Sentences with phrase «wave feminism with»

Daignault's desire for a current feminist interpretation seems so urgent that the title for her new artist book (in newsprint, like vintage Village Voice or Bay Guardian papers, and available as an exhibition handout), A — Z Volume 4: The Feminine Mystique, confronts second - wave feminism with first -100-days-in-office feminist rage.

Not exact matches

But Somebody's Darling is a very modern story about toxic masculinity, betraying an anxiety about the fading of the traditional male archetype (for the frat pack, vulnerability is equated with weakness), combined with the vile backlash against new - wave feminism, which in the real world we witness in the abuse apologist and the normalizing of misogyny.

With 90 million people watching worldwide, King prevailed in three sets (6 - 4, 6 - 3, 6 - 3), and the match became a cornerstone of second - wave feminism, putting sports at the heart of a national conversation around gender equality.

Themes will include contemporary feminism, new waves in sculpture & technology as well as works displaying a strongly defined narrative of contemporary culture with an emphasis on originality and innovative usage of materials.

«Second Century» is a play on the title of Simone de Beauvoir's seminal text, The Second Sex of 1949, a book that dealt with the treatment of women throughout history and marks the starting point of second - wave feminism.

The third wave of feminists that emerged in the»90s allied with queer theorists and activists of color — and dismissed the previous generation's feminism as too straight, white and privileged.

Woodman hypothesizes that with the rise of second wave feminism in the 1960s, curators began to feel self - conscious about curating all male shows, and rightfully so.

Produced at a pivotal moment in her practice and in the cultural landscape of Second - wave Feminism, these series depict couples entwined in various coital positions rendered with expressive gesture, exemplifying her keen understanding of color and composition.

Containing lilac dungarees, which were popular with West German feminists in the 1970s, as well as some magazines and records, this little vitrine claims to represent the second wave of German feminism in its entirety.

I often work in collaboration with performers who are experts in my given field of inquiry — for instance military interrogation, tea party libertarianism, second wave feminism, etc. — and within a structured framework we collectively build improvisations about politics, power, and authorship.

Like many women artists whose careers took off in the 1960s, before second wave feminism had fully taken hold, to a certain extent she suffered from a rather cruel type of double invisibility, overlooked in relation to her male peers — particularly those associated with Pop art — but also not slotting in easily to the politicised feminist networks of the 1970s.

And that's a conversation that has to do with the way that second wave feminism didn't work for women of color.

From exhibitions of renowned and trailblazing artists such as Georgia O'Keeffe and Marilyn Minter, to a breakthrough survey of lesser - known artist Beverly Buchanan; from a long - overdue account of the centrality of women of color in second - wave feminism, to exhibitions with contemporary artists contemplating a future of equality, A Year of Yes pushes back against conventional barriers while expanding the canon.

Kate Millett — the author of Sexual Politics and «a defining architect of second - wave feminism» — died in Paris this week while on vacation with her spouse Sophie Keir.

A selection of Cindy Sherman's legendary «Untitled Film Stills» serves as a bridge between the necessarily aggressive second - wave feminism of the 1960s and»70s and our modern era, where women have emerged on the mainstage of artistic innovation but still find themselves struggling with deep cultural undercurrents of bias and systemic suppression.

The realities of the American «sexual revolution,» prompted her to turn her practice towards figuration with a series of «sex paintings» with the intention of exploring female autonomy and sexuality amidst the cultural landscape of Second - wave Feminism.

But with the advent of the Women's Liberation movement on the West Coast, feminist art boldly emerged in the wake of the second wave of feminism, addressing the social, political, and cultural concerns of womanhood.

Asawa's life encompasses many stories with timely echoes: of a woman artist who came to prominence before the first wave of postwar feminism, of a Japanese - American who went from finishing high school at an internment camp to Black Mountain College, one of the most radical of all American experiments in arts education; of an artist whose oscillating career has typified the vagaries of the artist's life in America.

Engaging in a dialogue with both post-minimalism and second - wave feminism, the stretched, twisted, and knotted fabric of the RSVP works and more recent Reverie sculptures recall contorted flesh.