Sentences with phrase «was curator at»

Prior to MASS MoCA, Cross was a curator at the Solomon R. Guggenheim Museum, organizing exhibitions for the New York museum, the Guggenheim Bilbao in Spain, and the Deutsche Guggenheim Berlin.

Previously, she was a Curator at the Barbican Art Gallery where she organised major survey exhibitions and publications including The World of Charles and Ray Eames (2015), Bauhaus: Art as Life (2012), and Future Beauty: 30 Years of Japanese Fashion (2011).

I didn't know he was a curator at the time when he purchased two of my pieces.

He was Curator at Inhotim (Minas Gerais, Brazil) from 2004, and currently holds the position of Deputy Director of Art and Cultural Programs.

Calvocoressi was a curator at the Tate, London, director of the Scottish National Gallery of Modern Art, Edinburgh, and director of the Henry Moore Foundation.

Previously, she was Curator at Tensta Konsthall in Stockholm and Curatorial Fellow at Museo Tamayo in Mexico City.

Rubin was curator at New Orleans» Contemporary Arts Center when Davis was a graduate student at the University of New Orleans.

Between 2007 and 2009 she was curator at the Gallery Ganes Pratt in Ljubljana.

Between 2007 and 2009 she was a curator at Ganes Pratt gallery in Ljubljana.

From 1988 to 1998 she was a curator at the Whitney Museum of American Art, where she organized many exhibitions, including the seminal Black Male: Representations of Masculinity in Contemporary Art (1994 — 95).

Between 1998 and 2009, Hancock worked at the Centre Pompidou and MAMVP / ARC in Paris, Tate Modern, and was a curator at The Hayward Gallery, London, and the Irish Museum of Modern Art, Dublin.

Prior to MoMA, Janevksi was Curator at the Museum of Modern Art in Warsaw, Poland, where she curated the large - scale exhibition on Yugoslav experimental film and art from the 1960s and 1970s, As Soon As I Open My Eyes I See a Film (2008).

Krajewski was curator at the Henry Art Gallery, Seattle from 2004 — 2012 where she focused on solo artist projects (Matthew Buckingham, Andrew Dadson, Jeffry Mitchell, Walid Raad, among others) and group exhibitions exploring photography's impact on visual culture (Image Transfer: Pictures in a Remix Culture and Viewfinder).

«I was a curator at Rush Arts Foundation for 13 years,» explains Adams, who curated artists Kehinde Wiley, Deana Lawson, Wangechi Mutu and Jacolby Satterwhite's first solo exhibitions at Rush Arts.

He was a curator at the Museum of Modern Art in Mexico City and the head curator at the Chopo University Museum.

She was curator at Fundación Jumex Arte Contemporáneo between 2011 and 2014, where she curated exhibitions of artists such as James Lee Byars... + more

From 2003 - 2006 he was Curator at the New Museum of Contemporary Art in New York City where, among other projects he co-curated the widely acclaimed exhibition Andrea Zittel: Critical Space and presented a major survey of the work of Brian Jungen.

He was a curator at Palais de Tokyo in Paris (2001 - 2004) and at Tate Modern in London (2004 - 2007).

He was a curator at Tate Modern for five years before joining the Metropolitan Museum of Art in New York.

Upon arriving to New York, he was invited to a dinner at the Sam Hunter's house (Hunter was a curator at MoMA).

From 2004 to 2006 she was curator at the Kunsthalle Friedericianum, Curator Workshop, Kassel, Germany.

She was a curator at the Smithsonian's American Art Museum and then joined the Corcoran Gallery of Art where she rose to chief curator.

He was curator at the Wattis Institute of Contemporary Arts, a buzz factory housed at the California College of the Arts (CCA) in San Francisco before joining White Columns in Fall 2004, a quarter of a century after its founding.

Before that, Glass - Kantor was a curator at the Australian Centre for the Moving Image (ACMI) and worked in state art institutions, museums, independent spaces, and festivals.

From 1997 - 2001 she was curator at Moderna Museet in Stockholm, responsible for Moderna Museet Projecs with 29 commissions with among others Simon Starling, Apolonija Sustersic, Koo Jeong - a and Matts Leiderstam, and, in 1998, co-curator of Manifesta 2.

