Sentences with phrase «way of his artistic practice»

It feels urgent and fitting to address the complexities of the biennial context, and the broader debates around nationality and (inter) dependence, by way of artistic practices in which the subversive and critical potential of humour is explored, that powerful affective force that is capable of opening up new perspectives on our existence beyond knowledge or rationality.

Screening: Camille Henrot at Museum of Modern Art By way of her artistic practice, Camille Henrot often disrupts structures and systems that lend a sense of order to society.

He's known for his interest in tracing the development of systems, ideas, and theories by way of his artistic practice.

Not exact matches

As a kid's yoga teacher, I get the chance to explore artistic, creative ways of sharing the practice and its benefits everyday.

Students can also apply their knowledge of numbers in a very practical way, practice their SPANISH spelling, and put their artistic talents to good use at the same time, by creating their own set of question cards on the quiz card template.

Therefore, we can sum up it up this way: When eLearning practitioners use eLearning platforms to build, create, and promote artistic and creative activities in instructional practices, one of the benefit of copyright law is that it seeks to secure a fair return for an original author's creative labor and at the same time stimulate artistic creativity for the general public good.

This will allow you to stop along the way at the artistic villages of Celuk, Mas, and Batubulan where Bali's famous sliver - workers, wood - carvers, and stone carvers practice their crafts.

Can you tell us a little of the ways in which both feed your artistic practice with an exhibition such as this?

Photography is a constant and ubiquitous element in Fallen Fruit's artistic practice — utilized both as documentary process and image production — as well as an informal way of establishing trust with a range of citizens, and asking them to lend specific for inclusion in their installations.

Wittingly parodying the uncomplicated jokes from vernacular literature, the artist has found a way of incorporating a difficult subject - matter — humor — into a deeply serious artistic practice.

Don't Take This the Wrong Way showcases the diversity of our backgrounds, media, and artistic processes, but also highlights the discourses and connections forged through two years of intensive studio practice in close proximity.

Based on the practice of articulation and reinterpretation that has characterised his artistic activity, Add Fuel presents in «Something old, something new, something borrowed» a staging of an intimist nature arranged in a type of idealised and stylised domestic setting — part genuinely cosy, part openly satirical — , that suggests a narrative of decorative contours that aggregates a multiplicity of references, iconographies, and signs which, in one way or another, have contributed towards shaping his personal and artistic identity.

Walking is an important part of his artistic practice, providing an opposition to the conventions of monuments, objects, or normative crossing points, and thus a different way of interacting with urban infrastructures.

The exhibition, Forrest Bess: Seeing Things Invisible, currently on view at the Hammer, addresses the ways Bess's personal life and critical exploration of gender affected his artistic practice.

«Is there a way that i could start to think about these buildings as an extension or an expansion of my artistic practice.

Each of these artists — many whose works have been featured in exhibitions that the Museum has originated — contributes to the field of visual art in tangible ways and consistently demonstrate a commitment to expanding their artistic practice.

Michelle Grabner's multiple roles — as artist, professor, curator, and critic — enable her to approach her artistic practice in a variety of ways.

Informed by their makers» work, artistic practices, themes of their research or simply their areas of interest, the routes offer new ways of seeing the world around us.

His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.

Sabine Eckmann: We came up with these three terms «real, radical, psychological,» as leitmotifs which informed artistic practice during the period of modernization all the way to the present.

The last years Rozendaal has been exploring ways of expanding his artistic practice beyond the Internet.

City Agents brings up artistic practice as a way of exposing those material flows, objects end densities of the city.

Spanning practice and theory, Hockney's investigation of artistic techniques has also developed through art - historical research, resulting in Secret Knowledge (2001), his publication on the optical devices used by the Old Masters, as well as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.

Part of the Barbican's 2018 season The Art of Change, Modern Couples: Art, Intimacy and the Avant - garde reveals the ways in which creative partnerships have impacted on artistic practice and social restraints.

That was something that gradually came along within the development of my artistic practice, and it provides me with a way to ask deeper questions about sports» political, social, and cultural relevance.

Matthew Jensen's artistic practice investigates the ways in which public perception of landscapes affects how these spaces are experienced.

Through a precise examination of this distinct form of artistic practice in works by artists ranging from John Cage to Sanford Biggers, this exhibition provides a unique perspective on the ways in which modern and contemporary artists have used language, objects, and images to forge social contracts with their publics.

