Sentences with phrase «way in every art fair»

Howard Greenberg: «It's that way in every art fair including AIPAD.

Not exact matches

In addition, artists who otherwise would have been forced to use a large - scale centralized company to distribute their work are now able to distribute their work in a decentralized way and receive fair compensation.Soon, people may begin collecting digital art in the very same way they collect it in its physical forIn addition, artists who otherwise would have been forced to use a large - scale centralized company to distribute their work are now able to distribute their work in a decentralized way and receive fair compensation.Soon, people may begin collecting digital art in the very same way they collect it in its physical forin a decentralized way and receive fair compensation.Soon, people may begin collecting digital art in the very same way they collect it in its physical forin the very same way they collect it in its physical forin its physical form.

We also have a very vibrant and creative community of Barefoot Books Ambassadors who market and sell our books and gifts in their community — at farmers» markets, school fairs, fundraisers, cultural festivals, home events and online, bringing art, story and adventure along the way!

Thank you for visiting Sitara CollectionsеЁ.еКеКWe are delighted to offer you a wide range of fair trade products handmade by artisans.еК Traditional handcrafted arts and techniques are kept alive, and, as the artisans» talents are in demand, they receive better wages than the average worker.еКThe best part is that your purchase makes a real difference, as we donate a portion of net proceeds to the Helping Children Succeed Foundation, a 501 c (3) organization that currently provides funding for a children's school in our ancestral village in ruralеКIndia.еКеКIt ‰ ЫЄs our way of adding a little love to every purchase.

Then on Saturday we explored all over Chicago — hitting up the Green City Farmer's Market in Lincoln Park, and then making our way down to Hyde Park for the 57th Street Art Fair... only to wind right back up at Federales again for some paloma's and more margs!

The other way is to participate in art fairs.

In a press release McArthur explained, «I've changed the address of the gallery to 1918 1st Ave... a building I came across on the way to the Frieze Art Fair, en route to crossing the 103rd Street Footbridge to Randall's Island.

2010 was an exciting year for contemporary painting, from a painting - heavy Whitney Biennial, to stand - out works in MoMA PS1 «s Greater New York, to huge showings at art fairs like NADA and Art Basel Miami Beach, and with each exhibition a new way of thinking about the medium itseart fairs like NADA and Art Basel Miami Beach, and with each exhibition a new way of thinking about the medium itseArt Basel Miami Beach, and with each exhibition a new way of thinking about the medium itself.

In 2016, Carlos took on an even loftier project, when, through her collaborative exhibition Condo, she introduced a new way of looking at the conventional art fair.

There's not much new in Graham Bowley's story on the way that art fairs have taken over the business for galleries.

Even if only for the month of October, the fair functions as an epicentre and crucially engages with the broader local art community, and as a result exciting creative ideas pop up across the city in all manner of ways.

Buck, Luisa, «The Satellite Fair Comes of Age,» The Art Newspaper, Dec. 2005 Workman, Michael, «Border Patrol,» New City Chicago, 2005 Fontana, Lilia, «About Collections and Collectors,» Arte al Dia, 2004 Babcock, Mark, «Delinquent Boys,» Glasstire, Oct. 2004 Moreno, Gean, «If You Believe Hard Enough,» Art US, Oct. 2004 Martin, Marisol, «Art Chicago,» Art Nexus, Oct. 2004 Sommereys, Omar, «Electric Kool - Aid Overload,» The Street, April 2004 Suarez de Jesus, Carlos, «Art Capsules,» The New Times, March 2004 Turner, Elisa, «Way Outside the Galleries,» The Miami Herald, Feb. 2004 Sirgado, Miguel, «Edge Zones,» El Nuevo Herald, Feb. 2004 Feinstein, Roni, «Expanding Horizons,» Art in America, Dec. 2003 Sirgado, M., «Muestras Paralelas de Downtown a Wynwood,» El Nuevo Herald, Dec. 2003 Hernandez, Amber, «Dark Days,» The Miami Hurricane, Dec. 2003 Triff, Alfredo, «Mortality Rules,» The New Times, Dec. 2003 Bayer, Brian, «South Florida Today,» PBS, Sept. 2003 Ocaňa, Damarys, «Cheeky Showing,» The Street, Aug. 2003 Turner, Elisa, «Galleries Put Focus On Home Grown Art,» The Miami Herald, Aug. 2003 Turner, E., «City Focus: Miami - A Dramatic Reinvention,» ARTnews, Feb. 2003 Ales, Reynaldo, «Arte y Aparte,» Travel and Leisure, Jan. 2003 Cotzee, Mark, Where Art is Happening, 2002 Ocaňa, Damarys, «Art Guide 2002,» The Street, Oct. 2002 Sultry, Lynn, «Newly Juried Artists,» Art on the Road, Summer 2000 Turner, Elisa, «As Reality Art, Tent Survives Camp Of Live - in Artist,» The Miami Herald, Sept. 2001

