Sentences with phrase «way none of the characters»

Not reality, not characters you can identify with, not women you might see walking through suburban Atlanta where the film is set (and by the way none of the characters have Georgia accents accept for the cameo from two Atlanta Housewives).

Not exact matches

There are decent performances all around; unfortunately, none of the characters can be considered likable in any way, shape, or form.

Its motif is self - pity, Steers displays no particular way with a scene, and, as Igby, Culkin exudes none of the charm or charisma that might keep a more general audience even vaguely interested in his bratty character.

None of the characters are in any way sympathetic or interesting.

None of these characters see or need their father in the same way, and that makes them some of Baumbach's most compelling characters.

None of these other characters really matter though, they are in a way just extra props for Petit's act.

None of the characters are meant to speak for a specific demographic of the world, and more importantly, both Judy and Nick have their own triumphs of moral success and missteps along the way.

These three characters take up the bulk of the screen time, with notable supporting performances from Kevin Corrigan and Lew Temple, but none can contend with the real star of the show, the inanimate beast that is the out - of - control 777, as it continually chugs its way towards impending doom.

None of the characters are underestimated, all of them are given room to express themselves, and while the story may be familiar the way it plays out feels fresh and inviting.

Try though the film did to give each of the characters individual ways in which they were «broken,» and give Lena some meager backstory flashbacks, none of it really amounted to anything substantial.

The speculation for who Kesy would be playing is not confirmed, but sources claim that the character Kesy would portray is none other than «Black Tom» Cassidy, a mutant who can bond and project energy from plant life — I can already see the comedy unfolding with this one — but the rumor is that the character's name could be «Black Bob» instead which could be a simple switch for fun or a really goofy way of throwing us off the trail of who he really is.

Seeds are planted early on so that this manipulation works, but for all the exposition thrown our way, none of this matters as we're invested in the narrative and the characters pretty much from the get go.

None of the films» main characters — the two Jeffs, Lisa or Blue Velvet's Sandy (Laura Dern)-- are in any danger until they trespass into the physical space that holds their fascination captive, but ultimately they are coaxed into harm's way.

The stellar supporting cast includes Nancy Reilly, Margo Martindale and Thomas Haden Church none of whom get sufficient material to develop their characters in any meaningful way.

None of the characters are fleshed out in any way, and the whole married - men - are - eunuchs subtext is just lazy.

It is also disappointing that none of the characters have a move which lets them push aside or barge through zombies as getting swarmed under by the sheer number of walking corpses that the game throws at your is a common occurrence, and when it happens there's rarely a way out from it.

Although none of the falls are graphic in any way (the whole game is bloodless), you can still feel the pain every time your character takes a dive.

None of those games, however managed to capture the wackiness of the TMNT characters and story the same way as Turtles in Time.

While much has been made of the «international» character of this year's shortlist, with none of the artists ticking the «White British» box, all represent, in one way or another, what it means to be British today — even Andrea Buttner, who is actually German.

The irony is that of all the Environmentalists» attempts to diminish the moral character of climate sceptics, to banish them, to compare them to fascists, or to reduce the public to unthinking morons undeserving of democracy, none are actually attempts to win the debate — they are just new ways of avoiding it.