Sentences with phrase «way director»

One of the few bona fide cinematic sensations of 2017 was this massive hit thriller, reflecting the mood and temperament of the contemporary cultural climate and racial relations in ways director Jordan Peele could not possibly have anticipated when creating his film.

Back Row (L - R): Valarie Laymon, Oneida County United Way Committee; Nancy Nicholl, Oneida County United Way Committee; Sherri LaSalle, Oneida County United Way Committee; John P. Talerico, Oneida County United Way Committee; Enesa Sabanagic, United Way & CNY Labor Council; and Kristyn Bucciero, United Way Director of Development.

will be able to appreciate the meticulous way director Peter Weir and writer Andrew Niccol have constructed a jigsaw plot around their central character, who doesn't suspect that he's living his entire life on live television.

«Even two percentage points of students moving from basic to proficient is, for us, a huge victory, knowing, absolutely, that we have so much more to do,» said Briony MacPhee, a United Way director who oversees academic efforts.

Though John Hyams is a somewhat dubious appropriator of difficult conventions, he excels at clean and simple fight choreography, as many of these skirmishes prove; he treats a good movie fight in the same way the director of a musical might treat a movie dance, training his camera on the elegance of his players» physicality and grace.

Tarantino's only attempt at a real love story (sorry, «Django» doesn't count), «Jackie Brown» is in many ways the director's most human film.

The Beach is conventional in other respects, settling down into something vaguely formulaic the same way director Danny Boyle's biggest hit to date, Trainspotting, does in the wake of a few mindbending mock - hallucinations.

That depended on which way director Jonathan Levine approached the film.

Again, the gentle, almost matter of fact way director Barry Jenkins presents the tale adds to its effectiveness, and a strong cast helps as well.

Since 2009 a gallery - going adventure has occurred across the neighborhood, it's organizer, Jason Andrew, artist and director of the collaborative arts non-profit Norte Maar, leading the way

«The only way a director is not liable for wages is if he or she was not a director when the wages were earned.

If the administration had objections to the way Director Comey handled the Clinton investigation, they had those objections the minute the president got into office.

The way Director David Kidera resolves questions involving the cases could set precedents for what public bodies ultimately come under the agency's jurisdiction and how much the groups that are clearly under regulation can pay public officials or quasi-governmental employees using public funds.

If the server decides that there are objects with geographic coordinates that fall within the camera's field of view, it superimposes these objects on the picture from the phone camera, in a fashion similar to the way the director of a science fiction movie might use special effects to add a spacecraft to a filmed scene.

I really want to see that movie even though it got bad reviews, i just think the way the director envisioned it makes it worth wanting to see.

While there's nothing remarkable about the way director Gary Fleder has brought The Express to the screen, this is a solid film that does justice to Davis» legacy.

What is so engaging about the film is the way its director, Ki - duk Kim, manages to keep our interest intensely focused on the couple.

Her isolation is underscored by the way director Michael Pearce places her in the frame, and the way she's costumed — her dress is bright and yellow as the sun, her wild mop of hair like a flaming red corona.

It's Assault on Precinct 13 meets the The Thing with vampires as the baddies (Can we count the ways director John Carpenter has influenced genre films today?).

There is no way director Tom Hooper («The King's Speech») could have fixed it without pissing off devotees.

I highly recommend seeing it on the big screen, the way the director intended.

Like most of the supporting characters, Holmstrom doesn't add much to the narrative, but his presence is the rationale for turning some of the scenes into Punk - style drawings or animated sequences; these are among the ways the director thumbs his nose at literalness.

Ironically, that's largely down to the way director José Padilha hijacks his own movie with some bizarre creative flourishes that destroy any tension in the final act.

l loved the way the director moved between each character showing their foibles and lies and sense of self destruction.The 13 year old is the star of this film with her sad, cold desperation but allied to a very sharp intelligence..

They're hired by the aunt and uncle (Amy Madigan and Titus Welliver) of an abducted four - year - old girl to talk to the people in the neighbourhood who won't talk to the police, and the way director Affleck shoots the back alleys of Boston is so intimate and unforgiving as to be almost embarrassed.