Launched in Miami in 2010 as an art fair alternative by seven galleries from New York and London, SEVEN is a unique initiative committed to presenting artworks on their own terms and providing an intimate, personal way to engage the viewer.

Similarly, the fair is not in any way dismissive of home - grown art and there was no eclipsing of galleries cultivated in Dallas with «heavyweight» names.

I feel like the older artists — their presence — was sort of haunting the art fairs in painting in a positive way, sort of asserting, «All right, here's where the standards are.»

«It is a smart way to engage the larger community in Dallas — having a satellite fair, but under the auspices of the Dallas Art Fair.&rafair, but under the auspices of the Dallas Art Fair.&raFair.»

Frieze's website has a friendly searchable way to discover its exhibitors and where to find them in the sprawling art fair.

Organized with a strict set of guidelines that outlines the need for each vendor to present an aesthetically pleasing display, the Essex Street Market is in many ways like a gallery, or even an art fair, in which curators are expected to arrange their designated spaces as they vie for the interest of viewers.

What I came away with above all was the very 2013 understanding that if the energy remains this high, and the quality this good, there can not be too may art fairs, because it has become inescapably obvious that the new way of selling, viewing and buying art is no longer in galleries, but at fairs.

These fairs emphasized painting and sculpture, and did so in a more down - to - earth way than the slick, up - market Art Basel Miami Beach.

Located just a short walk from the main fair site in the beautiful surroundings of the English Garden the Sculpture Park provides the opportunity to enjoy contemporary art in a more relaxed way.

It isn't quite fair to say that Mexico City is now becoming one of the globe's most exciting art destinations, because, in some ways, its always been a haven for Latin American creatives (think Frida Kahlo, Diego Rivera, and Luis Barragán).

Like in 1970, when Wolf Vostell, Helmut Rywelski, and Joseph Beuys staged a protest demanding rights for artists and publishers to be allowed into the fair, literally banging on the windows with keys and pushing their way in past a flabbergasted Rudolf Zwirner, setting the stage for new models of bringing artists into conversation with the business of art.

In a way I'm grateful to McCarthy for his big red imposture, because while Frieze New York is a great art fair — the best in New York, we can now say — it's an art fair all the samIn a way I'm grateful to McCarthy for his big red imposture, because while Frieze New York is a great art fair — the best in New York, we can now say — it's an art fair all the samin New York, we can now say — it's an art fair all the same.

The introduction on the British scene of Tate Modern, the Frieze Art Fair, Artangel and Trafalgar Square's Fourth Plinth project, along with the revamping of the Turner Prize, has ignited both public and private engagement with art in a way never seen befoArt Fair, Artangel and Trafalgar Square's Fourth Plinth project, along with the revamping of the Turner Prize, has ignited both public and private engagement with art in a way never seen befoart in a way never seen before.

