It might sound cruel, but it's a fair question: Alà ¿ s's style is accessible, digestible, reliable and direct in
a way few other artists embrace so readily, and few can deny McRibs are fucking delicious.
Not exact matches
Here's a
few Mormon factoids (dem darn facts is really painful) 1) J. Smith was a convicted con -
artist on numerous times (non-post Mormon cult creation) 2) He said God is 6» 2» living on the planet Kalob on the
other side of the galaxy (at the time the extent of The Universe was believed to be the Milky
Way Galaxy — and oh, how convienient it could not be proven otherwise at the time) 3) Science proved since E. Hubble there are billions of galaxies (did Smith's personal conversations with Jesus and God limit to a narrow Universe?)
I've launched the project on the Kickstarter website, a site which helps authors, movie makers,
artists, and
other creative folks find funding for their projects, and I would love you to go there, watch my short video, read about the project, and hopefully be inspired to throw a
few bucks our
way.
At the close of the contest, I'll pick a
few monsters to permanently display on the site as a
way of letting
other artists know about monsters, and why they don't need to be afraid.
It was on this path, a
few years into her 26 - year stint working for Newsday as a writer and art critic and her
other job of writing television essays for Public Television's «The MacNeil / Lehrer Report» that she met the
artist Louise Bourgeois and then found her
way into the world of documentary filmmaking.
There have been a
few other artists over the years that have used material in a somewhat similar
way, but their work always seems quite decorative, whereas with Sigmar's work it was integral to the
way he works and the
way he thinks.
... a native Angeleno who records his native city (and a
few other places along the
way) with an unsparing but transcendent eye... Hernandez is a major
artist who belatedly just had his first retrospective, and its accompanying monograph... provides a gripping narrative.
In
other words, there was a reduction of the
artist's means to relatively
few components and it was the
way he handled those
few components that made the expressive quality of his painting.
There are a
few chances available that will allow for people to join Doug Aitken and
other artists and musicians on board the train that will stop in nine cities along the
way for one - night only events.
Those pieces were in every sense my homage to the first generation of women
artists like Louise Bourgeois, Nancy Spero, Hannah Wilke, Carolee Schneemann, and a
few others who paved the
way in our constant struggle for visibility and power.
Los Angeles - based
artists John Baldessari, Barbara Kruger and Catherine Opie all left within a
few days of each
other in July 2012, to protest the
way the museum and the board functioned under then - director Jeffrey Deitch.