Sentences with phrase «way big galleries»

Adding branches and off - site project spaces is just one more way the big galleries act like museums.

The story cites Clare McAndrew's TEFAF report to emphasize the way big galleries are growing and medium - sized galleries are stagnating and smaller players declining in sales.

Not exact matches

Lifelong fan Nigel Khan — and big pal of ClaretandHugh — has a gallery of thousands of pics and videos going way back to the -LSB-...]

Newly married to dashing George (Alessandro Nivola), Chicago art gallery owner Madeleine (Embeth Davidtz) is on her way back to his home state of North Carolina to court moderately - disabled «found» artist David Wark (Frank Hoyt Taylor), who could be the Next Big Thing.

Perhaps it will remind New York's big museums to think outside the box of the blue - chip retrospective or the sampling of current gallery trends and examine painting's neglected recent past in ways that might benefit its present and future.

He's back in a big - time way, commanding both Mary Boone Gallery's downtown space and Galerie Perrotin's recently opened Manhattan base.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Often these big galleries are perceived as corporate behemoths that only think about money, and while this might be true of some dealerships, at David Zwirner I've seen first - hand the care the gallery puts into managing artists, and the way it has consistently supported the development of their careers.

Works from the Thyssen - Bornemisza Art Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, Mexico

A smaller gallery show of her California years takes her from big, bold geometric shapes, bursting into a fictive third dimension, to the patterns, with giant steps along the way.

1 RIRKRIT TIRAVANIJA With a traveling retrospective hosted by three major institutions in Europe — the Museum Boijmans Van Beuningen in Rotterdam, Serpentine Gallery in London, and Musée d'Art Moderne de la Ville de Paris — and a key work (made in collaboration with Philippe Parreno) at the Lyon Biennale, Tiravanija had, in a way, his biggest year yet.

KB: I think a great aspect of the Affordable Art Fair is the way they put extra effort into supporting galleries who are championing emerging artists as well as well bigger names, it's so important to be given these platforms to exhibit your work when you're starting out as an artist.

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

This may be a bit left field, but I was in London for Bernard Cohens breakfast at the Tate Britain, where I went straight to see the Cezannes at the NPG and then to Garys show at Paisnal.Let me say I take my hat off to the Paisnal gallery for showing an artist so obviously alive and kicking.Ive known Gary since we showed together at MOMA oxford straight out of college.I also remember his big show at the ACME gallery, where he mixed drawing and paint very successfully.I have to say I was a little disappointed, particularly the way an abstract expressionist activity stresses the surface, particularly the Rhoplex PVA, which looked frothy..

Commercial galleries like her own, once the haunt of dealers and insiders, now attract visitors in much the same way as their bigger, state - funded galleries do.

Currently on view at Sean Kelly Gallery, the exhibition «Construct» presents a range of these sculptures, opening with Bridge (1985) and Scaffold (2015), giving way to five new «Big Beamer» pieces and two new works that are part of his «Stretched Blockworks» series.

Painterly technique figures in a big way with the portraits done by Jonas Wood at Anton Kern Gallery.

Her work has been featured in a string of group shows at galleries like CANADA, the Journal, Tanya Bonakdar, and Marlborough that are known for acting as launching pads for novel painterly stars, and the critical establishment has gotten on board in a big way: no less than Roberta Smith has said that a painting of hers «knocked me out,» and the Village Voice noted of one show that her works were «selling pretty well, and no wonder: They are some of the loveliest little things you'll find anywhere.»

KAI ALTHOFF INSTITUTE OF CONTEMPORARY ART, BOSTON Kai Althoff's career seemed to take off in a big way, at least in New York, after his 2001 exhibition at Anton Kern Gallery.

When Brett chooses the work and it goes on to the High, that is proof of the importance of the gallery as a channel for artists to make their way into the big time.»

For his big solo show opening at Next Street Gallery in Paris, Kurar will present us with a new series of artworks, in form of paintings, sculptures and installation, all revolving around the topic of TV and the way it is still an inevitable, omnipresent factor of our everyday life.

I have often said that I feel like my gallery walls are a way of my walls giving me a big, giant hug!