Using humor, satire, and perturbation to comment on serious problems that effect the art world at large, Andrea Fraser has helped create a dialogue around systemic issues, paving the way for groups like W.A.G.E. (established in 2008) that advocates for a more equitable distribution of the art world's economy (i.e. fair wages for artists), and Occupy Museums, an activist group that sprung from the Occupy Wall Street Movement and that made an instillation about artist's debt at the 2017 Whitney Biennial.

-- Jerry Saltz in a long, deeply personal New York magazine feature about his fear that the globalized, Internet - enabled, art - fair - driven metauniverse that the art world has become is threatening the way brick - and - mortar galleries fulfill a community function by staging physical, hyper - local shows

We need to have ways of achieving contacts in other cities outside art fairs.

If we want to see a wider range of artists in a wide range of spaces, white cube or not, we need to actually go and see them; otherwise, the way things are going, the only places left to view art will be museums — real or otherwise — or art fairs.

And as an emerging or established artist, you are free to present your work, your way, at this acclaimed independent art fair in New York City.

And the gallery version of an «open studio» is the art fair — not an exact analog, but a way to raise a gallery's profile in the art community and ideally make some money, too.

Many art types — dealers, curators, journalists — are today making their way from the Skulptur Projekte Münster to Art Basel, the annual fair for modern and contemporary art in Switzerlaart types — dealers, curators, journalists — are today making their way from the Skulptur Projekte Münster to Art Basel, the annual fair for modern and contemporary art in SwitzerlaArt Basel, the annual fair for modern and contemporary art in Switzerlaart in Switzerland.

Fulton Ryder, a pseudonym of Prince's, was run by Fabiola Alondra and staged gallery - like shows — even participating (in its own way) in art fairs — so its quite possible that the closing of the physical space won't hinder future projects.

In some ways, the enterprise based in Basel, Switzerland, is the most pleasurable of all the world's art fairs, with formidable sausages on offer down on the street in front of the former Warteck brewery that it calls home, wonderfully venturesome galleries hawking their wares (many quite new to the business), and relatively inexpensive German and Swiss beer flowing like the river RhinIn some ways, the enterprise based in Basel, Switzerland, is the most pleasurable of all the world's art fairs, with formidable sausages on offer down on the street in front of the former Warteck brewery that it calls home, wonderfully venturesome galleries hawking their wares (many quite new to the business), and relatively inexpensive German and Swiss beer flowing like the river Rhinin Basel, Switzerland, is the most pleasurable of all the world's art fairs, with formidable sausages on offer down on the street in front of the former Warteck brewery that it calls home, wonderfully venturesome galleries hawking their wares (many quite new to the business), and relatively inexpensive German and Swiss beer flowing like the river Rhinin front of the former Warteck brewery that it calls home, wonderfully venturesome galleries hawking their wares (many quite new to the business), and relatively inexpensive German and Swiss beer flowing like the river Rhine.

If you think Art Basel needs more places where you can sit in a palm tree - laden lobby and watch telenovelas, you should make your way to the fair's Statements sector.

But in allowing more older art to find its way into the booths at this most contemporary of art fairs, Frieze risks diluting its brand and becoming a bit more like the other big art fairs, like Art Basel Miami Beach, that cater to a broader range of contemporary collectoart to find its way into the booths at this most contemporary of art fairs, Frieze risks diluting its brand and becoming a bit more like the other big art fairs, like Art Basel Miami Beach, that cater to a broader range of contemporary collectoart fairs, Frieze risks diluting its brand and becoming a bit more like the other big art fairs, like Art Basel Miami Beach, that cater to a broader range of contemporary collectoart fairs, like Art Basel Miami Beach, that cater to a broader range of contemporary collectoArt Basel Miami Beach, that cater to a broader range of contemporary collectors.

For the first time in years I will not be in Brussels for the April art fair marathon, but I've decided to help you (a little bit) to find your way through the five different fairs which are about to open in the city.

