Sentences with phrase «way in a laboratory setting»

Not exact matches

As I do so, I ponder on my decision to move out of the laboratory and into a commercial setting and decide it is one that I do not regret in any way.

With the cycle of solar storms set to peak in the next three to five years, scientists at the Johns Hopkins University Applied Physics Laboratory (APL) are searching for ways to gather and analyze information that will enable them to forecast severe solar storms.

That has led scientists in the last decade or so to look for ways of culturing cells in laboratory settings that are a bit more complex.

The Treasure Trove 17xdouble trouble The Road Back (original cut)(James Whale, 1937) & Die Nacht von Lissabon (Zbyňek Brynych, 1971) Den vita sporten (The White Match, Roy Andersson, Kalle Boman, Lena Ewert, Staffan Hedqvist, Lennart Malmer, Jörgen Persson, Ingela Romare, Inge Roos, Axel Rudorf - Lohmann, Rudi Spee, Bo Widerberg, 1968) & Ormens väg på hälleberget (The Serpent's Way, Bo Widerberg, 1986) Figures de cire (The Man with Wax Faces, Maurice Tourneur, 1914) & Avec le sourire (With a Smile, Maurice Tourneur, 1936) Omicron (Ugo Gregoretti, 1963) & Hanno cambiato faccia (They Have Changed Their Face, Corrado Farina, 1971) Psychological Operations in Support of Unconventional Warfare (Kathryn Bigelow, 1975) & Set - Up (Kathryn Bigelow, 1978) Slyší tě nepřítel (The Enemy Hear You, Zbyňek Brynych, 1951) & Smyk (Skid, Zbyňek Brynych, 1960) Cielo sulla palude (Heaven Over the Marshes, Augusto Genina, 1949) & Maddalena (Augusto Genina, 1954) Omnibus 21.7 The Last Moguls (Christopher Sykes, 1986) & Shooting Versace (Christopher Sykes, 1998) Barabbas (Alf Sjöberg, 1953) & Chinmoku (Silence, Shinoda Masahiro, 1971) Adventurous und Magick Häus (David Hartman, 2004/05) & Laser Fart (David Hartman, Dan Harmon, Rob Schrab, 2004/05) Les amours de minuit (The Lovers of Midnight, Augusto Genina & Marc Allégret, 1931) & Lac aux dames (Ladies Lake, Marc Allégret, 1934) Grave Torture (Joko Anwar, 2012) & The Conjuring (James Wan, 2013) Winter Solstice (Hollis Frampton, 1968) & VideoFilm Review: Hollis Frampton (The Television Laboratory, 1981) Not of This Earth (Roger Corman, 1957) & Not of This Earth (Jim Wynorski, 1988) I Bury the Living (Albert Band, 1958) & Face of Fire (Albert Band, 1959) Kawaita mizuumi (Dry Lake, Shinoda Masahiro, 1960) & There «s Always Vanilla (George A. Romero, 1971) The Challenge (Sidney Lumet, 1955) & General Electric Theater 3.18 The Martyr (Jacques Tourneur, 1955)

That laboratory setting is put to good use, as Gelb and his set designers find ways of turning the sterile locale into a true house of horror, with concepts and scenes that are frightening and / or creepy even in the limited space.

Living in the mission's laboratory, with its numerous toys and a surface vehicle to assist him, he sets about the business of survival: growing potatoes (using the astronauts» excrement as compost), creating water, finding ingenious ways to send messages across space, sprouting pirate - like facial hair.

With a passel of Lexii on hand as mobile test laboratories, the full - day course of braking, steering, skid control, and understeer / oversteer exercises improved their skills and assuredly set them thinking in the right direction, in no small part due to crackerjack instructors Lea Crouteau and Robert Ames, both of whom know the fast way around a frozen racetrack.

The 4 stages; an old abandoned house, sewer, an office and a laboratory also offer some great atmosphere and mix up the settings, so each level feels almost like they are from a different game... in a good way.

Rather, we need to create a new clean energy economy in the same way we created our information economy: by identifying a set of well - defined technical problems and mobilizing the human resources of our technologically advanced civilization — our scientists, laboratories, universities, and engineers — to solve them.

Environmentalism, whether it is setting fire to laboratories (so much for science then) or campaigning for laws to restrict human freedom, is a desperate search for meaning, in the same way that setting fire to things is a desperate attempt to assert control over a confusing world.

However, concerns regarding low realism in experimental methods — particularly in laboratory - based experiments — may be outweighed by the benefits of being able to isolate causal effects, and control variation, allowing for the manipulation of environments in a way that is hard to duplicate in naturalistic settings [32].