Not exact matches
Curators Patricia Spergel and Shazzi Thomas selected artists for this exhibition who reference garden and landscape in their work in a variety of
ways — traditional
observational painting, works with subtle satirical and political commentary and
paintings that lean towards abstraction.
Instead of privileging one
way of
painting and seeing over another, Walker embraces both
observational evidence and visual signs.
ES: I'd like to talk about the
way you work because a lot of your
paintings are based in the imagination rather than the
observational.
I don't really feel like I've left
observational painting behind as much as use it in a different
way — collaged and improvisational.