calibrated achievements.
As a thriller its quite nerve wracking and as a
metaphor for how innocent Mexican citizens are used as pawns
in the drug
war between the various gangs and the DEA its effective.
Jolie for her part uses silence as a kind of
metaphor for our collective speechlessness
in the face of
war's horrors.
The final scenes are a tour de force
in which the bonfire - strewn streets fill with merrymakers and the exploding fireworks look as dangerous as a
war, an apt
metaphor for the everyday violence
in the characters» lives.
But beyond that, it sounds like the film doesn't bring anything else potentially groundbreaking to the table, offering another
metaphor for our society to deal with
in relation to
war with some decent performances and occasionally beautiful visuals scattered throughout.
The general problem with
War is that its
metaphors are empty and do not say anything about the characters
in the picture.
War for the Planet of the Apes is a bludgeoning film of empty and meaningless
metaphors wrapped up
in the clothing of presumed depth.
But they also serve as
metaphor: Naranjo uses his heroine as a symbolic stand -
in for Mexico's citizens, blameless bystanders caught
in the cross fire of a billion - dollar range
war.
You'll pardon the embroidery
metaphor, which comes straight from the movie itself, a darkly absorbing Southern gothic tale set
in 1864, during the fraught final days of the Civil
War.
Solo: A Star
Wars Story is about to land
in theaters after a highly - publicized and turbulent flight, and if you'll allow me to belabor the
metaphor, it sounds as if director Ron Howard managed to pull this particular spaceship out of a potentially disastrous nosedive and smooth things out
in a satisfying way.
In addition to all the fall movies rich in metaphors for Trump, the multiplex is also offering numerous escapes, from the coming - of - age period piece Lady Bird to a new Star Wars to another movie about proud moments in British history, The Darkest Hour (if Dunkirk wasn't enough stiff upper lip for you
In addition to all the fall movies rich
in metaphors for Trump, the multiplex is also offering numerous escapes, from the coming - of - age period piece Lady Bird to a new Star Wars to another movie about proud moments in British history, The Darkest Hour (if Dunkirk wasn't enough stiff upper lip for you
in metaphors for Trump, the multiplex is also offering numerous escapes, from the coming - of - age period piece Lady Bird to a new Star
Wars to another movie about proud moments
in British history, The Darkest Hour (if Dunkirk wasn't enough stiff upper lip for you
in British history, The Darkest Hour (if Dunkirk wasn't enough stiff upper lip for you).
While a number of approaches are available, they are typically described
in contentious terms, with
war metaphors pitting the whole language camp against the phonics supporters.
To extend the
metaphor, they really only care about the survivors
in a
war of attrition.
Similarly to Pat Barker
in her World
War I novels, Magee's descriptions are stripped of
metaphor and simile and her dialogue is crisp and vivid whether she is writing an argument between Katherina and her deluded parents or between Peter and his fellow soldiers freezing
in the Russian snow.
In what way is the Hearts tournament a
metaphor for the Vietnam
War?
But the haunting
metaphors are never forced, and the intensity of the simple words, on the baseball field and
in the
war zone, will make readers want to rush to the end and then return to the beginning again to make connections between past and present, friends and enemies.
First up
in the
metaphor -
wars was Pan Macmillan's ebullient digital director Sara Lloyd who chaired the conference.
In which Riddles perfects the self - deprecating
metaphor - From «Oh, Well... This is Embarrassing...» during God of
War III Week
Juxtaposing images of the First World
War memorial
in the churchyard with the cranes and girders of contemporary urban development, Emin's personal heartache now becomes a
metaphor for the lives fractured by the conflict, the passage of time and for the loss and eradication — as well as survival and perpetuation — of history and memory within the built environment.
Grand
in scale, these labyrinthine yet surprisingly intimate works cover the entire wall space, rife with personal narrative, political
metaphor, and a myth that emphasizes memory, loss, love, and exile
in times of
war and peace.
The pedestals, which remained mostly empty, serve as a
metaphor, for the artist, of the country's inability for self - reflection during the violence of the Civil
War which spanned from the start of Independence
in 1975 to 2002.
Reeling
in the destruction of
war torn Europe, Jean Dubuffet's Volonté de Puissance is a socio - political
metaphor of the mentality of Europe after WWII that...
He explained that the «Elegy» paintings, originally a tribute to the republic that died
in the Spanish Civil
War, were not meant to be political, but rather «general
metaphors of the contrast between life and death and their interrelation.»
This example of shunga (a genre of erotic woodblock prints dating back to the 9th Century) is significant not only for its shocking
metaphor of victory
in war --- it makes plain the sexual dimension of conquest --- but also that it signaled Japan's own imperial desires.
The exhibition includes photographs from two of Griffin's early series» which employ potent
metaphors; Copyright, 1978, a reproduction of the persecution of Jesus Christ
in his own apartment and London By Night, 1983, which shows the aftermath of a fictitious nuclear attack on London, echoing the fear of the Cold
War.
It also featured an entire series of work Lashai developed during the last years of her life, which incorporates animation, music, and narration into paintings, depicting through subtle
metaphors chapters of Iran's turbulent history and delivering a foreboding message about a violent future
in the region, through a painterly engagement with Goya's «The Disasters of
War.»
In his own words, Paglen's artistic project is to create «new
metaphors» for the «invisible
war» — the weaponization of space, the militarization of the internet, mass surveillance, and counterintelligence efforts by U.S. and foreign governments over the past 15 years, most of which remain classified.
[Response: Jeffrey, you'll be pleased to hear that I use * both * of these
metaphors in The Hockey Stick & the Climate
Wars.
The first thing I will note is that every scientist
in the room should object (and should have objected to) the
metaphor of «
War on Science».
As long - time readers know, I'm interested
in the emergence of popular narratives and memes, everything from the Easter Island eco-cide
metaphor to the climate
wars and climate / conflict framing.