To round out the historical context of second -
wave feminism from which the Guerrilla Girls emerged, today we bring you Lia Wilson's review of
Not exact matches
Just as the rise of third -
wave feminism tries to crush the idea that a woman's worth comes only
from her ability to attract men, why do sugar babies appear to be running backwards towards old, sexist tropes?
Sailor Moon rode the cusp of third
wave feminism, which held that young women didn't have to choose between being feminine and being respected; this is where the slogan «girl power» comes
from.
From early photo - text pieces, where Wilson dressed as a man who is impersonating a woman, to her performances as First Ladies Nancy Reagan and Barbara Bush, to her most recent works, in which Wilson revisited the framework of her early photo - texts to investigate the role of a woman over 60, Wilson stands as an artist whose strong and humorous voice has endured and remained current through many
waves of
feminism.
Since the 1960s — fuelled by the civil rights movement, reactions to the Vietnam war and second -
wave feminism — contemporary art has become an intrinsically politicised, critical medium through which everything,
from culture to capitalism and the medium itself could be questioned and deconstructed.
In this excerpt
from Phaidon's Art and
Feminism compendium, scholar Peggy Phelan traces the history of second - wave feminism in the art world — and details how its problematic history should be rigorously debated, not simply celebrated or
Feminism compendium, scholar Peggy Phelan traces the history of second -
wave feminism in the art world — and details how its problematic history should be rigorously debated, not simply celebrated or
feminism in the art world — and details how its problematic history should be rigorously debated, not simply celebrated or ignored.
Like many women artists whose careers took off in the 1960s, before second
wave feminism had fully taken hold, to a certain extent she suffered
from a rather cruel type of double invisibility, overlooked in relation to her male peers — particularly those associated with Pop art — but also not slotting in easily to the politicised feminist networks of the 1970s.
The list includes artists who have played a role in the feminist art movement which largely stemmed
from second -
wave feminism.
There is an exciting new
wave of
feminism emerging in the art world and it includes artists coming
from the Middle East and Iran.
I really like the «female» tradition of textile art, thinking specifically about women artists
from the first
wave of
feminism, like Judy Chicago.
The timeline also includes a selection of works
from the above artists that illustrate the changing political tides of second -
wave feminism.
Combining patterns and styles drawn
from a 1970s aesthetic, Thomas's compositions simultaneously recall the «black is beautiful» movement, as well as the second
wave of
feminism that shattered cultural assumptions about sexuality, family, the workplace, and reproductive rights.
From exhibitions of renowned and trailblazing artists such as Georgia O'Keeffe and Marilyn Minter, to a breakthrough survey of lesser - known artist Beverly Buchanan; from a long - overdue account of the centrality of women of color in second - wave feminism, to exhibitions with contemporary artists contemplating a future of equality, A Year of Yes pushes back against conventional barriers while expanding the ca
From exhibitions of renowned and trailblazing artists such as Georgia O'Keeffe and Marilyn Minter, to a breakthrough survey of lesser - known artist Beverly Buchanan;
from a long - overdue account of the centrality of women of color in second - wave feminism, to exhibitions with contemporary artists contemplating a future of equality, A Year of Yes pushes back against conventional barriers while expanding the ca
from a long - overdue account of the centrality of women of color in second -
wave feminism, to exhibitions with contemporary artists contemplating a future of equality, A Year of Yes pushes back against conventional barriers while expanding the canon.
Asawa's life encompasses many stories with timely echoes: of a woman artist who came to prominence before the first
wave of postwar
feminism, of a Japanese - American who went
from finishing high school at an internment camp to Black Mountain College, one of the most radical of all American experiments in arts education; of an artist whose oscillating career has typified the vagaries of the artist's life in America.
«We are looking at a young generation of artists who are exploring
feminism from a kind of third -
wave perspective, and who are part of that generation that takes
feminism for granted,» says Reilly.
There also are extensive pages on this website on women's history, suffrage, women's rights documents
from the first
wave of
feminism, and women's military history.