Whereas most trailers linger a few seconds at most on any one image, this extended spot — attached to screenings
of Logan back in the spring — blows almost a minute and a half on an unbroken shot
of Ryan Reynolds» irreverent crime - fighter laboriously changing into his costume in a
phone booth, underscored by the iconic John Williams Superman score, as well as the sound
of the bystander he's taking
way too long to rescue being violently murdered off camera.
Since the beginning
of his career, he has incorporated a palette
of shapes and forms that frequently recall familiar structures from the built environment — a
phone booth, a chain - linked fence, a ventilation grill, to name a few — yet presents them in a
way that is entirely new.