Sentences with phrase «watch in the film because»

He's the best thing to watch in the film because he's scary, but also because he offers something different.

Not exact matches

In one study, people watched a silent film about an accident at an industrial site that occurred because of poor safety practices.

I don't always talk to my pastor about movies I plan on watching, mostly because being a film critic prevents me from having much choice in the first place to a degree.

In my family we never have a «proper» breakfast because we're too busy with presents and watching films on TV.

I give this movie 2 stars, only because its got alot of actual football highlights in it so you can at least multitask and grind a little film while your watching it.

The conclusions seemed clear: watching unchecked aggression in real life, on film or in cartoons makes us more aggressive because it provides us with «social scripts» to guide our behavior.

Bullet to the Head is a wasted opportunity to make something quite interesting and worth your time, but instead it just takes bits and pieces to create something that in the end is not worth watching because the film lacks a good story, effective action and more importantly good performances and interesting characters.

The point is that, yakuza films have always been a topic that I'm always interested in watching because, as I see it, it's almost impossible to tell a movie in these setting with these types of characters.

This is good, because there's nothing else to watch or care about in the entire film anyway.

I watched this film because it came off a list of Universal International Pictures, I started watching in 1949 time frame.

I always fall directly in the middle when I watch this film, because the comedy hits just as much as it misses.

The film is hilarious, if viewed in context, but of course having watched it dozens and dozens of times since my first viewing in the early 1960's in an «art cinema» in Greenwich village, I no longer laugh out loud, but enjoy my silent amusement, because I love satire.

It's funny because I was watching the movie and we had ads for other films and I said, «Why don't we put our own movies in here?»

Watching their passion-less present day story unfold was riveting, primarily because it's so refreshing to see a story like this in a film.

Stewart plays out the film as if it were a traditional «haunted house» film, but because we already know it is about alien life, we merely watch the characters go through predictable motions until the story catches up with what we already surmise, and the only things keeping viewers reeled in are basic questions such as, «why are they doing this?»

It's a good thing the dialogue and acting deliver, too, because the film is glacially paced and clocks in at a way - too - long 132 minutes that feels like a DVD director's cut that you'd watch once before always returning to the theatrical cut.

But I thought a lot about the 1979 film while watching Ready Player One, and not only because Alan Silvestri's score deliberately quotes John Williams's bombastic military march from the earlier film (one of hundreds of hidden nuggets in a film that is quite literally an Easter egg hunt).

That's certainly not the fault of the two young actors playing Jeannette as a child, because the main reason the movie work is the groundwork laid by Chandler Head and Ella Anderson in the film's flashbacks, which depict a wonderful relationship between father and daughter that's simply heartbreaking to watch deteriorate.

- Amour was very well - made and acted but because watching the content of the film was so excruciating for me, i can't seem to put it in a «best» list.

I have watched a few films that are fairly awful, but save themselves because of the uplifting sensation in your chest, as the film closes.

Nonetheless, I was hollering out loud for this film and I wasn't alone either, if people compare this to «Ted», they are going to be disappointed because they are two very different films but if you look as a stand alone you will have a blast watching «A Million Ways to Die in the West».

But things feel malformed from the off, which begins with a lot of people saying a lot of portentous things, and continues to the assassination itself, which is more than underwhelming, in part because of what seems to be a pretty tight budget — Landesman watches Giamatti as he films the shooting, but there doesn't seem to be anyone else in Dealey Plaza except him.

The Squid and the Whale is a sometimes difficult film to watch, but that's only because it is often frank and honest in its portrayal of four very confused, somewhat maladjusted people.

I'm not going to watch this trailer because I'm seeing this film on Saturday and I want to go in completely fresh.

It's a tough film to watch, both because of its subject matter — a seventeen - year - old girl is tasked with rearing her younger brother and sister while trying to hunt down her drug - dealing father in order to keep her family intact — and because it's just a slow film.

And now I worry that all the hype will actually deter some people from seeing the film, because when does one ever get in the mood to watch a film I personally described as «sobering and immensely difficult to watch»?