In a way that no other exhibition has done previously, Radical Women: Latin American Art, 1960 — 1985 will give visibility to the artistic practices of women artists working in Latin America and US - born women artists of Latino heritage between 1960 and 1985 — a key period in Latin American history and in the development of contemporary art.

This exhibition, featuring photographs from several projects and bodies of work, including the Rephotographic Survey Project, Water in the West, Third View, Yosemite In Time, and as yet unexhibited work from Lake Powell, will explore Klett's creative practice and the ways that working with others expanded his artistic contributions to the field.

By placing two discrete generations of artistic practice in conversation with one another, Liquid Modernity reevaluates the ways in which the ubiquity of technology influences the interpretation of information.

Liquid Modernity is an exhibition that examines the legibility of data in artistic practice, primarily by way of printed media from the 1970s and 2000s.

Draxler's artistic practice represents his own way of dealing with his deepest fears, anxieties and nightmares.

Her artistic practice focuses on the process between the object and its visual perception, constantly changing because of the way it is influenced by the digital domain.

** I've been thinking a lot about art practices that bring a specific «folk culture,» for want of a better word, into an academic or artistic practice and then apply a certain language to it that is supposed to lift it upwards, in a way.

In many ways small and mid-sized galleries are where artistic practice is practiced before it stagnates into art work — that is the repetition and reapplication of a method, like Andy Warhol's celebrity prints, Yayoi Kusama's spots or Damien Hirst's spot paintings.

In this series of informal workshops, together we will work to find ways to derive meaning, create specificity, and offer more clarity and grounding in individual artistic practice, through writing exercises, readings, and wide - ranging discussions.

• To embrace artistic experimentation and emerging practices in the creative field • To offer new ways for the community to experience art, architecture, and the landscape • To enliven the experience of visiting the Museum through participation and active engagement of the public

Chicago - based artist Edra Soto has devoted much of her multifaceted artistic practice to investigating the ways that class and race figure in post-colonial representations.

It is a collaged memory of actual conversations I had over the past few weeks, by phone, email and in person, with four artists who inspire me with their creative practice, their artistic output and their fundamental ways of being in the world.

Though labels like Abstract Expressionism, Pop, modernism, and postmodernism serve as historical markers, providing a way of accounting for the broad range of artistic practices of the past century, the history of art is constantly changing with the influx of new ideas and scholarship.

The exhibition spans three galleries within the Zaha Hadid - designed museum, anchored by overarching themes within each: «Shifting Identities» explores how a changing China alters constructions of identity; «Body as Site» focuses on the physical body as a literal and figurative site of discussion and debate; and «Confronting Tradition» highlights the ways in which artists draw inspiration from classical texts, teachings, and artistic practices to reinterpret and question evolving power structures and social norms.

Included in every visit is a walk through the Craft and Design Studio highlighting the various ways that our Artists - in - Residence incorporate the concepts of STEAM throughout their artistic practice.

«Laurie Anderson is continually pushing the art of storytelling forward in deeply moving ways both in the thought - provoking content of her work and by transcending traditional artistic practice,» said Rebecca Robertson, President and Executive Producer of Park Avenue Armory.

Less interested in explicit depictions of war, the exhibition explores the various ways political conflict insinuates itself into cultural imaginaries and manifests itself in artistic practice.

We could call these the «first» and «third» audiences of the Biennale, one that is immediately interested and involved in contemporary art, and one that is present in other ways, and which challenges the confines of contemporary artistic practices.

Condorelli has long engaged with the architecture and context of the exhibition space, building modular furniture and reflecting on the history of the institutions where she is showing, a fitting choice for this exhibition, then, which celebrates curatorial and artistic work as always related in ways that go beyond any traditional sense of curating as a practice of caring and selecting.

In addition to her artistic practice, Munro is Editor of SOAP magazine and has curated a countless exhibitions and projects, most recently the international group exhibition We Go Far... And Way Back at Show Gallery on Staten Island, NY.

The two private collections are made public to create a unique exhibition - dialogue reflecting in its own way on the singularity of their individual artistic practice.

Looking to the past, present and future of one of the cornerstones of artistic process, we ask what it means to make art from life, and how the practice is evolving as technology opens up new ways of making and seeing.

«FIELD / WORK helps you get a better grasp on the business end of things so you can become more focused and efficient in the ways you pursue your artistic practice.»