Before Minetta Brook, Shamash was curator at the Santa Barbara Museum of Art and gallery director for the Minneapolis Society of Fine Arts.

«I first heard accolades about her work in the 1990s, when she was a curator at the Museum of Contemporary Art, Chicago.

She was curator at the Fondation Cartier pour l'Art Contemporain in Paris (2006 15) where she curated /

Before her work at Smith + Fowle, Fowle was curator at Towner Art Gallery and Museum in Eastbourne, East Sussex.

Prior to joining in 2009 she was a curator at the Jersey City Museum from 2000 where she curated Hair Tactis, 2010; Beth Gilfilen: The Big Hunch, 2008; 99 Cents, by Colwyn Griffith, 2007; and The Feminine Mystique, 2007.

From 1992 to 1996 Meyer - Hermann was a curator at the Haus Lange & Haus Esters museums in Krefeld.

Previously he was Curator at the Whitechapel Gallery, London; Senior Curator at Cornerhouse, and director and curator of numerous organizations in the UK devoted to contemporary art and film.

Prior to continuing studies at Columbia University in 2014, Marshall was Curator at the Swiss Institute / Contemporary Art in New York (2007 - 2013).

Before working at GBE, Kenyon was curator at the Centre for Contemporary Arts in Glasgow, Scotland.

Prior to that, Lind was the curator at Moderna Museet in Stockholm and, in 1998, a co-curator of Manifesta 2, Europe's Biennale of contemporary art from 1997 — 2001.

Before coming to the First Center, Scala was curator at the Art Museum of Western Virginia.

Prior to working with the Nortons, Golden was a curator at the Whitney Museum of American Art in New York City.

She received a Doctorandus degree in Art History from the Rijksuniversiteit in Groningen and was curator at the Stedelijk Museum in Amsterdam from 1967 to 1971.

She was a curator at Iniva from 1997 to 2003 and projects include Soft: Artist as Curator, Janette Parris» performance Mezzo Soprano?

He was named to his current position of Arturo and Holly Melosi Chief Curator at Dulwich Picture Gallery in London in 2009, prior to which (from 2006 to 2009), he was Curator at Dulwich Picture Gallery.

Prior to this role, Helen was Curator at Ikon, Birmingham, working on exhibitions and offsite projects.

Prior to the Arts Council, Douglas was a curator at the British Council from 1994 to 2006 and holds an MA from the Courtauld.

Prior to that he was curator at the University of Michigan (2009 - 2011).

She was a curator at S.M.A.K. museum of contemporary art in Ghent from 1997 to 2006, where she organized numerous exhibitions, including Dora Garcia: Code inconnu, Orla Barry: Portable Stones, Dirk Braeckman, Luigi Ontani and Joëlle Tuerlinckx.

From 2010 to 2012, Dall was the curator at Kunsthal Charlottenborg in Copenhagen, initiating the Research Programme and curated projects including Palace Party, Corso Multisala, and solo shows with Christina Mackie, Nina Beier, and Clemens von Wedemeyer.

She worked at «sculpture projects muenster 1997» (Münster 1997), and from 1997 to 2000 was a curator at Portikus in Frankfurt am Main.

Among her curated exhibitions are Postwar: Art Between the Pacific and the Atlantic, 1945 - 1965, with Okwui Enwezor and Ulrich Wilmes at the Haus der Kunst, Munich; Light Years: Jack Whitten, 1971 - 1974, Painting Paintings (David Reed) 1975, co-curated with Christopher Wool, and many other shows at the Rose Art Museum at Brandeis University, where she was Curator at Large; and High Times Hard Times: New York Painting, 1967 - 75, which toured internationally.

Previously, Markonish was the curator at Artspace in New Haven, CT..

Prior to this, he was Curator at London's Whitechapel Gallery.

Previously, she was a writer and editor of Metropolis M. From 2006 to 2009, she was a curator at S.M.A.K. Stedelijk Museum voor Actuele Kunst in Gent.