The world's leading galleries, in many ways the backbone of fairs like Art Basel, are seeking to connect with wealthy new collectors in novel ways and hoping to offer more international exposure to high - demand artists.

This way they can be fully immersed in the Brussels art scene — for a price comparable to or less than doing an art fair.»

It was bound for installation at the 1 - 54 Contemporary African Art Fair New York (running from May 4 through 6 at Pioneer Works in Red Hook, Brooklyn)-- a long way from its roots and a far cry from its role in combat.

The tireless, fast - talking impresario is highly in demand, so we were lucky to meet him between gallery openings and speeches during the London Art Fair and to finally sit him down in the garden of the Zumthor Pavillion at Serpentine Gallery to get his view on the avant - garde: «I think it is very important that we find a way through curating to actually engage in a global dialogue.

For all the obvious differences among these cities, when the Art Basel fair visits them each year, it anchors its shows in the same way, with a large showcase of presentations by international galleries.

Curators have been looking for ways to incorporate performance in museum, bienniale, and art fair environments for several years.

Away from the fair, there were plenty of alternative ways to take in art, fashion, and, of course, free wine.

Set to premiere at ManilART, the Philippines» largest annual art fair, October 15 through 19, the show features dozens of Filipino and international artists who work with surreal imagery, albeit in vastly different ways.

2014 A Long Way From Home: group show curated by James Davies In - Between: group show by The North & Found Project Takk Fyrir: solo exhibition by Marc Sethi Witch: group show curated by Fans of Feminism Mind the Gap: solo exhibition by Silvia Lerin Continuous: solo exhibition by Peter Hodges Sandra Dieckmann Pop Up Show: solo exhibition by Sandra Dieckmann All the Fun of the Fair: group show curated by Carousel Camera City: solo show by Elena Cinquegrana New Originals: group show curated by Peggah Khashian Blurred: group show curated by Qila Gill 100 Cats: group show curated by Laura Hughes Quest For Equilibrium: solo show by Cornelia Taubmann RAP — ART: curated by Marina Antonova Open Studio: curated by A-side B - side Speculative Future: curated by Heather Gray Familiar Objects Familial Faces: curated by Antonella Ferrari & Silvia Forese Movement: Artworks: group show curated by Movement: Artworks Drawing Inspiration: group show curated by Holocaust Memorial Day Fund

In a way, that is what Art Basel is — even though this year one saw fewer people than in previous years, something that would be confirmed shortly after the fair wrapped uIn a way, that is what Art Basel is — even though this year one saw fewer people than in previous years, something that would be confirmed shortly after the fair wrapped uin previous years, something that would be confirmed shortly after the fair wrapped up.

This work alone embodied the spirit of the fair's debut at Pioneer Works, where art could essentially be consumed by anyone who cared to lean in and peer into a whole other way of experiencing the world and art itself.

Eilshemius perfectly exemplifies — in an age of mass - oriented biennials and art fairs — the idea of the individualist who resolutely goes his own way, one of the reasons that his work appears to us today more contemporary than ever.

On the reason of ART PARIS ART FAIR 2016, we discussed with Mr. Guillaume Piens, who took over as Artistic Director of the Institution since 2011, for his vision and how he managed to renew Art Paris Art Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniART PARIS ART FAIR 2016, we discussed with Mr. Guillaume Piens, who took over as Artistic Director of the Institution since 2011, for his vision and how he managed to renew Art Paris Art Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniART FAIR 2016, we discussed with Mr. Guillaume Piens, who took over as Artistic Director of the Institution since 2011, for his vision and how he managed to renew Art Paris Art Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functionFAIR 2016, we discussed with Mr. Guillaume Piens, who took over as Artistic Director of the Institution since 2011, for his vision and how he managed to renew Art Paris Art Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniArt Paris Art Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniArt Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functionFair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniArt, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniArt Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioning.