Sentences with phrase «wave end papers»

A 2009 MacArthur Foundation «genius» award recipient, Bradford (b. 1961) is best - known for large - scale abstract paintings made from a variety of collaged materials, including billboard paper, permanent - wave end papers, newsprint, carbon paper, and other papers layered together (or stripped apart) and then manipulated with nylon string, caulking, and sanding.
«Strawberry» (2002) photomechanical reproductions, acrylic gel medium, permanent - wave end papers, and additional mixed media on canvas by Mark Bradford 72» x 84»
Chains of squares proliferate vertically and horizontally, interspersed with reproductions of the wave end papers that Bradford has painstakingly photocopied.
This impressive work is comprised of permanent - wave end papers, the small, diaphanous sheets of paper used in the hair salon business.
2003 photomechanical reproductions, acrylic gel medium, permanent - wave end papers and additional mixed media on canvas 72 x 84 in.
Likewise, the use of permanent - wave end papers in repetitive sequences across the surface calls to mind the geometries of quilts and other fabric constructions.
He gleans his materials from the posters, billboard papers, and hair salon permanent - wave end papers that are still part of his environment.
Crafting abstract paintings from fragments of the urban environment — permanent - wave end papers, billboard paper, posters, newsprint — Mark Bradford has built a body of work that is richly layered in both material and meaning.
These include billboards, permanent - wave end papers, carbon paper, newsprint, and other types of vernacular materials that Bradford layers together (or strips apart) and then manipulates with nylon, string, caulking, and sanding.
A 2009 MacArthur Foundation «genius» award recipient, Bradford (b. 1961), based in Los Angeles, is best - known for large - scale abstract paintings made from a variety of collaged materials, including billboard paper, permanent - wave end papers, newsprint, carbon paper, and other papers layered together (or stripped apart) and then manipulated with nylon string, caulking, and sanding.
MARK BRADFORD, 2009 Mark Bradford's But You Better Not Get Old from 2003 is a monumental work of collaged permanent - wave end paper, «materials with a built - in history,» in the words of the artist, aggregated and distressed to form the ethereal yet tactile surface that has become the artist's unique signature.

Not exact matches

The Nature Geoscience paper showed that the high - frequency waves that the quake produced came from the deeper edge of the rupture, on the northern end away from Kathmandu.
The first room creates a physical experience, pushing the view to the periphery with an imposing bulbous sculpture, while the second creates safe places for the artist as a young boy, evoking Bradford's mother's hair salon in large paintings created from purple - black end papers used for permanent waves and a paper sculpture representing Medusa's head as a hiding place.
Other L.A. inclusions, like Mark Bradford and Sterling Ruby (wave - end paper paintings and spray - painted plinths with ceramics and canvases, respectively) felt significant and necessary.
As seen in Figure 3 of the Stadium wave paper the last «cool end» of the waves lasted from approximately 1941 to 1973.
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