I haven't watched The Oscars in many years because I usually don't see a lot of the nominated films, but WOW!

My favorite horror film is The Ring because I was legitimately very scared when I was watching it for the first time in a movie theater.

Possibly it was hated for offering little in the way of hope (and in places explicitly denying the audience hope), or because at times you get the feeling the director is judging the audience for watching his film.

Rather, I had to mention it simply because it has come up recently in our Movies We Watched column and sparked some rather heated debate among R3ers over on Letterboxd, and if you've been left out of all that because you haven't seen the film, here's your chance to rectify that.

They passed over outstanding works like Elizabeth Olsen in Martha Marcy May Marlene, Juliette Binoche in Certified Copy, and Adepero Oduye in Pariah because either their films were «too small» or «too foreign» or «too uncomfortable» or is it simply, they don't watch movies that there buddy friends aren't in?

Hopefully the reason people will watch this is because you'll be teasing their interest in watching the film.

Below you can check out the latest UK Quad and a couple of extra still because you've been so good this year.I mistakenly thought the film was called «End Of Watches» which made me think it was a film set in the not - so - distant future, where people had become so used to clocks on their phones and Ipods, that watches were no longer Watches» which made me think it was a film set in the not - so - distant future, where people had become so used to clocks on their phones and Ipods, that watches were no longer watches were no longer needed.

This is a fun film simply because you watch it in complete disbelief.

The 1948 film remains a hugely popular watch among the Monster Kid crowd and horror movie aficionados, primarily because it prominently features not only Frankenstein's Monster (played by Glenn Strange, not Boris Karloff as many mistakenly believe), but Dracula (Bela Lugosi, returning to the role that made him famous one last time) and The Wolf Man (Lon Chaney Jr. also returning for one more growl in arguably his most famous role, though he was a versatile horror star playing The Mummy, Frankenstein's Monster, and Dracula too!)

These moments in the film are the most difficult to watch but they only really work because we are allowed the time to bond with the characters beforehand and experience the combat with them.

I'm extra-glad I didn't watch any of the trailers or clips that were released before the movie was finished (apparently), because of the expectations they would have created — not only glimpses of what's in the film, but quite a few things that aren't.

Of course, because the whole thing was shot in one take, we're watching her performance occur in real time too, and the various colors the film cycles through (which can strain the strictest believability, to be honest) give her so many different notes to play.

I am sure I am not alone in that I spend far more time watching abstract films and short experimental videos than I do watching feature films; in part because I make experimental films, and in part because, to my mind, the most risk - taking visual artists don't necessarily work in feature films; but instead work in video art and experimental filmmaking and newly emerging filmic art forms, such as gifs.

He's great in all of them, though I think his Magic Mike performance is a little overblown, and is specifically wonderful in Killer Joe, a film I almost didn't watch specifically because of McConaughey's involvement.

K - 19: The Widomaker is a good action film, much overlooked here in the United States, probably because we aren't used to watching films with Russian heroes, and are especially skeptical with American and British actors portraying them.

Just don't watch both versions of the film in quick succession, because it's not a ride you need to go on twice.

Vividly re-imagined, the new Ben - Hur is a lot of fun to watch, in part because it follows the outline of William Wyler's famed film while injecting fresh new elements.

Maybe it's because, I work in the IT film but this show is a blast to watch.

Underworld is such a tedious watch, not only because it is inherently superficial in everything it does, but it also is one of the more repetitive films to cover this oft - explored territory.

I tried to think like a Yahoo! commenter while watching Coogler's film because I felt like the message of the film was already speaking to my choir and I wanted to consider how filmmakers and artists can reach beyond the echo chamber to try and change some minds about the issue of race in contemporary America.

But the film works because it doesn't come off as empty provocation; every maddening choice evolves in ways viewers can understand, even if they're grimacing as they watch.

Watching Del Toro's films is a pleasure because his vision is evident in every frame.

I ended up seeing it three more times while it was still in theatres because it brought back the same feelings plus new ones from having watched the film from an adult perspective.

I was absolutely looking forward to the screening because of it, but I sat in my seat watching in the film and was just bored.