Paul Cézanne (1839 — 1906), The Bathers, ca. 1900,
watercolor over graphite, Thaw Collection, The Morgan Library & Museum, 2017.29.
Jean - Honoré Fragonard (1732 — 1806), The Little Park, ca. 1765, paque
watercolor over graphite, Thaw Collection, The Morgan Library & Museum, 1997.85.
J. M. W. Turner (1775 — 1851), The Pass of St. Gotthard, near Faido, 1843,
watercolor over graphite, Thaw Collection, The Morgan Library & Museum, 2006.52.
William Blake, The Great Red Dragon and the Beast from the Sea, c. 1805, pen and ink with
watercolor over graphite, Rosenwald Collection, 1943.3.8997
Paul Sandby, The Tide Rising at Briton Ferry, 1773,
watercolor over graphite; laid down, Gift of The Circle of the National Gallery of Art, 1988.19.1
Image: Paul Sandby, The Tide Rising at Briton Ferry, 1773,
watercolor over graphite; laid down, Gift of The Circle of the National Gallery of Art, 1988.19.1
George Fennel Robson, A Loch in Scotland,
watercolor over graphite on wove paper, Ailsa Mellon Bruce Fund, 1989.37.1
Two Scouts, 1887,
watercolor over graphite on wove paper, Gift of Nancy Voorhees, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.6.1
Marshall's House, 1932,
watercolor over graphite on paper, Wadsworth Atheneum Museum of Art, Hartford, Connecticut; Purchased through the Gift of Henry and Walter Keney © Wadsworth Atheneum Museum of Art.
Bartolomeo Pinelli (1781 - 1835), Carnival Scene, 1816, Pen and black ink, and
watercolor over graphite.
John Singer Sargent (1856 - 1925), Portrait of Paul - César Helleu, ca. 1882 - 85,
Watercolor over graphite on paper, Gift of Rose Pitman Hughes and J. Lawrence Hughes in memory of Junius and Louise Morgan, 2005, The Morgan Library & Museum.
Edward Hopper, Haskell's House, American, 1882 - 1967, 1924,
watercolor over graphite on paperboard, Gift of Herbert A. Goldstone
PAGE 51: Detail of «Soldiers and Students,» 1962 (opaque
watercolor over graphite on wove paper) by Jacob Lawrence.
Transparent and opaque
watercolors over graphite on gray / green, moderately thick, smooth textured wove paper, Sheet: 101/16 x 147/16 in.
Not exact matches
Winslow Homer, The Conch Divers, 1885,
watercolor, blotting, lifting, and scraping,
over graphite, 13 13/16 x 20 in., Minneapolis Institute of Art
Hendrik Reekers (1815 — 1854) Apples and a Walnut, 1836
Watercolor,
over graphite, touches of gum glaze The Morgan Library & Museum, New York Charles Ryskamp Bequest, 2010 Photography: Schecter Lee
It presents more than 50 color reproductions of
graphite,
watercolor and ink on paper drawings made by Richter
over a period of five decades, from 1966 to 2005.
Salzwedel utilizes materials such as
graphite or
watercolors to draw on mylar or tracing paper, which he then encases in layers of resin, a difficult medium that he has learned to work with
over the years.
This presentation is comprised of approximately 50
graphite,
watercolor, and ink on paper drawings made by Gerhard Richter (b. 1932, Dresden, Germany)
over a period of five decades from 1966 to 2005.
John Ruskin, The Garden of San Miniato near Florence, 1845,
watercolor and pen and black ink, heightened with white gouache,
over graphite on wove paper laid down on thick, white paper, Patrons» Permanent Fund, 1991.88.1
Sir Edward Coley Burne - Jones, Ariadne, 1863/1864,
watercolor and gouache
over graphite on smooth wove paper, The Armand Hammer Collection, 1989.2.1
Fernand Léger (1881 — 1955) Composition, 1918
Watercolor and brush and black ink
over graphite on artist's board 9 x 11 inches (229 x 279 mm) Thaw Collection, The Pierpont Morgan Library, New York © 2002 ARS, New York / ADAGP, Paris