Though the strong work of Sandra Bullock and George Clooney — the only two actors who appear on camera — is essential to what the film accomplishes, the great lure of «Gravity» is the way director Alfonso Cuarón, cinematographer Emmanuel Lubezki and visual effects supervisor Tim Webber have collaborated to make us feel we're stranded in outer space ourselves, no questions asked.

Anyway, I loved the dreamlike atmosphere, the religious symbolism and, especially, the soundtrack and the way the director uses it in the manner of a silent film to highlight and explain the actions (or non-actions), facial expressions and emotions being played out on screen when there isn't any dialogue present.

The way a director handles the period detail, or decides to upgrade it, often says quite a lot about that director's stylistic personality.

It's not only the nearly constant motion of its characters, who run and leap and drive in between the few lulls in which the plot unfolds, but also the way director Camille Delamarre presents that action.

The way director Will Gluck filmed it, however, has won scant approval from U.S. movie critics.

is firmly in that tradition, but there's exquisite control in the way this director eases us into his nightmare, working from an original script that must represent hundreds of hours of therapy.

There's a brief moment in Harry Potter and the Deathly Hallows: Part 2 that establishes the way director David Yates, who is now responsible for half of the movies in this series including the best (the fifth) and the least (the sixth) installments, handles the histories of these characters in visual terms that more than makes up for the apparent lack of consideration screenwriter Steve Kloves has for them.

While it doesn't include the Black Freighter animation (promised for a future release), the new material proves extremely enlightening, both in terms of the overall story and in the way director Zack Snyder reduced the running time for the theatrical version.

We register the implications of what she has done and we react in the way the director probably wants us to.

The film succeeds in the way director Tomm Moore mixes and matches visual motifs to isolate different locales and still find the unity between them through the imagination of a young boy assigned to complete the illumination of a famous tome.

And as to the sport that lies at the heart of the film — I concede I don't find chess altogether exciting but the way the director and the screenplay works it in to the story actually makes it pretty compelling.

The way director Eli Roth (Hostel, 2005) steers the action and themes shows a blatant disregard for originality.

And it is not hard to imagine such pulse and respiratory data influencing the way directors and editors put together their films, much the way test - audience reactions can lead film - makers to drop certain scenes, or even to change a movie's ending entirely.

I like the way the director James Ponsoldt also employs a visual style that gives time for the actors to inhabit their characters.

The basic idea may not be completely original, but the way director - cowriter Pete Docter (Up) approaches it is inventive, provoking constant laughter and even a few tears.

Part of the appeal of the Kingsman movies is the way director Matthew Vaughn and his co-screenwriter Jane Goldman keep throwing new ideas at the audience.

It's funny how a terrible movie can change the way a director is perceived.

With a top director and seasoned cast to flesh out a solid script, there was little to no way

Luckily Brando and Harris — the film's weakest characters — are supported by a fine cast of British actors, and the decision to film their scenes on an fully functional reconstruction of the Bounty pays off much in the way directors Peter Weir and Fraser Hestion were able to extract rich atmosphere through the use of real ships in Master and Commander: The Far Side of the World (2003) and Treasure Island [M](1988), respectively.

He came to «Skull Island» the way director Colin Trevorrow came to helm «Jurassic World» (his previous picture was «Safety Not Guaranteed»).

So when they said they only needed me for a small part, I thought that would really be a lot of fun for me, because I don't make or break the film, and I liked the way the directors [Ben Chace and Sam Fleischner] approached shooting it.

But so does the way the director threads it into a story about people reluctantly going once more into the fray, about people trying to see where they fit in to bigger pictures, about having the weight of history feel like its crushing you.

The clip is very similar to the chair fight scene with Drew Barrymore in «Charlie's Angels» and we get to see the way director Joss Whedon blends comedy and action with his signature of always making female characters kick arse.

First up, if you're an aspiring filmmaker and you like the way director Guillermo del Toro uses color in his film, this video essay from StudioBinder explains how you can follow in his footsteps.

It's a thoroughly depressing moment, especially in the way director Dan Mazer stages it from Jason's point of view, meaning that De Niro is basically looking at the camera and, by extension, us.