Sentences with phrase «way figure painters»

Not exact matches

There are glimpses of important figures, such as photographer William Eggleston and painter Ed Ruscha, but they're on screen too briefly to register in a meaningful way.

Ramos writes: «Half - way between the vibrant exuberance of Rebecca Campbell's images and Luc Tuyman's clinical stroke - by - stroke reproductions lay the gliding, neutral toned figures of LA based French painter Claire Tabouret... The figures in the larger works and monoprints are characters from history, of various levels of obscurity and notoriety, and knowing a little bit of their stories imbue each scene with a poetic fascination.

Molding Width: 3-3/8» «Like many 1920s figure painters, Lorser Feitelson attempted to interpret the ideal, or perfected, human form in a distinctly modern way.

Since the 1960s he has been an international figure in the world of art, an inventive and uncompromising abstract painter who has continued to take the most extreme risks in his work, and to develop new ways of expressing his sense of wonder and delight in the world around us, and in the further reaches of the human imagination.

ALL TOO HUMAN Feb 28 - Aug 27, 2018 All Too Human: Bacon, Freud and a Century of Painting Life celebrates the painters in Britain who strove to represent human figures, their relationships and surroundings in the most intimate of ways.

V&A, London, 28 May — 27 July 2014 «The Picasso of India» is the common billing of Pandharpur - born painter M.F. Husain (1915 — 2011), to reflect both his status in the country's art history as well as the way he, like the Catalan, combined the modern world with myth in unnaturalistic scenes of figures in flux.

All Too Human celebrates the painters in Britain who strove to represent human figures, their relationships, and their surroundings in the most intimate of ways — and features breathtaking works by Lucian Freud and Francis Bacon alongside rarely seen pieces by contemporaries such as Frank Auerbach and Paula Rego.

Ether way, Rothko stays as the memorable figure among American abstract painters with his treatment of luminosity, darkness, space and the color contrasts.

Over the course of his long - career, the New York / Connecticut - based painter has been creating works that depict the human figure in ways that are poetic and ribald.

A 35 - year retrospective, featuring nearly 80 works, examines the career of a painter who is known for depicting the black figure in ways that are mordant, lordly and defiant — as well as painterly in the most sublime ways.

He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we're looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery.

But although his concerns were part of a larger dialogue in painting that was going on in France at that time, he was something of a unique figure unto himself, similar to Robert Ryman here, a painter with concerns rather too idiosyncratic to really provide a direction, more simply marking a point where a number of problems cluster and are addressed in an interesting way.

Under the painter's brush, the event — Ensslin's alleged suicide — withdraws in the corrosion of image, both having become submerged in haze as a sheet of paint covers the figure the way a blanket or a shroud would cover the body.

Her work ended up being quite influential to the Color Field painters — figures such as Morris Louis and Kenneth Noland — whose work was all about the way color sat on a canvas.

Tate Brtiain's All Too Human celebrates the painters in Britain who strove to represent human figures in the most intimate of ways.