With the return to Aunt Jemima, this series of
washboard assemblages exemplifies Saar's use of derogatory images.
Earlier this year, Saar presented «Keepin» It Clean,» a solo exhibition of
washboard assemblages dating from the 1990s to present at the museum.
Not exact matches
The ninety - year - old Betye Saar, without whom no such show could be complete, includes a small black table bearing a
washboard portrait Aunt Jemima but also a 2011
assemblage «Red Ascension.»
A new exhibition by the renowned Los Angeles
assemblage artist gathers the
washboard pieces that she has made over the course of her career — pieces that reflect on issues of American race and inequity.